Tag: novel writing process

Draft Ten

Here’s a casual writing update, since I was thinking about it.

I thought I was on draft number seven of my latest WIP, April Showers 1921. After yesterday’s writing session, though, I was going through old docs while closing down – browsing the past, if you will – when I realized, wow, this is actually the tenth draft, if you include three false starts.

As I walked yesterday, I looked back on the process of writing this novel. I’d say that the first five or six drafts were about exploring and gasping the concept, characters, and story. A sprawling story, grasping all of its elements and ramifications was difficult. It reminded me of attempting to tell about World War II. So much happened and impacted on other areas, but things needed to be sorted and put into some order that could be followed.

I’d been free-flowing, writing like crazy, with those early drafts, leaping into different aspects of the story, exploring and expanding scenes and anecdotes, hunting for the handle on the characters and relationships. From that came the sense of the story arc, the concept’s fullness, the characters’ complexities, and the beginning and ending.

Each draft was being organized around what had been previously written. The chapters would be cut and slashed, re-written and re-arranged as needed to fit my evolving understanding. Then more was written to expand scenes. Everything was shifted as required to address pacing and coherency.

With the next draft, number seven (or ten, as I see it now) which is the current draft, it finally felt that I was fully in tune with what’s going on. I’ve been rocketing through it. Most of the writing sessions are not long, but intense and explosive. Progress has been strong. As with most of my writing process, regardless of their purpose, my mind continues working on it no matter what I’m doing. It’s not unusual to have an epiphany in a grocery store or while driving the car. Most often, though, as I walk away from the writing day, the muses carry inertia forward, delivering more material for the next day.

It’s fun writing like this, learning the story, telling the story, and feeling it opening up, expanding to include more while contracting to deliver more impact.

Okay, got my coffee, and ass in chair. Time to write like crazy again, at least one more time.

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Writing Madness

First, some acknowledgements were required. Then decisions, followed by introspection, and finally, action. Yes, it was a typical writing day.

I’d finished writing the first draft of April Showers 1921 and found it a hot mess. Part of that were unreasonable expectations (who, me?) about how the first draft should read, along with unreasonable comparisons to published novels being read. I know that one author comparing their work to another author’s work has never been happened before, but I couldn’t help myself. It probably had to do with a bad moon rising, a hormonal surge, or general malaise.

I’d also begun hearing editors, publishers, critics, and readers in my head. It was a crowded damn place, and they were a damning crowd. Foolish, I know, to consider anyone else while you’re writing the first draft. It’s one of my problems with being human.

Third, I was over-thinking every aspect of everything that I was writing. I know, writers never do that, and yet, I was, for some reason.

Fortunately, I was able to intervene with myself.

I have a habit of hunting for quotes about writing, writers, and the process and curses. I’ll often hunt for interviews with authors to find these quotes. It shouldn’t surprise many that I focus on quotes dealing with whatever issues are vexing me.

This week, I found quotes from Jane Bardam and Anna Burns that helped me get over myself. Jane’s quote, “We never know what we’re writing about, even when the book’s over,” first struck me. Becoming overwhelmed with my concept, I felt like I’d become trapped in blackberry bushes and couldn’t escape. I’d become paralyzed trying to analyze and understand what I was writing about. That was just shutting down my brain.

Likewise, over-thinking what was going on undermined my writing process. I then came across Anna Burns’ comments. She was all about how the characters turning up and telling their stories. That’s exactly what I normally do, when it’s all going well. Anna continued about it being a messy process, and that it’s sometimes told backwards.

Yes, and yes. Those were true for me.

But the last part was what saved me. Anna said, “Eventually, though, the book cleans itself.”

That reverberated through me. I’d gone from trusting my muses, the convenient label I apply to the thinking that comes out of my subconscious spigot, to trying to think my way through everything. In other words, I’d suddenly begun approaching this creative process backwards.

Those interviews and their insights helped me re-balance myself. “Relax,” I said. “Trust yourself. Trust your instincts. Trust the process.” Those calming words pulled me out of my funk and put me back on track.

None of this is like splitting the atom. It’s basic writing process. Of course, your experience will probably vary. For me, it’s always about finding and losing myself, trusting and questioning, struggling, and then succeeding. It’s about being willing to fail, recognizing that failing isn’t permanent, and that there must be a way to go forward; it just must be found. That can be daunting.

Been a good day of writing like crazy. Time to quit and pursue other crazy. Cheers

 

 

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Building By Deleting

I’m continuing to work on the novel-in-progress, April Showers 1921. Its challenges remain remaining and satisfying with a few dips into frustrating.

I’ve recently re-discovered the joy of deleting to build and improve the tale. When I began with the concept, it had a bajillion directions that it could take. I wrote about half of them, writing two to three thousand word chapters about the directions, exploring the characters, plot, and arcs. That resulted in a complex novel with a complicated plot, and extensive raw material. As I neared completion of the first draft, I met the muses at a crossroads. We agreed that some matters needed clarified and changed.

With mostly their guidance, I went through, exploring that first mess. Sometimes I attempted to work something into the mix, mostly because I enjoyed the passage. But, as often noted, sometimes killing favorite scenes help. As I deleted them (putting them into another documented that was a collection of these things…just in case…), I discovered how much the process sharpened my insights into the characters, situation, storylines, plots, and arc. With more focused insights, my writing and story-telling became crisper. My direction was better defined; I had more understanding of the final destination.

All of this wasn’t done overnight, but through several days of frequently frustrating searching and thinking. Sometimes I went backwards and then had to retrace my steps.

Now I’ve gone on into thinking of this mass as more like a giant piece, waiting to be sculpted molded, or carved. Unlike working in clay, wood, stone, or other hard, substantial materials, the novel’s characteristics change, depending upon how, where, and why they fit. Some pieces of the novel are solid. Only fine chiseling and polishing are needed. Other sections are thick, and I carve whole chunks away. Some are softer and more pliable, demanding shaping to improve coherency, pacing, motivation, and story-telling.

The process of writing and thinking about writing a novel often intrigues me as much as the novel-in-progress. As every novel is unique, so is the process used to write it.

Got my coffee. Time to write like crazy, at least one more time.

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