Friday’s Theme Music

A friend was once singing today’s song, “Timothy”, by the Buoys, shortly after it was high on the pop charts. I asked him if he knew what this song was about, because listening closely, it seemed like it was about two guys eating the third one with them, Timothy.

I probably haven’t thought about the song since ’bout the time of that conversation in 1971. Recalling the song last night, I looked it up. Yep, it was about a cave in, and the two survivors eating the other, with the singer claiming that he must have blacked out, but he awoke with a full stomach.

Strangest to me, I learned that Rupert Holmes, who wrote and sang, “Escape (The Pina Colada Song)” (1979), wrote “Timothy”.

That’s the net’s fun aspect, looking things up to answer, what the hell?

Thursday’s Theme Music

Greeting my bedroom panther this morning prompted this song to splash into my stream.

“Said the mongoose to the cobra,” “See the panther, up in that tree?””

Yes, it’s Elephant’s Memory with “Mongoose” (1971).

Enjoy Thursday’s theme music during your holiday lull. Cheers

 

Wednesday’s Theme Music

Today’s theme music is Live’s “Lightning Crashes” (1993).

I have several Live albums, but I find I must be in just the right mood to play them. It’s a very narrow space.

“Lightning Crashes”, though, came to me this week because one of my nieces gave birth to her third child. All this was shared on Facebook. Everyone is doting on the sweet newborn, including my mother, and there’s rich photographic evidence.  The newborn is Mom’s seventh great-grandchild. That juxtaposition of Mom holding this young new life invited “Lightning Crashes” into my stream and the circle of transference of life and existing. One dies, and one is born, and so it goes. There’s a lot of overlap as it happens.

 

Tuesday’s Theme Music

Keeping it simple today.

I’m agnostic in my religious approach, with some new age and pagan shavings. Our house is lightly decorated for the holidays with a few Douglas Fir swags over the fireplace and front door, and a large wreath on one of the living room’s high walls. Each is lit by strands of small white lights at night. I like sitting in there and thinking of the centuries past, when darkness and cold descended, and people wondered what was to come. Gee, just like as it happens now, innit? I also sip a little mulled wine or wine with wassail, just to put me in the right mood, when I sit in there.

Perhaps it’s cheesy by some standards, but I like this rendition of Bing Crosby and David Bowie doing “Little Drummer Boy/Peace on Earth”. I was stationed in the Philippines when it came out in November, 1977, and didn’t see it for years. My assignment was due to end on December 28, 1977, and I’d go home then, and on to my next assignment, but the Flying Tigers, which was the servicing airline the military contracted, had an extra 747 available. They announced that seats were available for anyone who could get leave or process through to end their assignment, if their assignment was due to end in December.

I ended up on that flight, along with maybe a dozen other people. Landing in L.A., I found flights to Cincinnati to Charleston, WV, and took a bus for the final miles, arriving home just after a snowstorm, but still on Christmas Eve. I’d called my wife from Charleston to meet me at the bus station. That was the first she knew of my early homecoming. I think I was the only person who got off the bus.

Monday’s Theme Music

Time for another visit with the Alan Parsons Project. This song, “I Wouldn’t Want to be Like You”, came out in 1977. I awoke with it bouncing around my stream, along with songs about rain. I went with Alan Parsons.

Enjoy.

Sunday’s Theme Music

Today’s theme music came out when I was three years old. It’s so damn popular, though, I imagine anyone who follows American pop-culture even peripherally is familiar with it.

The Isley Brothers originated “Shout”. Mom was an Isley Brothers fan, so of course I grew up hearing it. The song made a huge comeback when Otis Day and the Knights performed it in Animal House (1978). It then became quite popular for dead bug dancing. Green Day and Robbie Williams both did the song. The song was inducted into the Rock and Roll Hall of Fame. Come on, you must know one version of it.

Saturday’s Theme Music

In honor of the gopher dream that I had last night, I thought I’d use Kenny Loggins’ song, “I’m Alright” from Caddyshack (1980).

As an outside, I was stationed in Kadena Air Base, Okinawa, Japan, the following year. VCRs were becoming big. We bought one. Caddyshack was one of the first movies we rented and played on it. A popular movie, it was played in the MAC Terminal to entertain people while they awaited flights. The command post where I worked was located in that terminal. It seemed like it was on whenever I left the command post. It came to drive me nuts.

I haven’t seen it in years, and I don’t want to see it, thank you. Meanwhile, Kenny did pretty good with movie songs for a while, didn’t he?

Friday’s Theme Music

Today’s song choice, “You Talk Too Much” by Joe Jones, was fluttering along my mindstream this morning when I awoke. It seems like I’ve known it my whole life. Small wonder there. Wikipedia states that it was released in 1960. I was four then, but Mom liked playing it and singing it. I remember her singing it to me whenever I was pestering her for something, apparently her counter-measure to my non-stop demand. It would infuriate me to the point of stamping my feet as I demanded that she stop singing.

That just made her smile as she continued singing.

Thursday’s Theme Music

This is a twofer Thursday post, featuring a dream and a song, because this song started in my dreamstream.

It was a turbulent stream, with multiple vignettes and one-act plays. I think the music made this one memorable.

“Conquistador” began playing in the dream. Hearing it, I said, “Hey, I know this song. “Conquistador”. Procol Harum.” After remembering hearing the song’s live version in high school in the early seventies, and talking to my friend, Bob, about it (in the hall in front of the art classroom, by my locker, where he was talking overly loudly and enthusiastic, trying to catch some girl’s attention), I thought about other Procol Harum music I know and wondered where the music was coming from. I couldn’t identify its source.

All that was backdream. I was in my most recurring dreamscape, which is dark green, slightly rolling hills. I seem to know or I remember such hills most often out of dreams. Accompanied by several friends, we were admiring two exotic hyper cars, a Lamborghini and Ferrari, that belonged to others, and discussing their styling, price, and performance capabilities.

My friends were envious, but I said, “Yes, but my car is faster than either of them, and costs more.”

They were skeptical. So was I. I thought my ride would be there by now. As it wasn’t, I didn’t think my ride was going to arrive, and was becoming anxious.

“Conquistador” ended, and my ride arrived, a stunning silver Aston Martin. “Wow,” I said, along with my friends. “Wow.” I never believed it would arrive.

Then, it was just there.

 

Wednesday’s Theme Music

Today’s theme music emerged from my dreamlands. As I stumbled around feeding the scamperbeasts and making coffee, I remembered the little I know about the song

It wasn’t much. An AM radio hit in the mid 1960s, I was troubled by the title. I thought it was “Hang On Snoopy”. When I discovered it was Sloopy, I thought, “Who’s Sloopy?” I knew who Snoopy was. I understood why they were urging Snoopy to hang on, seeing that he slept on his back on top of his dog house and battled the Red Baron, but who was Sloopy that they were telling them to hang on? It made no sense to me.

Thanks to Wikipedia, I discovered that the version of “Hang On Sloopy” by The McCoys came out in 1965, so I was nine. Sloopy is rumored to be Dorothy Sloop, a jazz singer.

All interesting stuff, but surprisingly, the McCoy’s vocalist on the recording is Rick Zehringer. The group performing the music was not his group from Rick and the Raiders, but another group called the Strangeloves. Rick and the Raiders’s name was changed to the McCoys for the release of “Hang On Sloopy”, and Rick Zehringer, who was eighteen when he sang “Hang On Sloopy”, changed his name to Rick Derringer, under which he continues to perform pop, rock, and blues and playing with people and groups from Edgar Winter, Johnny Winter, Barbra Streisand, and Meat Loaf,  to television jingles for Budweiser beer commercials.

That’s a lot of pop history from one song. Anyway, hang on…whoever you are.

 

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