Category: movies

Friday’s Theme Music

Get your motor runnin’.
Head out on the highway.
Lookin’ for adventure.
And whatever comes our way.

Some songs and performers are permanently linked in memory for me. The performers have other hits, but one song first comes to mind when I hear their name. Say Pink Floyd, and I think, “Money”. AC/DC, “Highway to Hell”. The Who, “Won’t Get Fooled Again”. Black Sabbath: “Paranoid”.

For Steppenwolf, it’s a ditty called “Born to be Wild”. I was enamored of Steppenwolf when I was thirteen. That would have been 1969. My friends weren’t as impressed. Mom knew I liked them, though. She showed me a newspaper article about John Kay’s escape from Russia. Then Easy Rider came out, featuring the song. Yes, I had a poster of Hopper and Fonda on their choppers on my wall.

“Born to be Wild”, from 1968.

 

5

My Amended Dirty List

I saw that Pitch Black was available on HBO last night. I was like, I gotta watch it! And did.

Thinking about that, I decided to add it to my dirty list, along with others that mentioned in comments.

Here we go, round two.

Original list:

Unforgiven (1992) – “It’s a hell of a thing, killing a man. Take away all he’s got and all he’s ever gonna have.”

Fail Safe (1964) – “You learned too well, Professor. You learned so well that now there’s no difference between you and what you want to kill.”

This Is Spinal Tap (1984) – “I believe virtually everything I read, and I think that is what makes me more of a selective human than someone who doesn’t believe anything.”

A Christmas Story (1983) – “Oh, fudge. Except I didn’t say fudge.”

The Great Escape (1963) – “Cooler.”

Tropic Thunder (2008) – “I know who I am. I’m the dude playin’ the dude, disguised as another dude!”

Being There (1979) – “It’s for sure a white man’s world in America. Look here: I raised that boy since he was the size of a piss-ant. And I’ll say right now, he never learned to read and write. No, sir. Had no brains at all. Was stuffed with rice pudding between th’ ears. Shortchanged by the Lord, and dumb as a jackass. Look at him now! Yes, sir, all you’ve gotta be is white in America, to get whatever you want. Gobbledy-gook!”

No Country for Old Men (1997) – “What you got ain’t nothin’ new. This country’s hard on people. You can’t stop what’s coming. It ain’t all waiting on you. That’s vanity.”

On The Beach (1959) – “The trouble with you is you want a simple answer. There isn’t any. The war started when people accepted the idiotic principle that peace could be maintained – – by arranging to defend themselves with weapons they couldn’t possibly use – – without committing suicide. Everybody had an atomic bomb, and counter-bombs, and counter-counter bombs. The devices outgrew us; we couldn’t control them.”

Fifty First Dates (2004) – “Sharks are like dogs, they only bite when you touch their private parts.”

Bladerunner (1982) – “Time…to die.”

Bridge Over the River Kwai (1957) – “Are they both mad? Or am I going mad? Or is it the sun?”

Love Actually (2003) – “A tiny, insignificant detail.”

Men In Black (1997) – “No, ma’am. We at the FBI do not have a sense of humor we’re aware of. May we come in?”

The Dirty Dozen (1967) – “I reckon the folks’d be a sight happier if I died like a soldier. Can’t say I would.”

Doctor Strangelove (1964) – “Well, boys, we got three engines out, we got more holes in us than a horse trader’s mule, the radio is gone and we’re leaking fuel and if we was flying any lower why we’d need sleigh bells on this thing… but we got one little budge on them Rooskies. At this height why they might harpoon us but they dang sure ain’t gonna spot us on no radar screen!”

Added:

Pitch Black (2000) – There are a lot of goofs in it, which is part of the fun. “They kept calling it ‘murder’ when I did it.”

Silverado (1985) – “The world is what you make of it, friend. If it doesn’t fit, you make alterations.”

Kelly’s Heroes (1970) – “Definitely an antisocial type. Woof, woof, woof! That’s my other dog imitation.”

Secondhand Lions (2003) – “WE’RE OLD, DAMN IT! LEAVE US ALONE!”

The Good, the Bad and the Ugly (1966) – “You never had a rope around your neck. Well, I’m going to tell you something. When that rope starts to pull tight, you can feel the Devil bite your ass.”

Hang them High (1968) – “Some people call this hell, but you’re still in Oklahoma.”

A Few Dollars More (1965) – “I was worried about you – all alone, with so many problems to solve…”

High Plains Drifter (1973) – “What makes you think I care?”

What of you? Andy dirty secrets about the movies you watch again and again?

1

Friday’s Theme Music

Hope the day finds you well.

I saw a spotlight show on the Eagles at Camelot Theater last night. A local band, East Main Band, played the Eagles hits while the Eagles story and anecdotes were related to the audience.

I wasn’t originally a big fan of the Eagles musical group. Their early music were too mellow and country-oriented. I admired their harmonies, and they had memorable lyrics about relationships and living, but they didn’t do much for me. That didn’t stop me from hearing them on AM and FM radio, or at parties, and learning their songs. Eventually, the Eagles acquired a harder sound that appealed to me more. That’s when I actually acquired the music. Their shift culminated in their hyper-hit album, Hotel California. 

The song that hung in my stream from last night was “James Dean”. This was my favorite Eagles song from their first four albums. So here we go, with the departed Glenn Frey on rhythm guitar and lead vocals. Happy Friday.

 

4

Wednesday’s Theme Music

This song, “One Night Love Affair,” has been streaming off and on in my head throughout the last several days. Although it was released and became a hit in 1984 when I was stationed on Okinawa, I associate the song with Onizuka Air Station in Sunnyvale, California.

I was in charge of the base command post at Onizuka. We were living in base housing on Moffett NAS in Mountain View. Several of the people who worked for me were neighbors. We used to throw huge parties, playing music and volleyball, singing, dancing, grilling out and drinking for a day.

I made mixed tapes for these affairs. One of the tapes included several Bryan Adams songs, including “One Night Love Affair”. This song, in particular, would always start an argument. It followed a Boston song, “Foreplay/Long Time”. One guy loved Boston. He thought Boston and Van Halen were the greatest rock bands ever. He despised Bryan Adams. The other liked Boston and Van Halen. While he preferred Bush and STP, he staunchly defended Bryan Adams as a rocker. Once this discussion commenced, it would continue off and on until the party ended. Sometimes they’d be the last ones there, still talking about it.

The memories make me smile.

2

My Dirty List

Time for a small vanity project (as if every post made on this blog isn’t a vanity project, right?).

I think everyone has certain movies that they love to watch regardless of others’ ratings and reviews. It’s our dirty secret.

Here is my dirty list. I’ve seen each of these movies at least a dozen times, and have a few of them on DVDs, but I still watch them when they come on. Some of them don’t come on much any more, because they’re old, and in black and white, and a few of them depressed people.

The list isn’t in any order. Each movie has several particularly favorite scenes. Thinking about those, I realize they usually come at the movie’s end. IMDB helped me with the quotes because my memory isn’t that good.

Unforgiven (1992) – “It’s a hell of a thing, killing a man. Take away all he’s got and all he’s ever gonna have.”

Fail Safe (1964) – “You learned too well, Professor. You learned so well that now there’s no difference between you and what you want to kill.”

This Is Spinal Tap (1984) – “I believe virtually everything I read, and I think that is what makes me more of a selective human than someone who doesn’t believe anything.”

A Christmas Story (1983) – “Oh, fudge. Except I didn’t say fudge.”

The Great Escape (1963) – “Cooler.”

Tropic Thunder (2008) – “I know who I am. I’m the dude playin’ the dude, disguised as another dude!”

Being There (1979) – “It’s for sure a white man’s world in America. Look here: I raised that boy since he was the size of a piss-ant. And I’ll say right now, he never learned to read and write. No, sir. Had no brains at all. Was stuffed with rice pudding between th’ ears. Shortchanged by the Lord, and dumb as a jackass. Look at him now! Yes, sir, all you’ve gotta be is white in America, to get whatever you want. Gobbledy-gook!”

No Country for Old Men (1997) – “What you got ain’t nothin’ new. This country’s hard on people. You can’t stop what’s coming. It ain’t all waiting on you. That’s vanity.”

On The Beach (1959) – “The trouble with you is you want a simple answer. There isn’t any. The war started when people accepted the idiotic principle that peace could be maintained – – by arranging to defend themselves with weapons they couldn’t possibly use – – without committing suicide. Everybody had an atomic bomb, and counter-bombs, and counter-counter bombs. The devices outgrew us; we couldn’t control them.”

Fifty First Dates (2004) – “Sharks are like dogs, they only bite when you touch their private parts.”

Bladerunner (1982) – “Time…to die.”

Bridge Over the River Kwai (1957) – “Are they both mad? Or am I going mad? Or is it the sun?”

Love Actually (2003) – “A tiny, insignificant detail.”

Men In Black (1997) – “No, ma’am. We at the FBI do not have a sense of humor we’re aware of. May we come in?”

The Dirty Dozen (1967) – “I reckon the folks’d be a sight happier if I died like a soldier. Can’t say I would.”

Doctor Strangelove (1964) – “Well, boys, we got three engines out, we got more holes in us than a horse trader’s mule, the radio is gone and we’re leaking fuel and if we was flying any lower why we’d need sleigh bells on this thing… but we got one little budge on them Rooskies. At this height why they might harpoon us but they dang sure ain’t gonna spot us on no radar screen!”

What of you? Andy dirty secrets about the movies you watch again and again?

 

 

 

 

14

Sunday’s Theme Music

I watched Atomic Blonde, an interesting take on the spy situation in Berlin as the wall was coming down, along with East Germany (GDR), and ultimately, the U.S.S.R. The music was a wonderful compilation of the new wave and punk era sound relating to Europe. Hits from Flock of Seagulls, Nena, After the Fire, Siouxsie and the Banshees, and others were offered. The final song was “London Calling” by the Clash. That’s an intriguing choice, since the song was released in 1979, ten years before the wall fell. I guess it could be seen as a bookend, and some ironic meaning found there, given the events of the movie. I enjoyed the movie, mostly. The violence was a little tedious, but it was a good cast, with Toby Jones, Eddie Marsan, and John Goodman (among others) complementing Charlize Theron and James McAvoy’s roles.

 

1

Friday’s Theme Music

So, confession, again. I enjoy the original Mad Max trilogy. The first is the least of them, but I will watch The Road Warrior and Beyond Thunderdome again and again without too much thought.

Which is what I did this week. Thunderdome ends with Tina Turner singing “We Don’t Need Another Hero.” Which makes sense in that context; they’ve already lost it all. Civilization has been wiped out, and they’re trying to rebuild something out of the wreckage, something more humane than Bartertown and the Thunderdome.

But I wake up and read the news, and think, we need a hero. Seems like any fucking day, someone is going to decide, “Today is a nice day to nuke! Let’s find someone and make a radioactive statement.” Then a shit storm of retaliation will fire up. Anarchy and chaos get stirred in as civilization’s plastic veneer melts, and norms, morals, and ethics get tossed.

(As an ironic aside, I first saw The Road Warrior on VHS while I was on temporary duty with the Air Force in South Korea.)

Yeah, gloomy fucking Friday, right? Not really. A hero can stop all that. I don’t see anyone riding in at the moment, but I’m always an optimistic person that eventually sanity prevails.

So listen to Tina singing in 1985, and think about it. Focus on the song’s words, “Looking for something we can rely on, there’s got to be something better out there.”

Yes, there’s got to be.

 

0

“Plastics.”

“Plastics.”

Some of you will read that one word sentence and recognize the allusion to The Graduate. It comes to mind now as how accurate it was in the movie.

Plastics was said to be the future. The writers (novelist Charles Webb and screenwriters Buck Henry and Calder Willingham) were prescient. Plastics are everywhere, floating and polluting the oceans and other aspects of our environment, and is now found to be in bottled drinking water. What’s that mean to our health? The effects are being studied.

We’ll find out in the future, won’t we?

 

2

Velvet Rain

A velvet rain is falling. It’s a rain that makes the world feel cozier and more intimate, inviting deeper thoughts.

I’d planned to walk ten minutes but the rain soothed me, inviting me to keep going. I did, until two miles and an hour had passed.

The rain didn’t appear to soothe all. Some drivers took the rain as a sign to go, “Faster! Faster!”

The walking time allowed for solitude and writing time. I’d dropped into my personal trough the other day in the cycles of buoyancy and depression. Oh, lord, that darkness. Daunting, it drinks me up and swallows me down. The sighs are heavy, the thoughts are bitter, and the world looks grim. Even the cats’ attentions are infuriating irritations.

Perspective helps me survive. Writing, walking, and solitude help me grind out perspective. Alas, Schedules and events kept me from consistently achieving two of the three. But yeah, I survived.

Our new microwave and range were delivered and installed yesterday. They look so modern, I was surprised to realize how ancient the replaced ten-year-old units looked, and the difference it makes to the kitchen. To celebrate, we went out to lunch, and then to a movie.

The movie is part of our annual Oscar Quest. Friends throw a party, and we like to be able to think and talk intelligently about the movies and performances. We’ve only seen a few noms, so we’re behind. We saw “The Post” yesterday. That increases our total to four. We have work to do in our entertainment. None of the previews (“Love, Simon,” “Red Sparrow,” “7 Days in Entebbe,” and “Film Stars Don’t Die in Liverpool”) didn’t inflame deep interest. Each struck me as something to stream and watch at home when it’s available through one of our subscriptions. Of the four, “Love, Simon,” sparked the most intrigue. I suppose I’m too picky and cynical.

As the lights dropped and the previews played, and then the movie opened, my writers emerged with scene ideas. When we returned home, I quietly sat down (quietly, so as to not attract the cats, who seemed determined to stop me from writing at home) at the laptop, opened the required doc, and wrote the scene and changes. Not interested in tempting fate (the cats! the cats!), I saved and closed the doc, but later, while eating, more writing visited me. I stole back into the document and added a few more pages. Best, it left me knowing exactly where to begin today.

It’s a fine feeling, to know what to write, to write it, and to look forward to writing more.

Liquid dripped onto the coffee shop table as I unpacked and set up. Rain or sweat? I don’t know; either were plausible. I suppose I could taste it, but it’s not a critical difference.

Tonight, Wednesday, is when I meet with my friends for conversation and beer. It’s a standing invitation. My attendance record is lackluster but the rain is whispering, “You should go.” I’m ambivalent, but contemplating it.

Meanwhile, the first gulps of hot, black coffee have scalded my lips and tongue. Time to write like crazy, at least one more time.

 

0

Recommendations

Does it sadden you when you think you know someone, and you recommend a book, movie, restaurant, or something, and then ask them about it later, and they say, “Well, it was okay?”

Yes, bums me. The converse is true, too, when someone recommends something to me because they think I’ll really like it, and I don’t .

2

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