Trusting my demon is part of my philosophy of writing like crazy.
Good Feeling
Isn’t it a good feeling when the writing energy is boiling up in you like a volcano about to lose it, and you finally sit down to write and let it all pour out?
No, it’s not a good feeling, it’s fantastic.
Time to write like crazy, at least one more time.
Yeah, Another Dream
I’ve been doing a lot of writing in my head. When I sit down to write, I’m already spun up and ready to write. I’ve noticed that when I write in my head to such an extent, I also seem to dream more. It’s like some portal in me has been opened during that period, and imagination flows into my writing become diverted into dream flows when I sleep.
I didn’t star in this dream. I was there, and featured, but the stars were a young female tennis player and a wealthy country man.
It started out with country boy. I call him a boy, but that was the nature of descriptions in this place. Boy didn’t denote an age, but a style. Gregarious, beloved, and admired by his farm-based community, he asked me, out of the blue, if I’d like to ride in his helicopter. I was teenager. I immediately understood this was an honor and treat, and accepted. People were envious, but in a joking way, because they’d not been in his helicopter.
He and I did some errands in his truck. When done, we drove down to his helicopter. It was a little two-seater with a bubble cockpit. He was the pilot, and took us aloft on a aerial tour of the region. He regaled me with stories about his life as he did. When we landed, he offered me a ride in his burnt-orange Lamborghini roadster. We did that, riding through town and around the countryside. It felt like a special day for me, and I was flattered to be treated like this.
A young woman arrived. Actually, she was fourteen, so appropriately, she was a girl, but people in the dream referred to her as the young woman. She was small and slender, with dark eyes and hair. No one thought much of her. She was supposed to be some tennis star, but everyone was skeptical of her because of her stature and quiet demeanor.
A demonstration game was arranged, her against local pros. Suddenly, she was revealed as a different person. Her relentless speed, quickness, accuracy, and intelligence went on full display as she beat player after player. Everyone was talking about her long after the games ended, marveling that such a small person could have a powerful overhead shot and tremendous serve, and be so fast. She was going to be given the helicopter and Lamborghini rides, too. I unabashedly endorsed that, telling the wealthy patron she deserved such an honor more than me.
Late day found us eating a huge communal dinner. It was held outdoors. Everyone was sitting on pillows and blankets. The food was strange and exotic. I can’t begin to describe the eels, snakes, and shellfish I saw being served.
Then came a special event where the patron beat his white SUV. It was a new car. I didn’t understand the reasons for beating it, but he hit it one time so hard that the car was folded into two. We all thought it was an astonishing display of strength, but also a statement on his indifference to his wealth.
And there was where the dream ended.
In Green
I’m wearing green today, homage to St. Patrick’s Day in America.
I don’t celebrate holidays much, and celebrate them less as I age. I don’t look forward to them much. Putting out decorations rarely occurs to me.
After thinking about it, I’ve realized that I little associate with the external world. Events are remote. I live by and enjoy the internal worlds created as I imagine and write. It’s a problem, and it’s a benefit. The problem is that my wife is exasperated because I’m not all up about holidays like other people. The benefit is that I feel like I’m successfully writing, and that makes me happy. Like most things in life, the value is on a sliding spectrum, and changes often.
I suppose I could change it, or try, since I’m now aware, but I’m not inclined to do that – for now.
E.L. Said
This was difficult to understand when I first started writing. I thought I needed to know all of the story before I began writing it. I didn’t appreciate that I was learning the story as much as I was writing it.
My Five Writing Rules
I have simple writing rules. It’s a complicated world, so why burden myself with greater complications?
- Write every day. Writing every day helps me maintain story continuity, and making progress is tangibly reassuring. I also like the practice and discipline, but as an amendment to this rule, I stay flexible and adapt. I don’t sweat it if I can’t write every day. Okay, I confess, I sweat it, but I endure with the promise to myself, “I will write again.”
- Write like crazy. Yep, put it down, one word after another, and let it flow like lava escaping an erupting volcano. Then, edit, polish, edit, polish, revise, re-write, and edit and polish. It’s a rare sentence that is not changed in some manner between first thought and final edit. After grudgingly accepting that re-writing, polishing, and editing are necessary, I now enjoy this process. Writing like crazy is a fast and intense process, but the polishing, etc., is loving, and let me feel the novel and see how it breathes.
- Don’t overthink it and don’t write for anyone else. Man, I get angst about what I’m writing. I worry that it’s crap, and I suffer the imposter syndrome. Even as I write and enjoy what I write, I worry that others won’t like it, that it won’t measure up as professional, meaningful, entertaining, or original. I fear the moment when someone stands up, points a finger at me, and shouts, “J’accuse! You are not a writer.” However, I’m also ready to respond, “Fuck you, jack.” Of course, that won’t prevent me from brooding about it.
- Create and maintain a support structure. Like anything that you consider imperative, such as eating properly, exercising, or family time, it was critical for me to let others know that it’s writing time is important. In return, I set a schedule for it, and adhere to it, so that they know when I’ll be writing. Telling others – coming out of the writing closet, if you will – was a huge step. People respect the effort. Telling my wife, and her support of my writing efforts, were tremendous boosts to my ability to go off and write every day. Writing is already a solitary and lonely business, but her support reduces the struggle by an immeasurable chunk.
- Don’t talk to others about the novel(s) in progress. People will ask, and I do want to share. But it’s so easy to let that writing excitement overpower the moment. I end up going on and on, regaling them about the characters, concept, plot and complications, even as I understand that it’s in beta, or first draft, or whatever, and subject to change. Just answer politely in vaguely sensible terms, change the subject, and let them escape for being a good friend and inquiring.
Any rules that work for you that you want to suggest? No pressure.
Time to write like crazy, at least one more time.
Count
Word count
Step count
Money count
Vote count
I thought it was the thought that counts.
Expectations
You ever read another’s book, and begin editing it to improve grammar, pacing or story-telling, or think that the character should have been changed, or think about how you’d change the words because a sentence is awkward or sloppy?
I encounter this all the time. But I can’t edit or change it; that book is done. That’s why I’m reading it.
One of the best aspects of reading and editing my own work is that I can enjoy the story and make those changes. Massaging and polishing the elements mentioned in the first paragraph, and more beyond that short list, becomes satisfying, exciting, and rewarding.
Conversely, though, I don’t know how much of my entertainment comes from reading these written words versus enjoying the expansion of my interior worlds being made real. Deep in this forest of words, I’m having a damn fine time, but could anyone else read this and have the same experience?
Well, no, probably not. Writers know what we write, and what others find and take from our words rarely match. Readers develop their own set of expectations as they read our work. As we write from our experiences, so they read from their experiences.
That completes the lap of thought, and I’m back at the start, and the rhetoric about wanting to change another’s book.
Surely, of all that’s possible, that’s not what that writer expected. And that’s why we edit and revise, and have editors, so that we don’t put out that book that someone reads and wants to change.