Monday’s Theme Music

When the spinning stopped, we knew we were at a new place. Reality heartbeated in. A short man approached and announced, “I am spring. Welcome to my home. Please, relax, enjoy.”

Sunshine, check. Blue skies, kind of. Flowers – yes, and buds and blossoms, and green coverings on the ground. Warm air? Getting there.

Popping over the horizon with a low snap, the sun said, “I am here, I am here,” at six something-ish. Temperature now is 55 F but the weather clerks are promising low to mid 70s before the sun takes a bows and leaves at seven something-ish PM. Not sure if they really know what’s going on.

It is Monday. The energy drive is stumbling a little this AM. I plied it with some caffeinated black water, an old trick which I picked up from an old man in a far away time. The hoped-for impact was felt after a few minutes. The energy drive soon kicked The Neurons’ asses and they knocked into gear.

The Neurons planted some music bulbs earlier. When they bloomed, I found “I’m Waiting for the Man” by The Velvet Underground coming up in the morning mental music stream. Looking for it online brought up a video of Lou Reed and David Bowie playing it together onstage, wholly apropos as Bowie covered it, too. I like it so I hope you do as well.

Here’s the music. Be pos. Have coffee. Or tea. Beer. Wine. Whatever fits your hour, mood, need. Have a strong Monday. Cheers

Monday’s Theme Music

Guess I remain in an introspective mood. Childhood rock spills into my stream, coloring reflections and expectations, although today’s choice came out during my childhood’s end.

Today’s theme music, by Lou Reed, was another vinyl record that was played and worn down until it was too distorted to appreciate. It’d be hard to explain to people who only experience digital music how the vinyl could become warp, or the static that you sometimes heard through songs.

This album, Rock n Roll Animal, was one of my favorites in 1974, lasting through my high school senior year. I stopped listening when I joined the military and went away. Like many, my favorite song off that album was “Sweet Jane”. The guitar work on the extended entry, and then the stinging, fast high note work later, epitomized the emerging rock sound for me as much as Eric Clapton’s work with Cream. Lou Reed’s vocals often reminded me of Bob Dylan, and Mick Jagger later, as he often delivered this broad, inflected flatness that seemed like a vocal shrug.

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