Tag: writing process

Writing Time, Again

Chug, chug. My muse is a dependable locomotive engine this week. I sit down, and the words and scenes chug out. It’s not wholly effortless. I hit some grades that slow the pace but the muse keeps chugging, and I keep going. Writing-like-crazy bursts are followed by introspective editing and revising to get to the point where scenes and chapters are completed, and then I go on to the next one.

Once upon a time, I would have thought, hey, it’s written, revised, edited, and finished. Submit and publish, thank you. Now I’ve learned, naw, that writing, editing, refining, and polishing is part of my writing process to achieve completing a first draft. When the draft is done, the work of editing, revising, and re-writing begins. I usually find kinks caused by story or character inconsistencies, flimsy story-telling, or awkward phrasing that requires thought and deeper processing. Sometimes I find a bridge missing that I’ve marked to write later.

But I’ve learned from editing and revising in the past, and I’m more mindful of my process. I can think through the process, story, and words on the fly more than I used to be able to do, a result that comes from application, application, application, via writing every day. It’s all part of a immersive, relaxing process. Writing is my therapy and sanctuary.

Time to write like crazy, at least one more time.

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Nothing Spectacular

Aided by coffee, it was just one of those days.

I came in, drank coffee for about fifteen minutes, and then put my head down and typed. The scenes came without too much effort, along with the words to describe them. I wrote like crazy for about sixty minutes, finishing with over two thousand words. Another thirty minutes of editing what I’d written followed, and then hunger called time. Not much time spent on the actual mechanics of writing, but that’s typical for me.

Just one of those days, nothing spectacular, but progress was made. Time to go eat.

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Pulling Threads Together

When I finished writing yesterday, I’d completed another chapter. Now I had three chapters that needed to be pulled together. Each was a thread that seemed unrelated to the others, even though I knew they were related.

Walking along, I thought about that writing process. I’d envisioned something happening to these characters, gone down several side trails (creating the three threads) and now had to tie them together to return to the original story line. I thought about how much of my writing seems like problem solving, and things I’ve done all my life, from solving math problems in school to logic problems done for pleasure, personnel issues because I’d become a manger, on to difficult business cases that required me to find, compile, and analyze data using spreadsheets.

I’ve heard people say that they wrote something but didn’t finish it, because they didn’t know what to do next. Resolving those things shouldn’t stop us, if we’re writers. We dig more deeply, searching for ways to finish the story we’re telling. How we get to that point that we find a way varies. I walk and noodle, and sometimes read other books. Reading fiction often seems to open another door in my mind. It’s a fresh reminder of the importance of reading if you’re writing. Reading stimulates my imagination and creativity.

While I walked and thought, I recognized that I was also intimidated. I was afraid of making a mistake, tying the three together. It’s a major moment in this series.

That amused me, since I knew that what I wrote when I write like crazy is rarely the finished product. I make mistakes, and correct them, trying to improve the story and how I’m telling it. But I also realized that I was over-analyzing what was going on, a regular problem I have with myself for everything from deciding what to order on a menu to, well, writing a novel.

I also laughed at myself because I thought, a million words written, and it seems like a million more to go. It staggered me to think that these four novels plus the support documents for this series added up to over a million words. It didn’t seem like a million words, but I never thought about the sum total when I wrote them. I just wrote, word by word, and it all came together.

It reminded me, too, of walking to get somewhere, and stopping partway through the journey because I’m hot, sweaty, and tired, and realized, I’ve come so far, but there’s more to go. So I pause, look around, accept that I have to walk on to get anywhere, and continue on the path that I began to follow.

So, deep breaths, I told myself. Just sit down, have some coffee, and write. I’ve written a million words; what’s a million more?

Okay, I’ve had the coffee, and I’m sitting down. Time to write like crazy, at least one more time.

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Choice of Direction

As I take up the next chapter, I’m faced with sudden choices. I thought the path was clearly defined when the chapter was begun, yet, when I wrote it, it took unexpected twists and ended up somewhere else. Once there, I saw two new options — and then a third, and a fourth. That forces the writing phase that I call “sitting at a computer with a cup of coffee and staring out a window thinking.”

I know I won’t be able to decide in this session. In a way, it’s like a chess match, where multiple future moves are considered. No, I’ll probably finish the coffee and get up without writing another word, and then I’ll go walk for a while and continue to think. I probably won’t decide while I’m walking, either. I’ll continue to think about the options and moves until I return to write like crazy tomorrow. Then, without making a conscious choice, I’ll begin writing, and let it take me.

That’s the process: realize, and think, letting it brew and simmer, and then write by letting the words take me. When I’m in these moments, I’m reminded of the scenes in Stranger than Fiction when Emma Thompson, as the author, Karen Eiffel, smokes cigarettes and wanders around, considering ways to kill her main character.

I so enjoy those scenes.

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E Cubed

Energy, exploring, and expectations.

The more I write fiction, the greater I understand that much of my writing is about exploring what I’m thinking and understand (and then trying to explain and share it by putting it in a story), and managing expectations about writing.

Some days, about one in fifty, I think, I don’t want to write. It’s mostly because I weary of my routine and want a time out. This typically happens when multiple energy levels – creative, physical, intellectual, mental, and emotional, let’s say – simultaneously drop to low levels. That puts me in a black place. That’s when I must dig deepest and longest to sit down and start typing those first words. If I can make it through a paragraph, I’ll persist and write several pages.

I know this. That’s when managing expectations enter my personal equation. Like everything else, my writing efforts reside on a spectrum. I know there are days when the words leap effortlessly through mind and onto media (and I love those days, and thank the Universe for the experience). On the spectrum’s opposite end on those weary, turgid days. Not only do I not want to write, but I’m also pretty much a much larger asshole than I am on other days. My tolerance, patience, and bonhomie seem completely drained on those days.

I also know that regardless of my approach and expectations to writing (and editing, and the rest of the writing process) on those days, I can rarely tell the difference in the end product. I edit, revise and polish too much. I tend to write the bones down in a flurry, and then more leisurely add details, bridges, and expansion. For instance, the first line of a new chapter begun the other day ended up being the first line of the sixth paragraph by the time I finished the chapter. That line was the part of the scene I first saw, but then the light grew wider and brighter, and I saw more of the scene, and entered the characters and their expectations and participation more deeply.

I know all of these things because I’ve explored myself and my approach to writing, and what I like and dislike about my processes. And then I write and post about it because that helps me clarify my understanding. Sometimes, other writers respond, and let me know, “Hey, me, too,” and that helps, too, because I see that I’m just another normal, fucked up writer. I might even be human.

Time to write like crazy, at least one more time.

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The Intersection

I dreamed about my work in progress last night, specifically about the story-line now being addressed. My mind, being what it is, inserted me sometimes, so that I was part of the story. My mind, being what it is, would see that I was dreaming about my writing and including myself as a character, and then try to untangle me from the fiction being written. “I’m the writer. I’m not supposed to be in this story.” That would lead to dream-confusion among the dream participants (dreampants?) about what was going on. It was really…interesting.

Which, after awakening to think about it, demonstrates an intriguing intersection between who I am and how much I put of myself in my writing. Even when I deliberately decide to have a character do or speak in ways that I wouldn’t, that choice is based on what I’d be doing. My characters are composites of other people, but I’m essentially imagining how those folks would respond. I don’t know, though. I don’t have a secret window into their lives. I guess at what they’d do, twisting their responses into madness and lies, and courage and hypocrisy, betrayal and honor, all based on what I think I’ve heard them say and do, and the character’s arc. You all know how unreliable we are as witnesses. We color it all.

But in there, in the intersection between my dreams and imagination, and my choices and decisions, is where my writing takes place. Sometimes it’s a large intersection – or even a roundabout, with too many cars traveling too fast, all trying to change lanes and enter and exit at the same time – and other times, it’s two small animal paths meeting in a quiet field. Whichever intersection it is, I sort it and write.

Time to write like crazy, at least one more time.

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Good Feeling

Isn’t it a good feeling when the writing energy is boiling up in you like a volcano about to lose it, and you finally sit down to write and let it all pour out?

No, it’s not a good feeling, it’s fantastic.

Time to write like crazy, at least one more time.

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E.L. Said

This was difficult to understand when I first started writing. I thought I needed to know all of the story before I began writing it. I didn’t appreciate that I was learning the story as much as I was writing it.

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My Five Writing Rules

I have simple writing rules. It’s a complicated world, so why burden myself with greater complications?

  1. Write every day. Writing every day helps me maintain story continuity, and making progress is tangibly reassuring. I also like the practice and discipline, but as an amendment to this rule, I stay flexible and adapt. I don’t sweat it if I can’t write every day. Okay, I confess, I sweat it, but I endure with the promise to myself, “I will write again.” 
  2. Write like crazy. Yep, put it down, one word after another, and let it flow like lava escaping an erupting volcano. Then, edit, polish, edit, polish, revise, re-write, and edit and polish. It’s a rare sentence that is not changed in some manner between first thought and final edit. After grudgingly accepting that re-writing, polishing, and editing are necessary, I now enjoy this process. Writing like crazy is a fast and intense process, but the polishing, etc., is loving, and let me feel the novel and see how it breathes.
  3. Don’t overthink it and don’t write for anyone else. Man, I get angst about what I’m writing. I worry that it’s crap, and I suffer the imposter syndrome. Even as I write and enjoy what I write, I worry that others won’t like it, that it won’t measure up as professional, meaningful, entertaining, or original. I fear the moment when someone stands up, points a finger at me, and shouts, “J’accuse! You are not a writer.” However, I’m also ready to respond, “Fuck you, jack.” Of course, that won’t prevent me from brooding about it.
  4. Create and maintain a support structure. Like anything that you consider imperative, such as eating properly, exercising, or family time, it was critical for me to let others know that it’s writing time is important. In return, I set a schedule for it, and adhere to it, so that they know when I’ll be writing. Telling others – coming out of the writing closet, if you will – was a huge step. People respect the effort. Telling my wife, and her support of my writing efforts, were tremendous boosts to my ability to go off and write every day. Writing is already a solitary and lonely business, but her support reduces the struggle by an immeasurable chunk.
  5. Don’t talk to others about the novel(s) in progress. People will ask, and I do want to share. But it’s so easy to let that writing excitement overpower the moment. I end up going on and on, regaling them about the characters, concept, plot and complications, even as I understand that it’s in beta, or first draft, or whatever, and subject to change. Just answer politely in vaguely sensible terms, change the subject, and let them escape for being a good friend and inquiring.

Any rules that work for you that you want to suggest? No pressure.

Time to write like crazy, at least one more time.

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Expectations

You ever read another’s book, and begin editing it to improve grammar, pacing or story-telling, or think that the character should have been changed, or think about how you’d change the words because a sentence is awkward or sloppy?

I encounter this all the time. But I can’t edit or change it; that book is done. That’s why I’m reading it.

One of the best aspects of reading and editing my own work is that I can enjoy the story and make those changes. Massaging and polishing the elements mentioned in the first paragraph, and more beyond that short list, becomes satisfying, exciting, and rewarding.

Conversely, though, I don’t know how much of my entertainment comes from reading these written words versus enjoying the expansion of my interior worlds being made real. Deep in this forest of words, I’m having a damn fine time, but could anyone else read this and have the same experience?

Well, no, probably not. Writers know what we write, and what others find and take from our words rarely match. Readers develop their own set of expectations as they read our work. As we write from our experiences, so they read from their experiences.

That completes the lap of thought, and I’m back at the start, and the rhetoric about wanting to change another’s book.

Surely, of all that’s possible, that’s not what that writer expected. And that’s why we edit and revise, and have editors, so that we don’t put out that book that someone reads and wants to change.

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