A Dream Pastiche

To begin, car and truck exhaust mixes with light snow flurries in a hilly town. Slurry covers broken asphalt. Wooden utility poles leaning at crazy angles hold up sagging lines. Snow and ice weigh down the lines. A maroon Honda Prelude, rusty and missing a door, with a broken tail light and dented sides, is trying to navigate a turn through the slush and go up a small hill when the engine stumbles and dies in a cloud of blue smoke. People stumble out of the car to help push it up the hill and out of the road. I run over and help, putting hands on the cold, wet trunk lid, and push, slipping and sliding on the broken, icy asphalt road. We do it. A small cheer goes up.

I know the people in the car. I wish I could help them more but I have problems, and wave good-bye, rushing on to school. The classroom is packed. I’m in fifth grade. The teacher explains an assignment. The students will be divided into teams. Each team will be given an article. They’ll read it as individuals, discuss it in a group, and then write individual essays about the article. Then she singles me out to tell me that she has a special essay for me, and I will work alone. My reading assignment is denser and longer than the others. I feel isolated and confused.

Taking the article with me, I head to my work. Two concrete buildings make up a small compound. I live there with others. Most are young, but a few are older than me, but I’m in charge. A storm is coming, but we also worry about attack. I explain that we have to secure everything outside so it won’t blow away, but also so we’ll be safe inside. I put Randy in charge of the rest to do this. Randy is upset because he doesn’t think others are contributing. I have to talk it through with him. Meanwhile, he and his team are doing a terrific job of moving things to make us safe and boarding up the place. I just need to keep encouraging him.

I discover a problem with our plan. The main room has a big window that overlooks the sea. It’s calm but I worry about that window. The rest is all covered, but all someone would need to do is circle the building. They’d discover that window and smash it in.

Options are discussed, decisions are made. Some of which we’ve done must be undone. Showing me what must be undone, Randy shows what they’ve done. I’m impressed, but I also spot weaknesses and explain that to them. They begin the re-work.

Going to the second building, I discover an old man living in the cluttered, windowless back room. The room reminds me of part of an old gas station. The old man is a friend and has a cat. I help him lock the cat up, but the cat is trying hard to get back out. We discuss papers that need to be read and written. Then I make sure he’ll be okay for the coming storm.

Returning to the first building, I check on food and supplies. We’ve done everything that we can, but anxiety that we’re not ready nags me. I can’t think of what else we can do. Feeling helpless, I try to think up answers but I don’t know the questions and issues.

I’m left waiting.

Three Minds

He was of three minds about what to do, one each from the past, present, and future. All asserted their opinions and wouldn’t back down, paralyzing him with indecision, and so, he did nothing.

Writing Weight

I have my coffee, and know my mission. I’m in position, and yet, I hesitate.

I know this neighborhood. Been here before.

It’s a big chapter I’m about to begin, a tipping point, the climax to this novel, and the setup to pivot to the next one. I’ve been thinking about this chapter and its scenes for weeks without writing anything, building all the bridges to it, and expanding and clarifying my vision of it. I hesitate to start it today because, it’s a big chapter, an important chapter. Looking into my magic writing mirror, I see a lot of hard work in it.

We have found the crux. I think of writing as fun and entertaining, a diversion from the mundane. The most mundane slice of life to me is the wedge we call work. Work is how I’ve come to see this chapter, so I’m avoiding it.

I’m also avoiding it because I expect so much of it for the rest of the novel. As written before this, I’ve burdened this chapter with a lot of weight. My ambitions, self-confidence, and determination all sag under that weight. That pesky question, can I do it, festers in my mind.

I think many writers go through this. I think this is where some crumble. This is like the big show because, hey, the novel’s end is in sight. Yowza. The end naturally carries greater significance and tension. This is the final exam, the championship game, the big moment. Everything else has led to this point. All these threads must be tied together. I began this manuscript in July of twenty sixteen. A lot of work, and energy went into creating this manuscript.

No, not true. I started this trilogy in July of twenty sixteen, and wrote the first novel, which is the second book in the series. That took from July of last year to September of twenty seventeen. I didn’t start the novel I’m finishing now until October of twenty-seventeen. That was less than three months ago, as I started it on October tenth. So, its three hundred-ninety pages and one hundred thousand words were quickly written.

As is often the case, I started writing in the middle of the tale I’m telling. I seized upon a concept, and visualized settings, characters, and action, and began. Then I approached the logic and the arcs. The answer to why appears a lot as I’m writing in that phase. In trying to answer the question, I figure out that I’ve started in the middle.

That doesn’t bother me. As long as I find a starting point and can create a beginning and an end to the novel or series, where I begin writing is immaterial. I suspect, too, that I’ll end up with several chapters from this one visualize. That’s the nature of my writing process.

And it’s funny. I’ve been through this before. Yeah, I know this neighborhood. I’ve written and finished nine, ten novels? Yet, I still experience this process. It’s fresh every time.

Okay, I’ve unburdened myself. Writing about my fears and doubts, and where I’m at, have again released them, carrying me to the point that I’m ready to write.

Time to write like crazy, at least one more time.

Mr. December

Hello,

Welcome. Come in. I’ve been waiting for you. Come on, all of you. That’s another room. Just don’t stop at the door. Is everyone in? Good.

I don’t want to keep you, so I’ll be succinct. I know it’s early, but many of you have been thinking about me. Yes, I am Mr. December.

For some of you, I’m the last month of the year. Others consider me the holiday month, a holy month, or the start or winter, or summer, or some other season.

I took this time out to meet with you early because I know many of you have been thinking about me. I just want to reassure you that if you treat me like any other month, we’ll get along fine. There really is nothing to worry about.

Now. Go back to Ms November, and have a wonderful time. She’s a great month, if you just slow down and spend a little time with her.

See you next month.

The Ticket Dream

This was an ironic, humorous dream for me.

I was in a huge airport terminal. It was day. I’d been traveling all over, mostly alone, as was my case during my careers. Now I was going home. But where was home? How was I getting there? I didn’t know either of these answers.

As others left, I searched through my baggage to figure out where I was supposed to be going. While I was doing this, a female airline employee walked up and talked to different people. I prepared to approach her to ask for help. But as I did, she turned and pointed to me. “You’re going on the eleven nineteen,” she said.

I was impressed that she knew that, and thankful. After she said it, I discovered a ticket in my baggage. The ticket was one of those antiquated styles, with a card back and several tissue-thin layers separated with carbon paper. Pleased and relieved, I had my ticket. I just had to wait for my flight.

It was apparently going to be a long wait. Flights were called; people departed, and I remained. I kept losing my ticket in my paperwork. Back in paper days, I would create a folder for my travel. It would have my boarding passes, tickets, baggage claims, agendas, orders (when I was military), et cetera. As others left, I became anxious. To relieve my anxiety, I’d check my ticket. Each time I pulled out my folder to consult my ticket, the ticket was gone. Then I’d go through a mad hunt, emptying my bags and searching for my ticket. Each time, though, I wouldn’t find it, until – surprise! – I found it in my paperwork.

I moved closer to the customer service desk where the woman worked. At one point, she saw me, pointed, and said, “You’re going on the eleven nineteen. Your flight is soon.”

My wife arrived, surprising me. “How did you get here?” I said.

She was smiling. “My boyfriend drove me.” Her expression told me she was joking.

Tired, I wasn’t in a joking mood. “Well, did you boyfriend give you a way to get home? I’m on the eleven nineteen. My flight is soon.”

She held up a ticket. “I know. I’m on it.”

“How’d you do that? The flight was full.”

She didn’t say. At this point, I slipped into enough consciousness that I knew this was a dream. It reminded me a lot of some of my travels, but the part that struck me as ironic and humorous was that my ticket kept getting lost in my paperwork. I thought, that’s pretty funny for a writer.

Unanswered

She’s a Luddite, no doubt. Never had a computer or a personal email account. She’d had the one when she’d worked, in email’s early days. Didn’t have a cellphone and was only vaguely aware of selfies, and she didn’t have a television.

But she did have a P.O.T. – a plain old telephone – and an answering machine. When they called, though, it ringed without switching over. One day. Two. Twice on that second day, once each in the morning and afternoon, and then again twice on the morning of the third day. Official worry had launched by then. That. Was not. Like her.

Nerves coiling into a rat’s nest, they went to her house. Her car was there. The house looked normal. Sunning cats watched their investigation with narrow eyes, their ears pricked forward to hear their soft voices. Soft voices were needed in a moment like this, when you don’t know what you’ll find.

No one answered their knock.

They walked around the house. She wasn’t in the yard working, or in the shed. They checked the shed…in case.

The cats looked okay. They discussed it. How the cats looked meant nothing. A window was open for the cats to come and go. They could see a feeder half-filled with kibble inside, and a water bowl.

She kept her doors unlocked. That’s how she was. He remembered her answer to his amazement about how she lived. She said, scoffing, “I don’t think I remember where the house keys are.” They thought she was joking, but she said she wasn’t. Remembering that she didn’t lock her doors didn’t make them feel any better about the lack of connections to her.

Knocking again, they opened the door and called her name.

No reply.

Entering, they crept around, invaders of a friendly territory. It reminded him of entering a church when nothing was scheduled. It was a clean house, but not organized. That wasn’t a concern. They had other concerns, like bodies.

No bodies were on the floor. No blood. No signs of fights or struggles, as they’d seen in movies and television shows. They called her again, in bolder voices. The kitchen was clean. There was food on the refrigerator. The dishes were done. Nothing was in the sink.

They looked in all the rooms. No one was found. He went to her rotary Trimline phone and picked it up. He heard a dial tone. The answering machine was beside the phone. A red light showed it had power. Blinking showed it had messages. Maybe it was full.

Further walking around did nothing but reinforce the fact that they’d walked into another’s house without an invitation. “Let’s leave her a note,” he said. “Tell her we called and came by, and that her answering machine doesn’t seem to be working.”

They wrote the note, and left after two more minutes. They’d allowed that time in case she was out somewhere. She could return at any moment.

They closed the door behind them, and looked around again, to see what they’d missed. The sunning cats watched, and wondered who they were.

The Wide Receiver

I once met a man who’d been a wide-receiver.

We’d gone through a new acquisition. Marketing asked me if I wanted a job. He was the Director of Marketing, and my new boss.

Our business was coronary and peripheral catheters. I was just learning the business. He took me to hospitals. We’d watch procedures. He’d explain things and introduce me to people.

We spent a lot of time on the road, and learned things about each other. He’d been a wide-receiver in high school and college. Small, he’d been fast, quick, intelligent, and disciplined. Good route runner. But as he progressed, he encountered competition from other wide-receivers. They were faster, bigger, and stronger, and just as intelligent and disciplined.

Eventually, he left that field, but he loved football, so he became a high school football coach. Through it all, from the first spark of desire, running was what kept him going. He ran five miles every day. One night, while sharing a bottle of wine with our dinner, he confided, “I run every day, because I’m afraid to stop. I’m afraid that if I stop, I won’t ever run again.”

I think of Jon tonight because I thought, I need a break from writing. Like Jon, I’m afraid, that if I take a break, the seed that defines the essence of who I believe I am will dry up and crumble.

 

Flying Dreams and Pieces on the Ground

I dreamed I was flying.

Well, flying was my first impression. After awakening, I realized that I sometimes traveled through the air as though I flew, but I never saw wings on me, nor did I see me flying in classic Superman fashion. In fact, sometimes I had the impression I was teleporting, perhaps by mental acuity.

The thrust of it was that I was again, as in other dreams, going around and finding pieces to put things back together. This time, it was cars. Huge chrome bumpers, grills, hoods, basically exterior body parts, were sprawled across an otherwise green and pastoral countryside. The weather was sunny, with a few clouds, but warm. The parts were not heaped but each was separate on the ground. All were in excellent shape. Most were from the nineteen fifties, it appeared to me – yes, the decade I was born.

Seeing a part with my amazing vision that I recognized, I would go to it, sometimes by flying, sometimes just moving myself. I’d collect the part with happiness. That’s the gist: I would find a part, go to it and ‘collect’ it, but I never knew what I did with them. That wasn’t shown.

I awoke befuddled. Leaping up, I looked around, trying to understand where I was, beginning to work under an urgent impetus that I needed to recharge. As I was saying that to myself, I was asking myself, “What the hell are you talking about? Recharge what? How?”

Yes, how, I was trying to remember. How did I recharge? Where did I plug in? What did I plug in? What buttons needed to be pushed? What systems were used?

Astonished and horrified that I couldn’t remember how to recharge, attempting to remember how I’d recharged yesterday, I went into the bathroom to relieve my bowels, I slowly accepted that I wasn’t supposed to be recharging anything, that I’d had an anxiety dream. I’ve had these dreams before but they’re as rare as lightning in a snowstorm. Funny enough, during the dream itself, I felt fantastic and happy.

It was only when I’d awakened that I felt anxious. The entire experience provided me with much to ponder.

Writing & Creativity

Thinking about dreams, writing, creativity, food and sleep, I sought some outside input. Drifting into TED Talks, I found a presentation from 2009. Elizabeth Gilbert talks about creative minds and the different prevailing perception of creative people and their work. Part of this is are the dangerous assumptions that confront writers and other artists, and our anxieties and unmanageable expectations.

 

 

These Days

These days are like and unlike other days. Days are like people and snowflakes, so similar on quick glances and shallows assessments but unique under study.

These days are wearying, grinds with the same sense of repetition and routine found in many livelihoods. That it is my choice mitigates some of my complaints but add some bitter flavoring in acknowledgement, this is the culmination of my efforts, dreams, thoughts, planning and decisions. Passing people working in the thirty-two degree sunshine, I know I have it fortunate but I still complain. Complaining seems to be my essence but I’m solidly stolid and stoic in my demeanor. Yes, I readily smile to address the world and otherwise seem affable. Under this is a worn and brittle sense that I’m hanging on. I don’t know what I’m hanging on to, for or why; I sense that’s pretty normal and a large part of our standard quest to learn why we’re here.

These days of wars, lies and misinformation are actually much like many days of other eras. There is always contention between classes, nations, parties and individuals about humanity’s course and about what should be done, with more and less callousness extended toward the general human condition, and more and less need for some to be powerful, wealthy and worshiped. These days, we’re not really sure what’s going to happen next but these days aren’t much different from other days. Our children are no longer practicing duck and cover at school so they can survive nuclear, biological and chemical attacks as so many children did in the 1950s in America. We have that going for us, these days, although the weapons and capabilities remain, ready for release when orders are given, codes are verified and buttons are pressed.

These days I take a deep breath and mount the stairs to the coffee shop. I find a table and set up shop. Order my drink and banter with the baristas. I collect story points and scenes in my mind, bringing up the things I thought in bed last night, in the shower, and during the drive and the walk today. Scenes gain momentum in my consciousness.

These days, I question myself, is this how others write? Bob Mustin offered a series of posts about Bob Dylan’s Nobel Prize. In the series conclusion today, Mustin included the text of Dylan’s speech and a video of the US Ambassador to Sweden making the speech. Bob Dylan thought about and expressed what such an honor means, but more, Dylan wrote about his early hopes and expectations. He just wanted someone to hear him and get enough reward to do more of the same. As Dylan does and did, he gathers insights and neatly sums them up: that’s all we want, to find what we want to do and gain enough reward and recognition to carry on. Everything else is an unexpected benefit.

It’s a good grounding reminder. We don’t know what the future will bring. We can expend energy projecting and forecasting, striving to understand every nuance of nature and events to ensure we’re as prepared as possible, but we just don’t know what will come. We don’t know what dreams will be fulfilled, nor where we’ll fail. We can only decide to try and press on.

These days, it’s helpful as encouragement to keep going. Time to write like crazy, at least one more time. You never know what will come of it.

Not in these days.

 

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