Sunday’s Theme Music

Today’s theme music is “(If Loving You Is Wrong) I Don’t Want to be Right”. Humming along with it as it flowed through my stream this morning during the routines, I thought about the song’s complex, grown-up nature.

I was sixteen when the song was released in 1972 and going through the standard processes involving discovering love and sex. Little did I know how complicated it could all be. The big lie still held about finding someone and falling in love, marrying for laugh, and growing old together. Big cracks were appearing in the big lie. Love and sex, as well as gender identity and sexual orientation are all more complicated than the big lie’s straightforward depiction. Then religion society gets involved – a black man and a white woman? Social norms add new pressures and dimensions.

That’s behind the song. He’s in love with another woman, having an affair and cheating on his wife. And the woman is having an affair with a married man. Both of those are taboo. The man understands that he has commitments. Needs change.

I’m not trying to defend him so much as think about how complicated love, sex, society, marriage and life can be. It’s not as clean and simple as the big lie leads us to believe.

Am I wrong to fall so deeply in love with you
Knowing I got a wife and two little children
Depending on me too
And am I wrong to hunger
for the gentleness of your touch
knowing I got somebody else at home
who needs me just as much

And are you wrong to fall in love
With a married man
And am I wrong trying to hold on
To the best thing I ever had

h/t to songfacts.com

Of course, the other part of this is what it would do to his wife if she discovered his betrayal, and what could result from that, nor what the guilt can do to him and his thinking and psyche.

Many performers and groups have covered this R&B classic, but that original voice and music is seared into my brain. Luther Ingram didn’t write it, but he delivered the sound.

 

 

Friday’s Theme Music

Freddies dead
That’s what I said
Let the man rap a plan said he’d see him home
But his hope was a rope and he should’ve known
It’s hard to understand
There was love in this man
I’m sure all would agree
That his misery was his woman and things
Now Freddie’s dead
That’s what I said

Read more: Curtis Mayfield – Freddie’s Dead Lyrics | MetroLyrics

I was reading about another unarmed black man killed by another white man with a gun. In this case, the black man was killed by a Walgreen’s security officer as he was walking away, shot in the back, after the two exchanged words several times.

Reading about the man’s death as the holidays are fading and the decorations are taken down and put away inspired weariness about change’s creeping nature and questions of why so many others seem eager to kill someone because they’re a different color, or the things they said. Growing up in 1960s America, race riots and violence were a nightly news staple. I keep hoping for peace, equality, and justice.

From all that, I began streaming Curtis Mayfield, “Freddie’s Dead” (1972).

Saturday’s Theme Music

I didn’t know who originally did this song. I don’t know why I was streaming it this morning. Somehow, between feeding the cats, opening the blinds, making breakfast and coffee, I started streaming “Gimme Little Sign” to myself. It’s one of those instances where the why is buried, but becoming aware that I was streaming it to myself, I looked the song up and learned Brenton Wood recorded and released it in 1967.

It feels like a ’67 song, mellow and relaxed, about love and relationships, and hopeful. Perhaps, subconsciously, I was talking to God(s), the Universal, the Fates, whatever, and saying to myself (or them), “Just give me some kind of sign,” about what to do or what’s to happen, and brought this song to mind. You know how humans are.

We’re all a little crazy. We’re all just looking for a little sign.

Today’s Theme Music

No particular reason for this song today. It’s a classic R&B tune, flows through the head like an unraveling thread, easy words to remember and sing, with an appropriate key and subject matter. It helps you have a legendary singer and group performing it.

Here is ‘Shop Around’ by Smokey Robinson and the Miracles, 1960.

 

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