Category: editing

The Surviving Dream

I was out with others. We were in endless stores but outside, in rolling, emerald green hills bathed in sunshine. I was happy but I was aware that it was a dire situation. Everyone was aware. What measures did we need to take? How could we survive?

Then, boom, all were dead.

Then I was getting back up. I was aware it was a dire situation. What measures did we need to take? Okay, I’d just died, so what we’d done didn’t work. We needed to do something else. Then, boom, something was coming, and we all died.

I was back after a second, in the same situation, trying to figure out what to do, then it all happened again.

I spoke with others. How can we stop this cycle? Others were certain that it couldn’t be stopped, they saw no way that it could. But a man in uniform stepped forward.

He was dressed like a WWII Nazi officer, grey uniform and hat, black epaulets, knee-high shiny black boots, in a movie. “Actually, it can be stopped,” he said. “You just need the right place to hide and the perfect timing.”

Before I could question him more, he said, “Ah, here it comes again.”

I saw something coming, or more correctly, looking down and across the stores on the grassy hills, I saw its effects on the people and world. I warned others that it was coming as I took cover with a cat. I died.

Born again after that, I joked with the cat, “Well, that didn’t work. Did you die, too?” The cat didn’t answer. Then, knowing the cycle was short, I began hunting for the next place to hide. This time, I seemed more aware of the threat coming toward me. It rippled through the people and fields like a light breeze blowing through a rows of wheat. Watching it come up, I timed my move and stepped aside.

I’m not certain if I died or not. There wasn’t a moment of awareness of dying, but I was again considering the situation, the German officer beside me. “No, it’s not that easy,” he said in a jocular voice.

I was dubious of him. “I think you’re trying to distract me. Who are you? Why are you even here?” I had the sense that he was there for misdirection. He was there to stop me from seeing and thinking.

An event was coming again. Picking up my cat, I turned my back and hunkered down under a table.

The dream ended.

0

Surprise!

A moment ambushed today that I really wasn’t expecting. I finished writing, editing, and revising draft number ten of April Showers 1921. 

I’d finished writing the novel, and it ‘felt’ correct, a coherent and complete tapestry of time, characters, settings, events, and story.

I was pretty damn astonished. Just like reading an entertaining book, writing a book that entertains me leaves me breathless and lost, wanting more while processing, it’s over. It’s good. It’s done.

Draft number ten is a hefty boy, let me tell you, six hundred ten pages in MS Word, one hundred eighty thousand plus words. It’d required eight months, my gosh, almost to the date I’d officially started it after a dream in early January. I’d first mentioned it in a January 27, 2019 post. Eight months of thinking about it, writing, revising, researching, editing, processing, and editing, revising, and re-writing again and again. It’s odd and startling to realize that I’ve written all those pages in that time, and doesn’t count all those pages that’ve been removed during the revising process. It was just such a short spurt of time, and just a few hours each day of typing.

Now, I’m contemplating, what do I do with myself? This is my writing time, but I’ve finished writing the novel. It’s like getting out of school early. Such possibilities! Should I go eat? Well, I’m not hungry; this is my writing time. Tell someone? Well, of course, I posted this, to share with my online friends. Many of you are writers and appreciate the satisfaction of writing and finishing. I think you, of all, will most understand, and have been quite supportive.

I suppose I’ll take a break today, and then return tomorrow, and start going through my notes to confirm that I’m not leaving something out there hanging. Then…well, we’ll see.

But, um, yeah, I guess I’m done writing like crazy for today.

Yeah.

4

Take That, World

A friend’s daughter recently published a short story. I ended up with it in hand to read. It wasn’t her first. She’s been published about a dozen times.

Oh, how the urge to edit pulsed through me as I read it. My inner writer was shaking his head. The story was wooden, with passive verbs, a weak concept, and slow pacing. There was much telling, then showing what’d been told, and then sometimes told again.

I was dismayed and baffled. This was my take, but this was a recently published short story. This must be what editors like.

Novels that were recently published that I’d read were recalled. With many designated as bestsellers, I often thought the writing was clumsy, particularly in the early chapters, but they knew how to tell a story, and that came through in the end. Of course, there were a few where the writing was sublime. Those tend to be the award winners.

Yes, I know, every reader brings their a unique set of expectations, and finds their own story from what the writer offered. My take will be different from what others find and enjoy. Yet, something like the things I found that I wanted to edit seem like the basics of strong writing.

I concluded, I’m out of step with what’s wanted and desired in the writing and publishing world — and the reading world — and probably destined to be so forever. Accepting that, I’ll resign myself, again, to writing for myself and trying to improve my writing.

Take that, world.

Time to write like crazy, at least one more time.

7

Double Think

Seven triple four began doubting his mission. The Kazmo believed he had a special insight into where the other versions of him resided. The Kazmo were correct, although it wasn’t as easy as they perceived. The silver machines didn’t know or understand that many of his other versions were fakes. Usually existing for about fourteen minutes, triple four suspected these other versions existed to distract the Kazmo and their resources.

That fact scared triple four. If he was right, his other selves knew about the Kazmo and their project.

They probably also knew about him, too, then. But if they knew about him, it could be that the fake others might only exist in his perceptions.

What he needed was a way to figure this out. If he couldn’t, he didn’t have a reason to exist.

0

Laughing At Myself

I’ve been laughing at myself. When I finished the first draft of April Showers 1921, I thought, what a mess. Then I began hunting for what to do.

I found problems with structure, character motivation, pacing, story-telling… Whatever could go wrong seemed present. Very disheartening.

I began hunting fixes, slicing like a surgeon removing tumors. Draft two was finished and stalled, then three was written and discarded, followed by four. I lamented to myself, “This is like telling the history of World War II. So much happened. How do I find the right handle to it?”

That lament helped. Although I was complaining, it was true. The novel sprawled in a million directions. I needed to reduce the sprawl and improve the story.

Meanwhile, in parallel, I was reading thrillers. I was reminded of a Stephen King quote: “I showed them what can happen, and then I make them wait for it to happen again.” I’m paraphrasing. Forgive me. Maybe it wasn’t King, too, but I thought it was.

Whoever came up with that quote, it helped me sharpen my story’s focus, and tightened my grip on the sprawl.

I created some rules for myself.

  1. Head down. Focus, and stay focused. Work hard. Concentrate.
  2. Stay humble. Ride the wave. It’s a long ride, so manage your energy and emotions.
  3. Write better. Tell a better story. Sharpen your story-telling skills.

The last was revealing. I’d always concentrated on writing, putting words after words, fixing pacing and finishing novels and stories. Now, I decided that I needed to elevate my efforts and focus on being a better writer. That would hopefully result in a better story and novel.

It required hard decisions. Cut this arc. Modify that one. Tens of thousands of words were shred.

Partway through draft number seven. I think I’ve found a grip. I won’t know until I’ve finished and read it through again.

Done writing and editing like crazy for today. Time to go for a walk and let myself decompose.

1

The Fourth Time

Finished the novel-in-progress’ first draft back in June. Turned out to be a hot mess. So, after a few days of sulking and withering under the glares I gave myself in the mirror, I tried again.

Yeah, finished that draft and choked on it. I went into a hard work & focus mode that I’d discovered in myself about forty years back. Went to work on number three. Number three was a third of the way through when I realized, no; not working. Still not finding the root issue.

Damn it. My frustration levels were rising and hadn’t peaked. But with each draft, I narrowed down issues, and fixed problems. Come number four, and damn it, I remained dissatisfied. I kept thinking about what the problem was. Then, once I realized and admitted what it was, I began addressing how to fix it. The challenge haunted me through everything I was doing.

A possible answer was found this morning. Warning myself not to overthink it, I resumed work with draft number three as the basis, but designated as draft number four. I warned myself not to get my hopes up; I thought I could fix it twice before.

I did end up satisfied with the changes today. Need to sustain the effort, though, focus and keep the pressure up until I finish a draft that satisfies me. This might well take all summer. I could be writing about draft number twenty by autumn’s first day.

Done with writing like crazy for the day. Cheers

6

Contracting and Expanding

The mid-year cusp finds me contracting and expanding among multiple spectrums, like my psyche is inhaling and exhaling, troubling and calming itself, encouraging and discouraging. All’s well, it’s not looking good, but it’s looking better even if it looks like crap.

July is beginning. I’ve completed the first draft of the novel begun in January (April Showers 1921). The first draft strikes me as abysmal. The things that I thought I needed to write and I thought were so perfect make me want to hurl now. Wading through them is like walking naked through a chest-high pool of liquified feces.

It’s wonderful.

This is writing’s essence for me. It’s the matter of thinking on topics and characters, needling the imagination into pulling concepts out of my ass, and then tinkering with it all, hunting the story, wrestling with understanding, and coping with how to tell it, and what I’m telling.

I began a new draft and reorganized the structure. That’s another phase in progress. I’ve edited and revised the first twelve chapters in the past week. Several of the chapters required five or more passes. One chapter remained unsatisfying after six or seven hacks at it. I marked it for more work and continued, remembering that the story being told is the sum of all the separate pieces, and only come together for me when they’re all known and understood. Then, working on another chapter, I went back to the troubling chapter. Eureka! I saw the issues troubling me, clear as a full moon on a cloudless night. Slash, slash, slash, slice, slice, slice, cut and delete, cut and delete, rework, rework. Ah; better. More passes are needed, but it now works.

Others have noticed my focus and intensity. They only see the outer panel. Inside me, it’s as intense as a hot, bubbling cauldron. I noticed the impact on other aspects of my life. Phone calls and emails that are promised are postponed to keep from interfering with my progress. My focus on this novel causes me to forget to do things that I’ve planned, errands to run, et cetera. I know this is the case, but my wife thinks I’m being forgetful because I’m getting old or something. I don’t bother to attempt to correct her, because there’s no value in wasting that energy.

Above and beyond, after reading interviews with authors, I’ve ended up with a long list of books to read. The ideas found and presented are spectacular. I want to go read those stories. It’s far from an altruistic plan. While it’s born in the enjoyment I find in reading and the admiration I have for their success in going the path that I follow, there are more books for me to write. Reading these others will help unleash these book ideas. That excites me.

That thought reminds me of the danger of tastes and preferences. I tend to read science fiction, thrillers, historic fiction, a few ‘literary’ books, mysteries, some non-fiction about science, economics, and politics, but I need to expand that circle. It’s a decent size, but it’s too small for the size of our existence. I’m hungry to find more, learn more, imagine more, and write more.

One thing that I learned while working in the military, startups, and Fortune 500 corporations is the value of pacing. There will be ups and downs, but to finish, I have to manage my intellectual, emotional, and physical energies so that I can be there at the end. That requires introspection and meditation, but my dreams help me.

It’s a different path for each of us. I’m jealous of being who stumble onto their path early and who manage to navigate it to their satisfaction, but I can’t deny that I’m happy to be on this path.

We’re cresting mid-year. I hope you’re all doing well on your paths. Press on.

Cheers

 

0

April Showers 1921

I wrote about a new novel that came to me in a dream the other night (“Spinning Up”). One unmentioned aspect was the newly conceived novel’s cover. I saw it in the dream. The cover felt and looked so real and substantial to me that I was nonplussed. The title, April Showers 1921, was embossed gold letters on a silver cover. It seemed so real that I looked up the title to determine if that book already existed. Without surprise, I found songs, books, and short stories called April Showers, but none had the 1921 addition, and none featured silver and gold covers. I seem safe with it.

I’ve worked on April Showers 1921 some since dreaming about it, fleshing out characters, setting, and writing some scenes, but I didn’t throw myself into it. After two days of that, I wondered, why not? I realized that indecision caused by my greatest weakness, over-analysis, was paralyzing me once again.

It’s a familiar scenario. I overthink something. That drains my resources, and I stop making progress until I resolve what I’m overthinking.

Naturally, this paralysis is all founded on a writing issue, specifically — this time — finding an agent for the Incomplete States series. I think I’ve identified several potential agents. I narrowed my search to one lucky agent. I’ve written a synopsis and query letter. That’s where I stopped.

The Incomplete States series employs several styles. In terms of recent books, it reminds me of Cloud Atlas. My series science-fiction infused, but its mostly literary, except the first novel has a science-fiction military noir feel to it. Fantasy flares strong in another book, while yet another has the sensibility of historic fiction.

Yes, I enjoy genre B&B – bending and blending – whether I’m reading or writing it.

On a side note, the great and all-knowing Internet says, don’t mention any of the rest of the series when seeking representation and publication of the first book.

For grins, I hunted down the rejection records for successful writers. I’ve followed this path before, so it’s very familiar to me.

J.K. Rowling. Her Harry Potter series was rejected twelve times, you know. Dr. Suess was rejected twenty-seven times before he found a publisher willing to take a chance on his Cat in the Hat book. The author of  The Martian, Andy Weir, had given up on being published, but kept writing and self-published. When The Martian found success, publishers came running. Kathryn Stockett, The Help, was rejected over sixty times. Madeleine L’Engle, A Wrinkle in Time, had twenty-six rejections. Catch-22, Joseph Heller, twenty-two rejections. Twenty for William Goldberg, The Lord of the Flies. Carrie, by Stephen King, was rejected thirty times. Pretty amazing was that Still Alice, by Lisa Genova, experienced over one hundred rejections. After she self-published and had success, publishers came calling, and her novel was made into a movie starring Julianne Moore, who won an Oscar for her performance.

There was also Vladimir Nabokov, Lolita, over five times, and Robert Pirsig, Zen and the Art of Motorcycle Maintenance, rejected one hundred twenty-one times.

Reading about these rejections is invigorating and inspiring. You gotta have hope, optimism, belief, and determination. You gotta keep writing for the love of writing.

Writing about my paralysis cleared matters up and broke the log jam. (I now have a featured image of logs floating through my mind.) I’m ready to submit. (Ha, ha, I love how that can have multiple meanings.) All they can do is say no, right?

The day is full of promise. I got my coffee. Time to submit, and then write and edit like crazy, at least one more time.

2

Spinning Up

I’ve been conducting an agent search pursuant to having my novel published, writing the query and synopsis for it (and the series, as it’s the first novel in a series of five), and editing the novel (and series) again.

My agent search uncovered a lot of agent hunger for MG and YA novels. That seems to continue as a hot market. Apparently my subconscious took note, because the muses delivered a YA character, premise, and title to me in a dream last night. As I recalled the details this morning, other characters jumped into existence in my mind. Dialogue, scenes, plot details and twists began racing through my mind as I showered and shaved. Sitting down at the computer, I typed up dozen pages as I drank a cup of coffee, and then had a chortle.

My muses love novel writing’s inventing and imagining phase. A new project? Yes, naturally, they were excited. They kept on through the morning, punching more of the novel into me, spinning up my excitement as they fed me words. Like them, though, I enjoy the the inventing and imagining phase, putting it all together, playing with the logic puzzles behind motivation and voices that underpin establish a novel’s underpinnings. That shouldn’t be a surprise since my muses and I share a mind.

Got my coffee. Time to edit and write like crazy, at least one more time.

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