The Movie Role Dream

I’d just received word in this dream that I’d been selected for a movie role. I was going to be a star!

That was exciting news. Details flooded me. The movie was a remake of a classic. I don’t know what movie, but I was going to be in the role John Wayne played.

I roared with laughter. John Wayne was a big fellow. I am not. How could I possibly play that role? Then, I thought CGI. Magic. What the hell, whateer. Not my concern. I’d been selected. Go with it.

I wanted to share my news and went to my friend, who was also going to be in the movie. I found him in a dorm where he was in the old woodlands camouflaged battle dress uniform. I found out that I was, too.  Then, the dorm wasn’t a dorm as first expected, but a tight, tight space crammed with bookcases. The bookcases created a labyrinth.

He came up to me. I said, “I understand we’re going to be in a movie together.”

“I hadn’t heard that.”

That bothered me. Other soldiers in woodland BDUs came out around him and I. I said, “I’m going to play the role that John Wayne had.”

I awaited a reaction but got nothing. I said, “It’s a starring role.”

“Yep.”

“Um…filming is supposed to start in two weeks.”

“Right.”

I cleared my throat. “But first, we have to get through this.” I gestured.

“I know.”

“I wanted to let you know, though. There’s going to other roles to fill. They might come around and ask you if any of your troops are interested in a minor role.”

He nodded.

“It might be an opportunity for them.”

Sniffing, he nodded. “Right.” He turned away. I left.

End of dream.

Sunday’s Theme Music

Was walking and streaming to myself (of course, but who else could I be streaming to?), “No more speed, I’m almost there. Gotta keep cool now, gotta take care. Last car to pass, here I gooo. And the line of cars go down real slow, whoa. Radio’s playing that forgotten song. Brenda Lee’s coming on strong. And the newsman sang his theme song.”

Yes, it’s Golden Earring’s 1973 hit, “Radar Love”, at least how I remember it. I was pushing myself to get to nine miles for the day and reflecting on it all. Blueberry pickin’ at 6:30, the writing day at 9:30 (with forlorn results), drinks with a friend at three, then the final walking to reach nine miles. Mixed bag, you know?

The blueberries weren’t as fine and ripe this year. We came home with an ounce over eight pounds, which cost us $18.25. Long drop from those heady days of eighteen pounds for $36.

Meeting with FX was fun. He’s an established actor, most recently seen as a judge in On the Basis of Sex. After talking life and politics for a bit, we shifted to books and writing, and then movies we’d not like to seen remade, like Doctor Strangelove or: How I Learned to Stop Worrying and Love the Bomb. I also don’t want to see The African Queen remade, Twelve Angry Men, or Bridge On the River Kwai. I don’t think they can touch the Godfather series, but who knows what lurks in the minds of Hollywood producers?

So, Walking Today

A stream popped into my mind. It began with Reese Witherspoon. I’d read some article on her. I remembered her as Tracy Flick in Election. Then I struggled with, who was the male lead in that movie?

First to pop into my thinking was that guy from Fidelity, you know, the one who starred in Grosse Pointe Blank? He has that sister, Joan.

Yes, John Cusack, that’s right. No, that wasn’t him in Election. Whoever was in Election had been in WarGames, Biloxi Blues, and The Freshman. A Matthew. Clean-cut, kind of a boyish look. Matthew… Ward? What? No. Matthew. Matt…LeBlanc. No. Matthew Perry. Shut up. Matthew McConaughey. No, fool. Matthew…Matthew…

Damn.

Go back. Ally Sheedy was in WarGames. That doesn’t help. Matthew was in Ferris Bueller’s Day Off, remember? Yes, what’s his last name? What’s his last name? Married to Sarah Jessica Parker. Remember her in L.A. Story as Steve Martin’s character’s young girlfriend?

At last: Broderick. Matthew Broderick.

Thank you.

Now who played the scientist in WarGames? Was in 9 to 5, Tootsie, Cloak and Dagger… Starts with a D. Daryl?

What?

Sunday’s Theme Music

Today’s theme music came out when I was three years old. It’s so damn popular, though, I imagine anyone who follows American pop-culture even peripherally is familiar with it.

The Isley Brothers originated “Shout”. Mom was an Isley Brothers fan, so of course I grew up hearing it. The song made a huge comeback when Otis Day and the Knights performed it in Animal House (1978). It then became quite popular for dead bug dancing. Green Day and Robbie Williams both did the song. The song was inducted into the Rock and Roll Hall of Fame. Come on, you must know one version of it.

The Actors As God Dream

I was with my friend, Ron, sitting at a cafe table outside. Another friend of mine, Marge (who doesn’t know Ron, and lives across the country in Ohio), came up. She said, “Can you think of anyone who played God in movies?”

As Ron and I took in the question with a look at one another, Marge said, “I’ve tried, and I can’t think of anyone.”

I said, “Well, off the top of my head, I can think of Morgan Freeman, George Burns, Alanis Morrisette – remember? She was God in Dogma.”

Ron said, “Morgan Freeman played God?”

“Yes,” I said, “in that Jim Carrey thing. I think it was called Bruce Almighty or something. I’ve never seen the whole thing. I think I saw some of it in a hotel.”

“Oh, yeah,” Ron said.

I said, “Didn’t Whoopi play God in something, too?”

None of us were sure. Marge said, “Thank you.” As she did, Ron and I pulled out laptops to Google actors who played God in movies.

That was the dream, short, sharp, and clear. What’s not clear is what it meant and why I dreamed it. My guess is that it was some food generated neuron frenzy.

I never asked Marge why she asked the question.

Remembering A Dad Moment

1971

Besides being a rock fan and fifteen years old, I was an auto racing fan. My father was in the U.S.A.F. He’d just returned from being stationed in Germany and was now stationed at DESC near Wright-Patterson AFB in Ohio when I moved in with him. He surprised me with tickets to the premiere of LeMans with Steve McQueen.

Whenever I hear the movie’s opening minutes, I’m back in that packed movie theater, one of the few children in the place, remembering the movie’s beginning, and Dad. The start is just the sounds and images of racing cars of the era screaming around the French race track. To non-fans, it’s probably noise. But to racing fans, the sounds of Porsches and Ferraris of different-sized engines, Alfas, Corvettes, and Matras can all be heard as individual howls.

Dad had no interest in seeing the movie, but he knew I wanted to. So, thanks, Dad.

My Amended Dirty List

I saw that Pitch Black was available on HBO last night. I was like, I gotta watch it! And did.

Thinking about that, I decided to add it to my dirty list, along with others that mentioned in comments.

Here we go, round two.

Original list:

Unforgiven (1992) – “It’s a hell of a thing, killing a man. Take away all he’s got and all he’s ever gonna have.”

Fail Safe (1964) – “You learned too well, Professor. You learned so well that now there’s no difference between you and what you want to kill.”

This Is Spinal Tap (1984) – “I believe virtually everything I read, and I think that is what makes me more of a selective human than someone who doesn’t believe anything.”

A Christmas Story (1983) – “Oh, fudge. Except I didn’t say fudge.”

The Great Escape (1963) – “Cooler.”

Tropic Thunder (2008) – “I know who I am. I’m the dude playin’ the dude, disguised as another dude!”

Being There (1979) – “It’s for sure a white man’s world in America. Look here: I raised that boy since he was the size of a piss-ant. And I’ll say right now, he never learned to read and write. No, sir. Had no brains at all. Was stuffed with rice pudding between th’ ears. Shortchanged by the Lord, and dumb as a jackass. Look at him now! Yes, sir, all you’ve gotta be is white in America, to get whatever you want. Gobbledy-gook!”

No Country for Old Men (1997) – “What you got ain’t nothin’ new. This country’s hard on people. You can’t stop what’s coming. It ain’t all waiting on you. That’s vanity.”

On The Beach (1959) – “The trouble with you is you want a simple answer. There isn’t any. The war started when people accepted the idiotic principle that peace could be maintained – – by arranging to defend themselves with weapons they couldn’t possibly use – – without committing suicide. Everybody had an atomic bomb, and counter-bombs, and counter-counter bombs. The devices outgrew us; we couldn’t control them.”

Fifty First Dates (2004) – “Sharks are like dogs, they only bite when you touch their private parts.”

Bladerunner (1982) – “Time…to die.”

Bridge Over the River Kwai (1957) – “Are they both mad? Or am I going mad? Or is it the sun?”

Love Actually (2003) – “A tiny, insignificant detail.”

Men In Black (1997) – “No, ma’am. We at the FBI do not have a sense of humor we’re aware of. May we come in?”

The Dirty Dozen (1967) – “I reckon the folks’d be a sight happier if I died like a soldier. Can’t say I would.”

Doctor Strangelove (1964) – “Well, boys, we got three engines out, we got more holes in us than a horse trader’s mule, the radio is gone and we’re leaking fuel and if we was flying any lower why we’d need sleigh bells on this thing… but we got one little budge on them Rooskies. At this height why they might harpoon us but they dang sure ain’t gonna spot us on no radar screen!”

Added:

Pitch Black (2000) – There are a lot of goofs in it, which is part of the fun. “They kept calling it ‘murder’ when I did it.”

Silverado (1985) – “The world is what you make of it, friend. If it doesn’t fit, you make alterations.”

Kelly’s Heroes (1970) – “Definitely an antisocial type. Woof, woof, woof! That’s my other dog imitation.”

Secondhand Lions (2003) – “WE’RE OLD, DAMN IT! LEAVE US ALONE!”

The Good, the Bad and the Ugly (1966) – “You never had a rope around your neck. Well, I’m going to tell you something. When that rope starts to pull tight, you can feel the Devil bite your ass.”

Hang them High (1968) – “Some people call this hell, but you’re still in Oklahoma.”

A Few Dollars More (1965) – “I was worried about you – all alone, with so many problems to solve…”

High Plains Drifter (1973) – “What makes you think I care?”

What of you? Andy dirty secrets about the movies you watch again and again?

My Dirty List

Time for a small vanity project (as if every post made on this blog isn’t a vanity project, right?).

I think everyone has certain movies that they love to watch regardless of others’ ratings and reviews. It’s our dirty secret.

Here is my dirty list. I’ve seen each of these movies at least a dozen times, and have a few of them on DVDs, but I still watch them when they come on. Some of them don’t come on much any more, because they’re old, and in black and white, and a few of them depressed people.

The list isn’t in any order. Each movie has several particularly favorite scenes. Thinking about those, I realize they usually come at the movie’s end. IMDB helped me with the quotes because my memory isn’t that good.

Unforgiven (1992) – “It’s a hell of a thing, killing a man. Take away all he’s got and all he’s ever gonna have.”

Fail Safe (1964) – “You learned too well, Professor. You learned so well that now there’s no difference between you and what you want to kill.”

This Is Spinal Tap (1984) – “I believe virtually everything I read, and I think that is what makes me more of a selective human than someone who doesn’t believe anything.”

A Christmas Story (1983) – “Oh, fudge. Except I didn’t say fudge.”

The Great Escape (1963) – “Cooler.”

Tropic Thunder (2008) – “I know who I am. I’m the dude playin’ the dude, disguised as another dude!”

Being There (1979) – “It’s for sure a white man’s world in America. Look here: I raised that boy since he was the size of a piss-ant. And I’ll say right now, he never learned to read and write. No, sir. Had no brains at all. Was stuffed with rice pudding between th’ ears. Shortchanged by the Lord, and dumb as a jackass. Look at him now! Yes, sir, all you’ve gotta be is white in America, to get whatever you want. Gobbledy-gook!”

No Country for Old Men (1997) – “What you got ain’t nothin’ new. This country’s hard on people. You can’t stop what’s coming. It ain’t all waiting on you. That’s vanity.”

On The Beach (1959) – “The trouble with you is you want a simple answer. There isn’t any. The war started when people accepted the idiotic principle that peace could be maintained – – by arranging to defend themselves with weapons they couldn’t possibly use – – without committing suicide. Everybody had an atomic bomb, and counter-bombs, and counter-counter bombs. The devices outgrew us; we couldn’t control them.”

Fifty First Dates (2004) – “Sharks are like dogs, they only bite when you touch their private parts.”

Bladerunner (1982) – “Time…to die.”

Bridge Over the River Kwai (1957) – “Are they both mad? Or am I going mad? Or is it the sun?”

Love Actually (2003) – “A tiny, insignificant detail.”

Men In Black (1997) – “No, ma’am. We at the FBI do not have a sense of humor we’re aware of. May we come in?”

The Dirty Dozen (1967) – “I reckon the folks’d be a sight happier if I died like a soldier. Can’t say I would.”

Doctor Strangelove (1964) – “Well, boys, we got three engines out, we got more holes in us than a horse trader’s mule, the radio is gone and we’re leaking fuel and if we was flying any lower why we’d need sleigh bells on this thing… but we got one little budge on them Rooskies. At this height why they might harpoon us but they dang sure ain’t gonna spot us on no radar screen!”

What of you? Andy dirty secrets about the movies you watch again and again?

 

 

 

 

Velvet Rain

A velvet rain is falling. It’s a rain that makes the world feel cozier and more intimate, inviting deeper thoughts.

I’d planned to walk ten minutes but the rain soothed me, inviting me to keep going. I did, until two miles and an hour had passed.

The rain didn’t appear to soothe all. Some drivers took the rain as a sign to go, “Faster! Faster!”

The walking time allowed for solitude and writing time. I’d dropped into my personal trough the other day in the cycles of buoyancy and depression. Oh, lord, that darkness. Daunting, it drinks me up and swallows me down. The sighs are heavy, the thoughts are bitter, and the world looks grim. Even the cats’ attentions are infuriating irritations.

Perspective helps me survive. Writing, walking, and solitude help me grind out perspective. Alas, Schedules and events kept me from consistently achieving two of the three. But yeah, I survived.

Our new microwave and range were delivered and installed yesterday. They look so modern, I was surprised to realize how ancient the replaced ten-year-old units looked, and the difference it makes to the kitchen. To celebrate, we went out to lunch, and then to a movie.

The movie is part of our annual Oscar Quest. Friends throw a party, and we like to be able to think and talk intelligently about the movies and performances. We’ve only seen a few noms, so we’re behind. We saw “The Post” yesterday. That increases our total to four. We have work to do in our entertainment. None of the previews (“Love, Simon,” “Red Sparrow,” “7 Days in Entebbe,” and “Film Stars Don’t Die in Liverpool”) didn’t inflame deep interest. Each struck me as something to stream and watch at home when it’s available through one of our subscriptions. Of the four, “Love, Simon,” sparked the most intrigue. I suppose I’m too picky and cynical.

As the lights dropped and the previews played, and then the movie opened, my writers emerged with scene ideas. When we returned home, I quietly sat down (quietly, so as to not attract the cats, who seemed determined to stop me from writing at home) at the laptop, opened the required doc, and wrote the scene and changes. Not interested in tempting fate (the cats! the cats!), I saved and closed the doc, but later, while eating, more writing visited me. I stole back into the document and added a few more pages. Best, it left me knowing exactly where to begin today.

It’s a fine feeling, to know what to write, to write it, and to look forward to writing more.

Liquid dripped onto the coffee shop table as I unpacked and set up. Rain or sweat? I don’t know; either were plausible. I suppose I could taste it, but it’s not a critical difference.

Tonight, Wednesday, is when I meet with my friends for conversation and beer. It’s a standing invitation. My attendance record is lackluster but the rain is whispering, “You should go.” I’m ambivalent, but contemplating it.

Meanwhile, the first gulps of hot, black coffee have scalded my lips and tongue. Time to write like crazy, at least one more time.

 

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