Thursday’s Theme Music

This is one of those songs that I asked of myself, “What the fuck are they singing?” when it was first released.

It came out in 1987, before the Internet became the familiar household pet it now is. That meant learning what was being sung wasn’t easy. I listened to the song and discussed it without others. Beer was involved. You’d think that with beer involved, a solution would be found, but nobody knew the words.

Hell, it’s no wonder, now that I can use the Intertubes to find the lyrics:

I cry wolf give her mouth to mouth
Like a movin’ heartbeat in the witchin’ hour
I’m runnin’ with the wind a shadow in the dusk
And like the drivin’ rain yeah like the restless rust
I never sleep

Hmmm? Yet the song works as FM rock fodder, delivering that need for a chorus, something that everyone understands and can sing with them:

I got ta feel it in my blood wo oh
I need your touch don’t need your love wo oh

And I want and I need
And I lust animal
And I want and I need
And I lust animal

n/t lyricsfreak.com

Electric guitars and lots of pounding drums and thumping bass go a long way to making the song memorable. It’s definitely modern rock.

 

 

 

Wednesday’s Theme Music

I must have heard this somewhere recently. As is my norm, my stream picked it up and added it to the mental jukebox and it randomly popped up today.

Fiona Apple’s “Shadowboxer” is lazy, slurred, and haunting to me. I attribute my impression to the beat, lyrics (and material), and the volume’s slow rise, as if she’s been thinking aloud about a relationship and is reaching a conclusion. It’s a song that goes well with dimly lit rooms and a glass of wine at a weary day’s end.

Here she is, from way back in the last century (1996).

 

Tuesday’s Theme Music

A fraction of this song got trapped in an eddy of my mind stream. “Who is this?” I kept asking myself, but could only remember some words, and none of it seemed connected to a place and time in my life.

Not fully recalling it bugged me so I did searched until it was resolved. (I’m peculiar that way.) The song is “Ordinary World,” performed by Duran Duran. That’s what kept me confused. As a Duran Duran song, it’s not associated with anything else of their music that I’ve heard. It came out in 1992, so I was back in America, stationed at Onizuka Air Station and living in Mountain View.

The lines that kept going through my head this morning were,

And I don’t cry for yesterday
There’s an ordinary world
Somehow I have to find
And as I try to make my way
To the ordinary world
I will learn to survive

h/t azlyrics.com

The Memory

Billy got hit by a truck, he says.

He thinks, a truck hit Billy, but he doesn’t say anything. The other is still speaking in slow, backwoods twangs and drawls.

Boy, do I remember that day. We were standing on one side of the road, by the school entrance. Billy was on the other side. He saw us and got this big grin. One of them big-ass coal trucks was hauling ass toward us, but Billy started running across the road. It was all so fast, I didn’t even have time to shout or think. The truck driver slammed on his brakes. The tires locked up in screaming smoke, and the brakes were grinding and squealing in what seemed like forever. I swear to God, I saw Billy turn and look at the truck at the last second, like he’d just realized it was there. Then the truck took Billy down the road.

His shoe flew off. I saw it fly away, like a damn bird. It landed off the side of the road. Then the truck was stopped, and it was all quiet for, I don’t know, it seemed like forever, but it wasn’t. Then someone shouted, Billy, and we all started running for the truck.

His blue eyes get still and wide, staring far off across time and space. Man, I remember that day like it was yesterday, he says.

Sunday’s Theme Music

I was walking this morning when this one streamed out of the ether.

“Mississippi Queen” by Mountain was one of our art class staples in high school in my senior year, 1974. Scott had a large rock vinyl collection, and brought in a huge number of albums. I don’t recall how other students reacted to it, but Scott and I really enjoyed it.

Her Memory

She’d found herself forgetting everything. It was, she explained to friends and families (who didn’t seem interested), like a wall or chasm existed between the answer and the question. She knew the answer was on the other side, but she couldn’t reach it.

This infuriated her. She’d been a five-time champion on Jeopardy! Ask her anything about culture, politics, arts and literature, physics and chemistry, or geography and history, and she could give you a quick, correct answer. Or could. Now it was changing.

She would not accept this. She adapted, because that was her nature, first keeping copious notes on calendars and notebooks about everything that happened. Nothing was too mundane. Updating her calendars and notebooks took from fifteen minutes to an hour every day, and was done as part of her ritual of preparing to retire for the night. Memories of more personal matters were augmented via recordings. The first recordings were done with a small Sony tape recorder. She switched to digital as the technology matured and became cheaper and more reliable. Eventually, she started making digital video recordings and storing them on the cloud. Then she could see and hear herself, reassuring herself of who she was and who she’d been.

By then, she’d retired. By then, her hair was wispy and white, and she wore wigs, out of vanity. By then, she’d buried her third husband and second child, and her parents and siblings. By then, she’d gone through cancer in her cervix and successful treatment, and had a hip replaced after a fall, and was treated for glaucoma, and celebrated her ninetieth birthday. By then, many friends had died or moved away, or were in hospice, or couldn’t remember her. By then, new technology emerged for an augmented digital memory, something like Keanu Reeves’ character had in Johnny Mnemonic. She’d enjoyed the book (by William Gibson) (because she loved science fiction and fantasy), but didn’t like the movie. But then, she’d never been a huge Keanu Reeves fan, outside of Bill and Ted’s Excellent Adventure, although he wasn’t bad in the first Matrix film.

Technology improved. She gave her memory a name, George, after her first husband. George would chat with her about what she needed to know and do, and what had happened, who said what when.

A new product, “Your Best Friend,” emerged. Using smart technology embedded in phones, computers, cars, houses, and businesses, her memory could have a holographic presence and a voice outside her head, almost everywhere, almost all the time.

She loved this aspect. She named her new memory Jean, after a friend she’d lost in her past. She and Jean had shared many good times together, and she thought it would be better to have a dead girlfriend as a faux companion rather than a dead husband.

She and Jean went everywhere together. It was initially a little strange to others and she was self-conscious about it, because it was all new, and others didn’t have virtual holographic friends. Others thought it odd, or that she was weird, or demented, you know, delusional. She was on the cutting edge. If her husband(s) could see her now. Hah!

Technology improved and became cheaper and more prevalent. Soon, many people had such companions, nannies, guards, and mentors. Eventually, she forgot that this was her memory.

Her memory had become her best friend, which, if she thought about it, was how it should be.

 

Saturday’s Theme Music

My wife and I were driving home when John Mellencamp’s “Authority Song” played on the radio. We knew the song and sang along. It’s from his Uh-huh album. It came out in 1983, when he was John Cougar. We saw him perform a few years later, in Germany.

As the song wound toward its end, my wife said, “This song doesn’t have many words to it, does it?” No, but that’s how a lot of pop songs are, to me. I was thinking more about these lines:

“I said, “Growing up leads to growing old and then to dying
“And dying to me don’t sound like all that much fun.”

The idea that death is bad — or not fun — has been weaponized, something to use keep us in check. “You might get hurt if you do that. You might even die.” Yes, as if we’re all living forever on this world, in these bodies.

I thought, Heaven as a concept must have been invented to comfort people who are dying or has lost someone. I always liked that idea of Heaven, that another place is beyond death where we live on. Maybe it’s like living in this sense in that mythical next existence, but suppose it’s not? Yet, we’re coached and socialized to fear death because this is life.

Come on, we’re all going to die. Life might be a spectrum, and this slice of life is just another frequency band. Thank of how wonderful it could be in the next band.

Friday’s Theme Music

I enjoyed Bowie and his music, and lament his passing. Fortunately, technology and memories serve well to keep the music playing.

Today found my mind shuffling and streaming old Bowie songs like “Diamond Dogs,” “Suffragette City,” and today’s offering, “Rebel, Rebel.” No particular reason for singing it today, except I like the song for its laid-back approach and the amused, disdainful sense of observation and discovery heard in the lyrics.

You’ve got your mother in a whirl
She’s not sure if you’re a boy or a girl

Hey babe, your hair’s alright
Hey babe, let’s go out tonight
You like me, and I like it all
We like dancing and we look divine
You love bands when they’re playing hard
You want more and you want it fast
They put you down, they say I’m wrong
You tacky thing, you put them on

h/t azlyrics.com

Wednesday’s Theme Music

1973 wasn’t the best of years for me.

I became seventeen that year. I’d moved in with my father the year before, 1972. He retired from the Air Force, and we moved to West Virginia. We bought a place, and it burned down. Just about all the few possessions I had when I quit living with Mom were gone. We didn’t have insurance. The paperwork and payment were on the dining room table, and burned.

I was hoping for better with 1973. It went great for a while, but then I cut off the end of my big toe while cutting the grass with a gas-powered lawn mower. That took me out of sports and doing many things. Frequently a loner, I retreated into art, music, and reading, which were always my natural sanctuaries.

Fortunately, ’73 was a good year for music. This song, “Drift Away” performed and released by Dobie Gray, summed up the year for me.

Beginnin’ to think that I’m wastin’ time
I don’t understand the things I do
The world outside looks so unkind
Now I’m countin’ on you to carry me through

Oh, give me the beat boys and free my soul
I wanna get lost in your rock ‘n’ roll and drift away
Yeah, give me the beat boys and free my soul
I wanna get lost in your rock ‘n’ roll and drift away

And when my mind is free
You know a melody can move me
And when I’m feelin’ blue
The guitar’s comin’ through to soothe me

h/t to elyrics.net

 

 

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