Science fiction, fantasy, mystery and what-not
FISS – (floofinition) – Floof Impaired Sleep Syndrome; condition where rest is disrupted by animals. Usually associated with housepets.
In use: “Between Tucker hunting down Michael’s hand for some nocturnal loving and Papi’s demands to go out and back (times four), Michael sometimes suffers FISS and needs a cuppa coffee just to start feeling human in the AM.”
He always bought her earrings when he traveled. He thought she would like some dangling seaglass ones with a smalls silver hoop. Arriving home, he carefully added it to the collection. Someday he’d meet her, and he’d watch her eyes when he gave her the earrings.
He was certain she’d have beautiful eyes.
SEGP (pronounced seagep) (floofinition) – Flooflosophy followed by many housepets, SEGP is sleep, eat, groom, play. Floof SEGP adherents, often called seageptians, believe following the flooflosophy helps them achieve a longer, more satisfying life.
In use: ‘When the young cat met the household’s established bird resident, the latter told the cat, “We follow SEGP in this house.” The cat replied, “I’m not familiar with that.” The bird answered, “See the dog. He’ll teach you.”‘
A long time known
Watching them grow
Kisses and hisses, barks and growls
Friendship and watchfulness
Without churches, witnesses or vows
They’re there for you and you for them
Fur people fur minders fur irritants
Fur friends
He and his wife were talking. She used the idiom, ‘like nobody’s business.’
“Why do we use that?” he asked. “I mean, I know what it means in this context but how did it come to be used in this context to begin?”
She didn’t know. He did research but didn’t find much that satisfied his need.
It was bugging him like nobody’s business.
Furocious (floofinition) – An animal who acts or appears intimidating but is very friendly and gets along with everyone.
In use: “The dog looked like something out of Game of Thrones, huge, black, wolfish, with sharp golden eyes, but loved people and animals, especially young and sick animals, eagerly taking care of and watching over them.”
Sometimes when he glances in the mirror, he sees his younger self in there grinning. “Looks like you made it, old man,” the kid says.
He scoffs, “Yeah, despite all your efforts to kill us.”
They were watching a television show. A body landed on the cement behind an FBI agent. The agent was on a cell. The landing body thudded. She flinched and looked back.
His wife said, “That’s not believable. She didn’t even duck.”
“That’s a choice the creative team makes as part of the storytelling. How does the character react to something like that? Are they calm and unfazed or do they freak? That’s part of the show’s tenure and the series’ atmosphere. I make decisions like that all the time when I’m writing, trying to decide how someone reacts and keep them true to the story and character.”
She shrugged. “Whatever.”
Well, it was important to him.
Michael Seidel, writer 