Tuesday’s Theme Music

7 AM. I open the blinds because I know sunrise was at 6:59.

No sun. Droves of fat flakes lash the window and veil the world. It’s 37 degrees F so it’s not sticking.

I meander through the house TCB. An hour later, I’m at the kitchen window. 37 F. Sunny as Florida.

Florida comes to mind because my wife spoke with her sister yesterday. Sis lives in Florida. She was in her pool. 80 F.

Back in Ashlandia, ten minutes later, it’s dark and gloomy. Low clouds hide the mountains.

It’s 37 F.

This is Tuesday, February 21, 2023. Winting rules Ashlandia. Weather sages tell us the high will be 42 degrees F later today, then we’ll drop into the twenties for the night. Snow is expected to fall after sunset at 5:51 PM.

10 AM. It’s a broken blue and white sky. No sunshine.

Papi, the ginger marvel, has been galloping around the house, wailing to be let outside, beating on windows to come back in. He is not a fan of winting weather.

I have “Jumper” (1997), Third Eye Blind, looping through the morning mental music stream. The cause mystifies me. The Neurons must have something in mind but they’re not telling me. Behind the song was a story of a high school committing suicide after being bullied about their sexual identity. The song was played for Republicans in 2015 at the convention to protest the GOP’s anti-LGBT positions.

Stay pos. Enjoy the weather as best as you can. It’s almost sunny here now. No, wait, clouds have skated in. It’s snowing. No, it stopped. Look, it’s sunny.

Here’s the tune. Where is my coffee?

Here comes the snow. Cheers

Thursday’s Theme Music

I’m a terrible fortune teller. See too many possibilities. They’re all happening, none of it is happening, and all the varieties between them are happening. Such is life when the film between realities tear and shrink.

Well, that’s how it feels, sometimes.

Here in the U.S., we’re approaching an election. “It’s yuuuge,” some might claim. The possibilities, fears, and anxieties proliferating cause rolling responses: “Oh. my,” “Oh. no,” “What the fuck,” and “Here we go.”

Third Eye Blind presented us with the perfect song for now. They did it back in 1997. “How’s It Going to Be” has a softly tinged nostalgia, illuminating the questions we all experience. “How’s It Going to Be after x,” becomes an urgent plea before falling to soft, wondering surrender.

Perfect for this special year of pandemic, climate change, shifting alliances, and elections we have numbered, 2020.

Friday’s Theme Music

I was thinking about my muse, or muses. They were having a party in my head, a.k.a., a head party. Apparently, they’re feeling frisky. I enjoy their energy and company. Starting to learn some of their names. Won’t reveal that, per their dark request. (“Yeah, reveal our names and say good-bye, because we’ll be a word on the wind.”)

Anyway, here’s the song that was written about a muse, “Never Let You Go” by Third Eye Blind, January 2000.

Tuesday Theme Music

I woke up streaming Third Eye Blind’s 1997 song, “Semi-Charmed Life”. Although the song arrived after a flotilla of dreams, I don’t…oh, wait, there might’ve been a connection. Just saw it.

“Semi-Charmed Life” sounds very poppish, with it’s varying cadences, the doo-doo-doo, and softer, gentler inflections. Much of the words are sung fast, but trying to hear them when it came out, I thought, “It sounds like he said she goes down on him.” Eventually, search engines developed the wherewithal to fulfill powerfully important tasks like learning song lyrics.

Yes, she did say she goes down on me. Yes, they were also singing about chopping a line, and that part about crystal meth? Yes, it’s in there, too. Later, though, on other stations, those lines were gone, yes, edited out, censored. Don’t want people hearing that sort of thing. Close your ears, children.  Don’t want to poison the air with words about drug use.

(Reminds me of those places like North Carolina who FORBID using those blasphemous words, climate-change. If they don’t talk about it, it won’t happen, right? And everyone will live happily on the beach, building new developments and golf courses forever. Love that logic.)

You really should listen to that bouncing, free-association, sing-song sloppy rhymes, besides the soft ones when he sings, “I want something else.” When you put it all together, it’s reflective and powerful, with desperate edges, but ironically poppish.

 

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