Keep on keeping on. Reach for obscurity. Keep showing up. Maybe the rest will follow.
Lee Said
Finishing
I’m reading the third novel in the Dire Earth series by Jason Hough. Like most books that I read, I research the author. I’m curious about who they are.
I liked what I learned about Jason Hough and his writing. The first novel in the series, The Darwin Elevator, was a NaNoWriMo effort in 2008. He didn’t finish it in 2008, though, but kept writing, and found publication for it in 2013. That’s persistence.
Others did it, too, like the author of Water for Elephants, Sara Gruen, Hugh Howey, who wrote Wool, and Erin Morgenstern, author of The Night Circus. Their books were all the results of NaNoWriMo efforts. They didn’t always finish in one November, or in one year. That’s the point: they kept going.
Persistence is invaluable for a writer. Let your vision flow, and let it carry the words. Becoming side-tracked isn’t a problem, as long as you come back and continue. Time isn’t a problem, either; just keep going as the days, months, and years lap you. Endure your self-doubts, and then put them aside and write.
Time to write like crazy, at least one more time.
William Said
We don’t know what the writer is trying to pull off in Faulkner’s reference. I think, though, sometimes the writer DOES pull it off. Winning that energy from trying and succeeding is what keeps us going, and keeps us believing, “I can pull it off, if I just keep trying.”
At least, that’s why I keep writing like crazy. I think I can pull it out of my ass one more time.
Mr Sigh
He sighs when he wakes up, realizing it’s another day, and sighs when he gets out of bed, stands, and sits, motions stiff with pain. Sighs slip out as he makes his meals and eats them, and as he reflects on his life. Sighs accompany every task, as if his world is filled with strife. Sighing, he works hard to do what he can, trying to get by, contemplating his death, sighing, holding on, and trying to stay alive.
Pulling Threads Together
When I finished writing yesterday, I’d completed another chapter. Now I had three chapters that needed to be pulled together. Each was a thread that seemed unrelated to the others, even though I knew they were related.
Walking along, I thought about that writing process. I’d envisioned something happening to these characters, gone down several side trails (creating the three threads) and now had to tie them together to return to the original story line. I thought about how much of my writing seems like problem solving, and things I’ve done all my life, from solving math problems in school to logic problems done for pleasure, personnel issues because I’d become a manger, on to difficult business cases that required me to find, compile, and analyze data using spreadsheets.
I’ve heard people say that they wrote something but didn’t finish it, because they didn’t know what to do next. Resolving those things shouldn’t stop us, if we’re writers. We dig more deeply, searching for ways to finish the story we’re telling. How we get to that point that we find a way varies. I walk and noodle, and sometimes read other books. Reading fiction often seems to open another door in my mind. It’s a fresh reminder of the importance of reading if you’re writing. Reading stimulates my imagination and creativity.
While I walked and thought, I recognized that I was also intimidated. I was afraid of making a mistake, tying the three together. It’s a major moment in this series.
That amused me, since I knew that what I wrote when I write like crazy is rarely the finished product. I make mistakes, and correct them, trying to improve the story and how I’m telling it. But I also realized that I was over-analyzing what was going on, a regular problem I have with myself for everything from deciding what to order on a menu to, well, writing a novel.
I also laughed at myself because I thought, a million words written, and it seems like a million more to go. It staggered me to think that these four novels plus the support documents for this series added up to over a million words. It didn’t seem like a million words, but I never thought about the sum total when I wrote them. I just wrote, word by word, and it all came together.
It reminded me, too, of walking to get somewhere, and stopping partway through the journey because I’m hot, sweaty, and tired, and realized, I’ve come so far, but there’s more to go. So I pause, look around, accept that I have to walk on to get anywhere, and continue on the path that I began to follow.
So, deep breaths, I told myself. Just sit down, have some coffee, and write. I’ve written a million words; what’s a million more?
Okay, I’ve had the coffee, and I’m sitting down. Time to write like crazy, at least one more time.
Giving Up, Going On
- On a delayed train from Manchester to London in 1990, Rowling wrote her initial Potter ideas on a napkin. She typed her first book, Harry Potter and the Philosopher’s Stone on a typewriter, often choosing to write in Edinburgh cafés, accompanied by baby daughter Jessica, now 19, named after Jessica Mitford, a heroine of Rowling’s youth. ~ J.K. Rowling, author of the Harry Potter series and other novels.
- In the end, I received 60 rejections for The Help. But letter number 61 was the one that accepted me. After my five years of writing and three and a half years of rejection, an agent named Susan Ramer took pity on me. What if I had given up at 15? Or 40? Or even 60? Three weeks later, Susan sold The Help to Amy Einhorn Books. ~ Kathryn Stockett, author of ‘The Help’.
- After she wrote Still Alice and was ready to get it into the market, Lisa spent a year trying to get literary agents and editors at publishing houses to speak with her. The editors all treated her as yet another aspiring writer not worth their time, and the few literary agents she managed to reach thought her novel wouldn’t sell. ~ Lisa Genova, author of ‘Still Alice’.
- The situation was improbable. Just one year prior, Weir, a computer programmer by trade, had given up hope of becoming a professional writer after failing to get a single agent or publisher excited about his work. But then he posted The Martian online, and it generated such buzz that now here he was, signing mid-six-figure deals with both Crown Publishing and Twentieth Century Fox. His self-publishing success story—well-paid tech nerd becomes really well paid novelist—made him the envy of every would-be author who ever fantasized about ditching his day job. Even critics were on board. (“Brilliant. A celebration of human ingenuity and the purest example of real sci-fi for many years,” said The Wall Street Journal.) ~ Andy Weir, author of ‘The Martian’.
- He pitched the book and was rejected 27 times before a chance encounter with a friend who had just landed an editing job. Geisel told his friend about his book, about the rejection, and told him he was fed up and about to destroy the book. The friend read it and Dr. Seuss was born. ~Theodore Geisel, author of ‘The Cat in the Hat’ and other books.
It’s just something to think about. You, and your good taste and writing skills, may be unknown and yet still be a brilliant writer and yet still be unpublished and unknown.
And you, along with the editors, publishers, agents, family members and critique group who rejected you, might all be right. You don’t ‘deserve’ publication. And you do.
If you go into Amazon and read some novels, you’ll discover scathing reviews of great classics and best-sellers. And there are books like ‘Fifty Shades of Grey’, which I didn’t like, that began as fan fiction published on a website and ended up as a best seller and movie.
You can’t predict what will happen so invest that energy elsewhere. Write like crazy. Plan and write. Revise and edit. Establish a process or system and keep trying, keep trying, keep trying. Write because you enjoy writing. Write a book in a month in November. Do what it takes. Believe in yourself. Keep believing.
And keep trying.
Michael Seidel, writer 