Thursday’s Theme Music

Once again, I get up, begin the day, and develop an earworm. My morning earworms are frequently related to my dreams or my thoughts. A third category consists of songs that leap in. I suspect that I heard reference to them or part of them in passing and they snuggled into the folds of my mind until a quiet moment arrives when they can burst through into my stream.

(It’s odd how word association will cause a flash-in of another song; in this case, I had been about to write, ‘break through’, which triggered “Break on through to the other side”.) (Remember that one? Jim and The Doors? The 1960s?).

This morning’s streaming song is out of 1968. I didn’t know who performed it; Google and Wikipedia revealed it was The Foundations (I only remember them slightly). So, here’s this morning’s flow, “Build Me Up, Buttercup”.

From my head, to yours.

“Floof Prairie League”

“Floof Prairie League” (floofinition) – Country-floof rock band whose origins go back to Yellow Springs, Ohio.

In use: “Floof Prairie League’s song, “Floofie” (1970), is about a cat, Floofie, who keeps going in and out of the house, frustrating its friend, a dog:

“I keep going in and out of the house with you, in and out of the house with you, don’t know what I’m gonna do, I keep going in and out of the house with you.”

Wednesday’s Theme Music

This one came into the stream out of nowhere. I call it nowhere, but it’s connections in my brain, innit? Sometimes, the how and why of deliveries to the stream is self-evident; other times, the connections are deep or nebulous, or too esoteric for the conscious mind to easily hunt down.

Either way, I like to go with the flow. So, today, from 1970, we have John Fogerty with “Long As I Can See The Light”. It’s post CCR, but an interesting cover, from 2010.

 

Tuesday’s Theme Music

Just from the line, “Don’t look back in anger, I heard you say, at least no today,” I began streaming Oasis and “Don’t Look Back in Anger” (1996). I like the song but some of the rhymes don’t make sense. It’s like several different stories and perspectives are being shared, and none are finished.

But to not look back in anger is my takeaway for today.

Monday’s Theme Music

This song is arrives from memories that my dream about Mom’s house stirred.

After thinking about the dream and remembering the period, I recalled a return visit. I’d brought some tapes to listen to. One was Uriah Heep, which had the song, “Sweet Lorraine” on it. I enjoyed the album and song, but the Moog synthesizer Uriah Heep used took Mom aback.

I claim to so vividly remember her listening and asking, “What is that?”

I answered, “It’s music,” because I knew she was referring to the synthesizer. It wasn’t the first time she’d questioned my music, always with a mild scowl, but never a demand to turn it off. (Turning it down was often requested, though.)

She, as expected, answered, “That’s not music,” which made me laugh. Her subsequent eye roll (she’s a master at it) increased my laughter.

So, for Mom and old times, Uriah Heep with “Sweet Lorraine” from 1972, when I was sixteen. Side note: David Byron, the lead singer, was another who died too young, 37.

Sunday’s Theme Music

Today’s music was brought to me by the muses. That’s my assumption.

See, I’d finished walking, and arrived at the coffee shop. Beginning to unpack my ‘puter stuff, set up, plug in, and turn on, I thought, time to rock. In response, “We Will Rock You” by Queen (1977) kicked into my stream. I decided it was my muses (sounds like a stadium full of them in there today) singing to me.

With a song like that, I expect an interesting writing session, good or bad. Cheers

Tom Floof and the Heartbreakers

Tom Floof and the Heartbreakers (floofinition) – American floof-rock music group that was very popular on FM (floof modulated) radio during the 1980s and 1990s.

In use: “Whenever the family left the house, the cat and dog put on “Running Down A Hall” by Tom Floof and the Heartbreakers, and had a howlingly good time. Of course, when the family returned, it appeared as though the cat and dog hadn’t stirred during the entire time that they were gone.”

“Floof Shack”

“Floof Shack” (floofinition) – Popular song by the American floof-rock group, the Floof-52s.

In use: “As “Floof Shack” played on the floofbox, the animals danced and sang, all joining in on the iconic lines, ‘Food bowl…empty.'”

Saturday’s Theme Music

I’ve always liked this song. While a powerful declaration, it features a strong beat, and the special voice and style of Aretha Franklin. Annie Lennox’s voice is good as well, and Mike Campbell (of Tom Petty and the Heartbreakers, and the guitarist on “Boys of Summer”) sits in.

Why “Sisters Are Doin’ It For Themselves” (1986), The Eurythmics with Aretha Franklin,  is running the stream today is beyond me. Dream material? Suppose so; it was a busy dream night (too much to write down today).

It’s a good sentiment, though, for any sex or race, orientation or gender; do it for yourself. Don’t let yourself be labeled and stuck in a silo of expectations and stereotypes. Stand on your own two feet and do it for yourself.

 

A Sprawling Flood Dream

At the start, my wife and I are vacationing on the coast. She and I become separated (as often happens in my dreams that feature her, an intriguing trend).

While we’re apart, I get lost on some mountain. Eventually, I find a path and decide that it might take me to where I want to go. Impatient to have it resolved, I begin running along the path.

The path goes up and down mountains. Although it’s strenuous, I run it with little effort, and can see myself, in short blue gym shorts, young, muscles pumping.

I come to a place and slow. The path is cutting through this place. I can guess from what I see that it’s a vineyard. Encountering a young boy and a woman, I ask for directions. They assure me that I’m on the right path for where I want to go. I worry, though, am I trespassing. It’s fine, they assure me.

Off I go.

Now I’m back at the hotel with my wife. We’re in the dining room. The hotel is an older place, a motel affair from the vintage sixties of U.S. road travel. Not completely run down, but far south of its splendor years.

A large package has just arrived for my wife. She’s excited. Before she can open, though, I look up. Outside, through the open door, I can see roiling white waters rushing towards us.

“Flood,” I shout, pointing. Repeating all that, I grab my wife. As she sees what I’m pointing out, she takes up the warning, and then the woman behind the counter does the same.

My wife and I rush into our room. We leave the door open. I open the window, with the reasoning, if the water enters and gets high enough, it’ll go out the window, and we’ll be safe. We get on the bed to watch and wait. The cats, I remember. I hope they’ll be okay. I don’t know where they’re at.

The water comes into the room. The room quickly fills. Soon the water is going out the window, but more water is coming in. The mattress is floating. Then, I float out the window with my wife’s large package. I’m trying to save it, but I’m taken out to sea.

It’s not the sea, I realize. It’s a river, and I’m rushing toward waterfalls. Knowing that, I frantically swim against the current. I can’t do it while holding onto my wife’s package, so I let it go. Unburdened by it, I swim toward some fallen trees. Grabbing branches, I pull myself to the shore and out of the water, saving myself.

But I’m miles downstream, I realize. I need to get back to the hotel once again. Fortunately, I recognize the winery.

I go there. One, there’s no flooding there. Their weather is delightful. Two, they don’t remember me at first. It takes some prompting. I take some time to admire the vineyard and learn about the property’s history. It reminds me of Italy.

I run back to the hotel. The water has receded. Clean up is underway. I talk to my wife about the vineyard, telling her that I admire the people’s foresight in buying the property. She’s snide about it. I try explaining again.

Then I remember the cats. I’m worried about them. Could they survive this disaster?

I find one of the cats, a ginger and white, right away. He looks dead but when I say his name, he responds and comes to me. He seems fine. I put him in a laundry basket for protection and resume my search.

The search is interrupted. We’ve left the hotel and checked out, but we didn’t turn in the key. My wife has it, but gives it to me. It’s a standard key on a large, plastic diamond. I’m supposed to be going somewhere, so I promise to turn in the key.

Then I remember, the cats. I was looking for them. Of I go to find the cats. I find a cache of cats that include kittens. They all dry, but they all seem dead. I’m horrified, but remembering my earlier experience, I speak to them, reassuring them that the storm is over. They all open their eyes and start leaping out, safe.

But where are my cats? I find the third. He’s okay. Where are the other two? After searching, I remember that I found them and put them in laundry baskets.

I hurry to that location. There they are, safe in their baskets, waiting for me. I set them free.

Now I’m in my car, a small sports convertible (another trend to my dreams). I drive to the hotel to turn in the key. I’m blocking operations of some sort that I can’t understand. The road here is a muddy set of two tire tricks along a grassy path. I drive forward and stop. A young Clint Eastwood is part proprietor. He’s working on something, insists I’m in his way, and urges me to go on. I show him the key and explain why I’m here. Mollified, he accepts the key. We wave good-byes, and I drive off.

I go down the road a bit. I need to leave my car to get to where I’m going. I enter a large, well-appointed dining room. Chandeliers hang from the ceiling. Crystal, china, and silverware sparkle on white table clothes.

There are few people there. Two are Drew Barrymore and Adam Sandler. Talking with them, I explain where I’m trying to go. Adam tells me that I’m on the right path. Drew agrees, telling me to listen to Adam because he’s followed that path and knows what needs to be done.

I go deeper into the building. I’m carrying a package. I’m at the the top of a steep, narrow stairwell. I’m supposed to go down here. The package is too big for those steps. I need to leave it.

I hear a young boy. He’s with his family and he’s throwing a tantrum. He and I look across the space. I tell him, “Shh, it’s okay.” He stops crying and goes on.

I begin to descend the steps. Something makes me turn around. I see the boy. Although it’s as large as him, he’s about to steal my package.

I threaten him, warning him that if it’s gone when I come back, I’m coming after him. He starts crying. I hug him and tell him that it’s okay. He stops crying.

The dream ends.

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