I’m not watching “19-2.” Season four is over. It remains a beautifully written, produced, directed, and acted television series. I look forward to it, and then must ration myself to make it last. It’s always worth the time. Episode one, season two, about the school shooting, remains one of the most gripping pieces of electronic fiction I’ve enjoyed, vividly drawn and executed.
I’m not watching “Rake,” either. I’m not referencing the American version, but the Australian original. Sorry, but Richard Roxburgh is Cleaver Green, that rake. After the shocks of last season – hell, every episode on every season offers a shock – I’m looking forward to the next one.
Naturally, I’m not watching “Game of Thrones.” I’m not watching “Code.” Code is over. I didn’t find year two as interesting as year one, but then, year one was hellagood. No, I’m not watching “Red Rocks” out of Ireland, restlessly awaiting its continuation, or another Australian show, “Miss Fisher’s Murder Mysteries.” I’m not watching “The IT Crowd” – the original U.K. series, with Chris O’Dowd, Matt Berry, Catherine Parkinson, and Richard Ayoade, or “Misfits,” nor the mischievous, cheeky “Raised By Wolves.” And of course, I’m not watching “Gavin and Stacy,” “The Killing,” “Happy Valley,” “The Vikings,” or that crazy, silly show, “Red Dwarf,” either, or “Prime Suspect,” “Cracker,” or any Wallender or Case History shows.
No, they’re all done, or on hiatus, leaving me to wait to see what the world comes up with next. The world is pretty good at surprising me.