Friday’s Theme Music

You’d think that today’s theme music originated with feeding the cats or something, but, no, this one started with a dream.

The dream had to do with a man that I’d met and the movies. Throughout the dream, he was either trying to get me to go to the movies with him, be in a movie with him, or make a movie with him. A cheery, energetic guy, I never quite understood him or what was going on. But I recalled him saying, “Just how deeply do you believe?”

After thinking about the dream and feeding the cats, that phrase started Nine Inch Nails, “That Hand that Feeds” (2005), streaming through me. “Just how deep do you believe? Will you bite the hand that feeds? Will you chew until it bleeds?”

Thursday’s Theme Music

I’ve always had a place in my heart for the Clash, and I like the hard-edge they bring to today’s theme music. “I Fought the Law” by the Bobby Fuller Four was a hit when I was ten. Featuring clear and easy lyrics and a fast beat, I heard it on AM radio and picked it up and liked singing it. It was a decent song.

Over twenty years later (1979), with the Clash’s almost smug, sneering, raw cover, I felt it was more correct. Then, on reflection, I recognized, no, this is more about our cultural shift regarding music, and the evolution of taste. My mother disagreed. She liked Fuller’s smoother version.

I also thought it was humorous and odd after “White Riot” that the Clash recorded “I Fought the Law”. While the subject matter, an unlawful resistance theme, was similar, the songs’ structure were different. I decided the Clash were being ironic with their cover of “I Fought the Law”.

The trigger for releasing the song into my stream last night and today was a conversation with my spouse. I said, “I’m going to the ATM for some cash. Need any?” As I went, I thought, “I needed money ’cause I had none.” Naturally, the chorus followed. Fortunately, my ATM card worked, my account had cash, the law wasn’t involved, and the only fighting was within myself about how much cash to take out.

Here’s both versions. Hope you enjoy one of them. Cheers

 

Wednesday’s Theme Music

Oh, those dreams. After those, I was hunting for an energy jolt. After reading some Dave Grohl comments about Billie Eilish, and thought, yes, she will work.

I like her work because it’s a change, although, honestly, “Ocean Eyes” (2015) was weirdly Enya-esque, prompting thoughts about cycles.

“you should see me in a crown” (2018) doesn’t remind me of Enya. It reminds me of exploration and alienation while sourly mocking invitations, judgments, and expectations.

Count my cards watch them fall
Blood on a marble wall
I like the way they all
Scream
Tell me which one is worse
Living or dying first
Sleeping inside a hearse
I don’t dream

It’s musical art, an expression about a generational segment, in my bones. Don’t mind the spiders. She doesn’t.

 

 

Tuesday’s Theme Music

After another night of multiple, interesting dreams (some involving playing games), I was mocking myself this morning. “These dreams go on when I close my eyes,” I said to the cats, who were not looking at me nor listening to me (because, the cats were all thinking — I could see it in the spread of their whiskers, the glints in their eyes, and the tilt of their ears — “The others are here, and who knows when one of those other cats will lose it and attack me, so I must stay vigilant!”), “but it feels like I’m thinking about them every second that I’m awake.” Of course, I was close to the song lyrics from “These Dreams”,  a 1986 Heart hit.

“These Dreams” sounded different from Heart’s earlier music, IMO, but I liked the song. (Confession: I like songs ’bout dreams. It might be because I dream often, and seem to remember them.) Of course, the band’s line-up had changed, too, another reason for the different sound. Not long after buying Heart’s album, I discovered that Martin Page and Bernie Taupin wrote the song. Ah, hah.

The other aspect of this song, heavily noted during the song’s time on the pop chart, was that Nancy Wilson sang lead vocals instead of Ann, even though Nancy had a cold.

Ah, trivia.

Saturday’s Theme Music

It’s another feline inspired theme-music day. I petted Tucker and fed him, then fed the others, and then started my coffee and breakfast. Tucker, though, stayed with me, standing by me wherever I want. I finally asked him, “What’s up? Is this stand-by-you day?”

So, for Tucker, here’s the Pretenders with their 1994 song, “I’ll Stand by You”. Not that he was looking sad, or had any tears in his eyes. Quite the opposite, he was tail-up.

Friday’s Theme Music

Today’s song started streaming when I awoke and thought, “Ah, heart is still beating.” I was amusing myself, and not worried about health.

From that, though, came Huey Lewis and the News, and “The Heart of Rock & Roll” (1984). I’m not a fan of the band or the song, but one, I had friends who were (and presumably, still are) fans, and their songs proliferated on Armed Forces Radio and Television Service (AFRTS) FM stations when I was in Asia and Europe.

Now it’s stuck in my head. I’m passing it on to you. You can thank me when you see me. Cheers

Monday’s Theme Music

Organizing writing thoughts this morning delivered today’s theme music. Although I wasn’t thinking about murder, I was numbering and ordering what I was going to do. From that began the Sting/Andy Summers jazzy song, “Murder by Numbers” by The Police (1983).

It’s all about one, two, three, as easy to learn as a, b, c.

Sunday’s Theme Music

Today’s theme music is from 1984, when Madonna was a new phenom.

I started streaming it because of a dream. In the dream, people were constantly chastising me for crossing the border, or crossing the lines, or crossing the borderlines. At first, I responded with confusion, telling them, I didn’t see, or, I didn’t know. Sometimes I apologized because they were upset. But as I grasped what they meant about borders and lines, I realized that they were the offensive ones with their false conformity-based or racially/sexually biased borders. As I encountered more people, I discovered more ridiculous borders and demands to recognize and accept the borders. That all pissed me off because their borders were predicated on childish fears and outlandish ideas. I was prompted to declare that I was against their borders, and I was going to cross them. That led to a huge, ugly, hostile confrontation.

So, awakening and thinking about the dream, I streamed a few things involving borders, like Taco Bell’s old commercial line, “Run for the border.” I then streamed a little CCR, “Better run through the jungle, and don’t look back to see.” But then, out of the morass came Madonna’s “Borderline”, which stayed and soothed.

Saturday’s Theme Music

Today’s choice was one of several songs in my morning stream (which kinda sounds like something I was peeing out, doesn’t it?). I owe it’s stream presence to a cat, specifically the Ginger Prince, a.k.a. Meep, alias Papi, but also sometimes called the Blade. The youngest of our cats, he still enjoys roaming at night. The house quickly bores him, so he wants out. Then, it’s cold and raining, so he wants in. But it’s boring in the house, so he wants out. But it’s cold and raining, so he wants in. And always, as he’s going in and out, he’s asking me, “What are you doing? Want to play?”

Either way, in or out, he spends the day sleeping, bathing, eating, with a little playing on the side, but he likes the night life better.

From 1979, here are The Cars with “Let’s Go”.

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