Pulling Threads Together

When I finished writing yesterday, I’d completed another chapter. Now I had three chapters that needed to be pulled together. Each was a thread that seemed unrelated to the others, even though I knew they were related.

Walking along, I thought about that writing process. I’d envisioned something happening to these characters, gone down several side trails (creating the three threads) and now had to tie them together to return to the original story line. I thought about how much of my writing seems like problem solving, and things I’ve done all my life, from solving math problems in school to logic problems done for pleasure, personnel issues because I’d become a manger, on to difficult business cases that required me to find, compile, and analyze data using spreadsheets.

I’ve heard people say that they wrote something but didn’t finish it, because they didn’t know what to do next. Resolving those things shouldn’t stop us, if we’re writers. We dig more deeply, searching for ways to finish the story we’re telling. How we get to that point that we find a way varies. I walk and noodle, and sometimes read other books. Reading fiction often seems to open another door in my mind. It’s a fresh reminder of the importance of reading if you’re writing. Reading stimulates my imagination and creativity.

While I walked and thought, I recognized that I was also intimidated. I was afraid of making a mistake, tying the three together. It’s a major moment in this series.

That amused me, since I knew that what I wrote when I write like crazy is rarely the finished product. I make mistakes, and correct them, trying to improve the story and how I’m telling it. But I also realized that I was over-analyzing what was going on, a regular problem I have with myself for everything from deciding what to order on a menu to, well, writing a novel.

I also laughed at myself because I thought, a million words written, and it seems like a million more to go. It staggered me to think that these four novels plus the support documents for this series added up to over a million words. It didn’t seem like a million words, but I never thought about the sum total when I wrote them. I just wrote, word by word, and it all came together.

It reminded me, too, of walking to get somewhere, and stopping partway through the journey because I’m hot, sweaty, and tired, and realized, I’ve come so far, but there’s more to go. So I pause, look around, accept that I have to walk on to get anywhere, and continue on the path that I began to follow.

So, deep breaths, I told myself. Just sit down, have some coffee, and write. I’ve written a million words; what’s a million more?

Okay, I’ve had the coffee, and I’m sitting down. Time to write like crazy, at least one more time.

Giving Up, Going On

  1. On a delayed train from Manchester to London in 1990, Rowling wrote her initial Potter ideas on a napkin. She typed her first book, Harry Potter and the Philosopher’s Stone on a typewriter, often choosing to write in Edinburgh cafés, accompanied by baby daughter Jessica, now 19, named after Jessica Mitford, a heroine of Rowling’s youth. ~ J.K. Rowling, author of the Harry Potter series and other novels.
  2. In the end, I received 60 rejections for The Help. But letter number 61 was the one that accepted me. After my five years of writing and three and a half years of rejection, an agent named Susan Ramer took pity on me. What if I had given up at 15? Or 40? Or even 60? Three weeks later, Susan sold The Help to Amy Einhorn Books.     ~ Kathryn Stockett, author of ‘The Help’.
  3. After she wrote Still Alice and was ready to get it into the market, Lisa spent a year trying to get literary agents and editors at publishing houses to speak with her. The editors all treated her as yet another aspiring writer not worth their time, and the few literary agents she managed to reach thought her novel wouldn’t sell. ~ Lisa Genova, author of ‘Still Alice’.
  4. The situation was improbable. Just one year prior, Weir, a computer programmer by trade, had given up hope of becoming a professional writer after failing to get a single agent or publisher excited about his work. But then he posted The Martian online, and it generated such buzz that now here he was, signing mid-six-figure deals with both Crown Publishing and Twentieth Century Fox. His self-publishing success story—well-paid tech nerd becomes really well paid novelist—made him the envy of every would-be author who ever fantasized about ditching his day job. Even critics were on board. (“Brilliant. A celebration of human ingenuity and the purest example of real sci-fi for many years,” said The Wall Street Journal.) ~ Andy Weir, author of ‘The Martian’.
  5. He pitched the book and was rejected 27 times before a chance encounter with a friend who had just landed an editing job.  Geisel told his friend about his book, about the rejection, and told him he was fed up and about to destroy the book.  The friend read it and Dr. Seuss was born. ~Theodore Geisel, author of ‘The Cat in the Hat’ and other books.

It’s just something to think about. You, and your good taste and writing skills, may be unknown and yet still be a brilliant writer and yet still be unpublished and unknown.

And you, along with the editors, publishers, agents, family members and critique group who rejected you, might all be right. You don’t ‘deserve’ publication. And you do.

If you go into Amazon and read some novels, you’ll discover scathing reviews of great classics and best-sellers. And there are books like ‘Fifty Shades of Grey’, which I didn’t like, that began as fan fiction published on a website and ended up as a best seller and movie.

You can’t predict what will happen so invest that energy elsewhere. Write like crazy. Plan and write. Revise and edit. Establish a process or system and keep trying, keep trying, keep trying. Write because you enjoy writing. Write a book in a month in November. Do what it takes. Believe in yourself. Keep believing.

And keep trying.

 

Your Good Taste

I think Ira Glass captures the truth between effort, taste, and beginning in this video, ‘Nobody Tells Beginners’. Gallery posted this as encouragement and insight for the NaNoWriMo participants, but wherever you reside on the writing spectrum, you can learn from this video. It’s about having courage and patience, enduring setbacks, and persevering.

So here, it is.

 

The Writing Like Crazy Process

The writing like crazy is structured and unstructured, crazy and sane. Really, it just is. Such tautalogy is extremely helpful, isn’t it?

But it is what it is (there’s that help again). Originally structured to shift me from the real world’s insanity to the pleasurable world of writing and editing fiction, the process was all about release. Let me go, job, wife, cats, house, bills, stress, frustration, whatever. Take me away, writing.

The early days began as an after work period. Go somewhere in the house and write. That didn’t work too well, and I blame me. I couldn’t stop myself from falling into normal home routines and thoughts. I initiated a program to go somewhere else and write. Armed with a Z4 pen (my preference) and black and white marble composition notebooks (I was always alert for notebook sales), I usually ended up in a coffee shop, where I would have coffee. Coffee shops were tested like bath water until the ones that worked just right emerged. I was traveling for business often in those years, so I would often write in airplanes and airports.

But my hours and routine were iffy. When home, I often ended up writing only on weekends (at Printers Inc), by getting up early. That wasn’t enough, so the program was expanded to an extended lunch hour at work. Testing the process, I discovered that walking improved my writing mood, so I parked about a mile from the coffee shop and walked. In 1999-2000,  I could be spotted in San Mateo, California, walking to a Starbucks. As my company moved its office to Shoreline in Mountain View, I drove to downtown Mountain View and used that Starbucks. Meanwhile, I lived in Half Moon Bay and walked each Saturday and Sunday morning to La Di Da. After moving to Ashland, Oregon, in 2005, I began walking the town to coffee shops. The marble composition books were replaced by laptops.

In those days, I set a word count target, and I tracked it meticulously. There was no pay it forward, no credits and debits. 1,000 words needed to be reached each day, every day. Even if I did 2,000 one day, 1,000 was required the next day. I never let myself off that hook.

With each refinement, I learned more about myself and my writing process. I discovered I was an organic writer, writing with scant mapping or outlining. I found that writing like crazy was critical. Writing like crazy meant that I shoved aside thoughts of grammar, facts, punctuation, and sometimes even point of view and character, and just rode a wave of words rushing into my mind. Then I’d go back and fix it all. When I stalled, I learned to create snapshots to find direction. Snapshots were just exploratory summaries to help me find understanding of the character(s), setting(s), plot, concept, story line, whatever. They were generally not meant for reader consumption, except for my reading.

Learning and evolving fortunately continued. I learned to ask, why, why, why did this character do this or that, or this or that happened, along with the corollary matters of when, what and how.  I saw how I told and then showed the same thing, how I tended toward passive writing, how I enjoyed run on sentences and became more mindful of them – when editing – but how, becoming aware of them, fixing them were folded into my writing like crazy process. I learned what I really enjoyed reading by critiquing others, good and bad, for my own enjoyment, and then shaping my voice to be what I most enjoyed in those books, and I threw the reading doors open to all genres and authors.

I’ve always ‘written in my head’, phantom writing, where I see or hear a scene or the developing story. I found how to harvest the essence of those moments and pick them up and put them into the story. I taught myself to be unafraid to revise and edit as I wrote, discovering that fiction writing was much more like creating a painting then it was like writing an essay. And I encouraged myself to have fun.

I no longer have a daily word count. They’re not needed and I often find myself writing several thousand words. The shift to writing mind is much easier now. I can pick up the story line and where I was quickly in my mind and typically pick up where I was with just a few moments of thought.

I’ve written a number of novels, but haven’t published but two. They’re both recent after wearying myself with the agent/publisher route. Each agent had different requirements, and that tedious process drained my joy and optimism, as well as savaging my writing time. So, fuck it, I’ve gone the ebook self-publishing route. I don’t have great expectations, but I won’t be a fraud and claim it doesn’t matter; it does. But, just as with the writing process, and most of everything else I’ve done in life, I’ll keep trying, keep working on it, and I’m confident, I’ll continue progressing.

Now…time to write like crazy, one more time.

 

 

 

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