Tuesday’s Theme Music

Tell me, again, how does this mind thing work? How do memories, dreams, events, and thinking interplay to bring other things up? I don’t have a grasp. I know I’m young, just in my sixties, but I do want to know.

Take this morning. Up and busy with cat attentions (this is where the cats gather to ensure that I’m going to feed them, and the head floofherder guides me to the write location by tapping my legs with a helpful paw, or darting across my path when I turn the wrong way). Not thinking of much, to be honest. Hadn’t had coffee, was drinking hot water.

I guess, if anything, I was thinking, “Oh, sunlight! And it’s not even eight! Yea!” And I was thinking, “Spring ahead with the clock soon, yea.” (And then doing the comparisons; so if it’s seven now, this will be what it’s like at eight, right?”

Into all of this came a song. As the sound entered my stream, I thought, hey, I know that song. That’s “Tubular Bells”. Theme music for the The Exorcist.

Song and movie came out in 1973. The movie was Oscar nominated and much talked about. It terrified people, and they wanted to talk about it. They were talking about it in restaurants and parties, cars and houses, on the radio and television. It was non-stop Exorcist.

“Tubular Bells”, by Mike Oldfield, was everywhere, too. The real question is, why did it make the jump from early 1970s memories to active placement in the stream today.

Guess it’s a haunting melody (heh, heh).

Any of you out there in netland familiar with this movie and song?

Cheers

“The Traveling Floofburys”

“The Traveling Floofburys” (floofinition) – A British-American musical supergroup formed in the late 1980s. Two albums were released but the group never toured before disbanding.

In use: “The Traveling Floofburys were known for having an almost retro flooffle sound from the 1960s, with memorable, often ironic and sometimes amusing lyrics, such as those in “The End of the Treats”, in which treats (and their lack) are treated (sorry) as a metaphor for a change in circumstances.”

Monday’s Theme Music

Walkin’ yesterday, post writing session (which wasn’t an overly great session), my stream introduced a Traveling Wilburys song to my mind.

The writing session had been a lethargic affair, brief spurts of reading bridged by long periods of pensive thinking. Two thirds of the way through it, I noticed that the folks on either side of me had low energy as they pursued their ‘puter biziness, yawning, sighing, stretching. So I think it was a low-key energy tide affecting me and others.

Dream speculations occupied me afterward as I thought about a new recent trend in my dreams. Then came the song, “Heading for the Light” (1988) by The Traveling Wilburys.

I enjoyed the Wilburys album. It was released while I was still stationed and living in Germany. This was before the wall fell. Five talented individuals – Harrison, Petty, Dylan, Lynne, and Orbison — with well-established careers came together to record a song. One song led to an album. One album led to two, but death — Orbison’s — curtailed further activity. Harrison and Petty have since followed him. Only two Wilburys remain.

This song, unlike most Wilburys songs, has a hugely distinctive Harrison/Lynne sound to it. Not surprising, as they were the producers. But the lyrics, a look back at where a person has been, how they changed it around, and where they’re going now, was perfect for the moment, then and now.

The song hung around in the stream, and is there today, where there’s little light permeating the soft rain clouds. That makes it a nominee for today’s theme music.

“Jimi Floofdrix”

“Jimi Floofdrix” (floofinition) – One of greatest floof guitarists of all time, a songwriter and performer who influenced generations of floof with her playing.

In use: “A favorite Jimi Floofdrix song was “Purple Fur”, a song which was performed at every concert after its commercial release.”

Purple fur all over the house, it even covers the kitchen mouse.

Actin’ funny, but I don’t know why, ‘cuse me while I bite this guy.

Sunday’s Theme Music

This song, “Goodbye Stranger”, arrived in the stream after watching people at the coffee shop and on the streets, and inadvertently eavesdropping (they speak, I have ears…it happens).

A woman regularly brings her dog into the coffee shop. She usually sits back by the community table, where I like to work when I can. Her dog is often a cause for conversations with others. So I’ve learned that her dog is a rescue from an animal hoarding situation, that she’s had to work with him, that his name is Atlas, that he does much better now, but that other dogs’ barking makes him nervous, that he is her service dog. I’ve learned others had dogs like him, or saved from similar situations. He’s often compared to a Ridgeback but he isn’t one, not a true Ridgeback, she says.

But I’ve never heard her name, or why she needs a service dog, nor why she is bald. She wears dark glasses, but she watches people, back from her space by the wall, with her service dog beside her…

I’ve decided that I don’t want coffee shop friendships. I’m there to work. Cruel of me, innit? So I keep myself to myself, but as I leave each time, I feel her eyes watch me, and imagine I turn my head and say, “Goodbye, stranger.”

But I don’t. It has caused the 1979 Supertramp song to find itself in my stream.

 

“Barks N’ Meowsies”

“Barks N’ Meowsies” (floofinition) – American hard-floof band heralding from Floof Angeles (F.A.).

In use: “Led by lead singer Axl Bark and guitarist Claws, Barks N’ Meowsies (often shortened to BNM) released their first album, Tearing Up the Toilet Paper in 1990, which included hit single songs, “Floof City” and “Fur Child O’ Mine”.”

“The Power Floof”

“The Power Floof” (floofinition) – British-American superfloof group. Comprised of members of previous bands on hiatus, The Power Floof performed together for two years, releasing two albums during that period.

In use: “Although they had disbanded, The Power Floof still sometimes tour and put on concerts, arousing floofs with hits such as “Some Like A Lap”.”

Friday’s Theme Music

Walking yesterday afternoon and admiring the light on the hills (not much snow on Grizzly, bummer, we need more snow in the mountains, wonder how the snow pack is in the Sierra Nevadas) (I should check) (mental note, search for snow pack update) (it is February, and that’s when they usually come out) (and March), I thought one piece of sky and landscape looked like a silver bowl of light.

‘Silver bowl of light’ is a line used in “Suddenly I See” by KT Tunstall (2005). “Suddenly I See” was suddenly in my stream, where it managed to survive a night of dreams (one about eating chocolate cake) (funny, another dream about eating cake) (what’s that all about?) and into the morning, officially earning the title, “This Morning’s Earworm”.

So, passing it on so that it may escape my mind. Cheers

Floof Zeppelin

Floof Zeppelin (floofinition) – Formed in the early part of the nineteenth century, Floof Zeppelin were an English floof band known for their heavy guitar-driven sound and mystical lyrics.

In use: “Although disbanding and ending as a musical group after several members crossed the rainbow bridge and returned to their home dimension, Floof Zeppelin’s hits, such as “Whole Lotta Fur”, “Scratching Post”, and “Treats for Dinner”, continue to appeal to legions of floofs.”

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