SUCKS, In Caps

Decided to make a change in my novel in progress. This is Book Four, An Undying Quest, in the Incomplete Series. 

I’m not certain but I overwrote the existing file without creating a backup. Worse, I’d decided to make this change without first backing up my work, violating my cardinal rule – backup, backup, backup, and save often.

Realizing my error immediately, I went into recovery mode. The results were depressing. No ASD files, no WKP files, or TMP files were found as a match for the initial version. No previous versions found. The file wasn’t found on One Drive.

Unbelievable. Three hundred fifty pages of the revised novel were lost.

Back to square two. I have the beta draft in its raw form. I’d started revising on October 18th, so it’s only a few weeks of work, and about half the novel.

Now I’ll walk and bash myself for being hasty and thoughtless, and take some deep breaths. It’s not the world’s end, or civilization’s end, or anything like that. It’s just a foolish setback. I’ll just need to reset myself, go back, and begin again, with some bitter lessons learned.

Done editing for today. Cheers

 

Surgery

Today’s editing was like surgery. I wrote Book Four, An Undying Quest, in a coffee-stoked and idea-infused blaze. Feeding me, the muses took me in different directions simultaneously. One over-arching arc was eventually uncovered as definitive. Excising paragraphs, merging, and clarifying the one great arc and staying true to the final concept and story involved a lot of reading, thinking, and revising.

Thank god for coffee. Terrific day of writing editing like crazy. Time to call it a day.

I might go get a doughnut.

The Stairs Dream

Here’s a dream fragment from last night.

I was walking a carpeted hallway when I came to a doorway at the hallway’s end. Dark brown, it was a metal door, the kind found in office buildings in America as emergency exits. Not seeing any signs, I looked back and then decided to open it and go through. As I am in life, I was cautious when I use doors like this, and confirmed that it wasn’t locked, and that I could open it from the other side. I didn’t want to be trapped somewhere.

The other side was a well-lit landing. I seemed to be in the middle of a building. I didn’t see any signs, but I decided on an impulse that I’d go up.

Up I went, with my feet clattering on the stairs, which, I realized, were metal. Okay. After going to the next level, I saw a red sign that said in white lettering, “SECOND FLOOR”.

I paused to lean over the railings and look at the stairs above and below. I didn’t see how it could be the second floor. There were a lot of stairs below. It didn’t make any sense. If I was now on the second floor, than the floor I was on before was the first floor, right? Was the first floor the ground floor? I thought, well, maybe the steps going down past that level descend to a basement level or a parking garage.

I decided to go back down. Reaching that floor, I saw another red sign with white lettering, “FIFTH FLOOR”. That make no fucking sense. Facing the door to open it and leave the stairwell, I found a green door. I remembered that it’d been brown. The color change disconcerted me.

As I went to open the door, it opened. A young white male briskly came out. Dressed in business casual, with trim, short-brown hair, he smiled at me as he went by. Then he stopped and said, “Do you need help?”

I said, “What floor is this?”

Pointing at the sign, he said, “The second floor,” which was what the sign said.

As I tried to reconcile that with what’d already happened, he said, “Where are you going?”

“I’m not sure,” I said.

He laughed. “Are you looking for a particular office or person?”

I laughed. “I don’t know what the hell I’m looking for.”

The dream ended.

With a little surprise as I awoke, I thought that I remembering having a dream like this years ago. I thought of it as an ambivalent dream, reflecting my indecisiveness and uncertainty. Yes, where am I going? What do I want to do? I want to write, and I do write, but beyond that, I want publishing success, but I don’t want to market myself or jump through hoops to get published.

Yes, what am I looking for? Sometimes I rue being me.

The Heat

Now we come to the part of the novel that I say, “Huuuhhh?”

I’m editing and revising the fourth novel, An Undying Quest, in the Incomplete States series. I remember writing these chapters last December and January of this year. First, there were five chapters, which became ten, a reflection of the multiple POV. These chapters were being written in parallel in a mad heat of intensity. The muses were crazy and insistent during that time, and I sat back and typed as fast as I could.

Typing as fast as I can leads to a lot of stumbling over the keys, and a great deal of swearing as I miss a stroke, realize it and back up, muttering, “Fuck, fuck, fuck,” as I do. The chapters were interesting to edit in the first pass after writing them because sometimes the tense changed. In reflection of that, I came to see how I was sometimes doing method writing, imagining myself to be the character to take in their senses, know their thoughts, and act correctly. I wonder, in retrospect, how that writing process affects my relationships and interactions with others. It intrigues me, too, that I can’t remember what I wrote, but I remember writing and editing it.

The weave pattern of these chapters means they’re more challenging to read and edit. The twists give me pause. To track them, to ensure they’re correct and consistent, delivering the end of that stretch while staying true to the concept, arc, and ending, required me to drop back and create another document. The document’s contents are, “This happened here,” and, “That happened now.”

Yes, it’s tricky, but it delights me. That worries me that I’m not being objective.

Yes, it’s tricky.

Time to write edit like crazy, at least one more time.

Progress

I finished editing and revising the beta version of Six (with Seven) today. That’s Book Three of the Incomplete States series. I began editing and revising it on September 24 of this year, so my editing and revising process has kept going at a decent pass.

The editing and revising process was draining, requiring most of my mental energy. Not surprising, as editing and revising your work forces you to confront weaknesses and doubts. I know that it’s made me more of pain in the ass to live with than usual. Although there are chapters that leave me a little wary, I feel good about the book and project. Part of that is the simple satisfaction of completing another step in the project, but there’s also the element that I’m satisfied as a reader that the writer wrote a decent tale. I was also pleased because some of my worries and fears were allayed. I kept thinking as I edited and revised the book that I needed to do more to clarify matters and tie together the disparate story lines. Then I discovered that hurrah, I did that when I wrote, edited and revised it back when it was the subject of my focus.

The chapters that leave me wary will confuse some readers. They’ll require close reading to follow them, patience, intelligence, and an open mind. So, do I dilute them to reduce those challenges, or leave them? I left them as is for now, as that feels right. This, of course, was the first go in editing and revising, so that can change in one of the next go-arounds.

Of course, the readers can skip these chapters and go on to the final two chapters, which strain the mud out.

I like how Six (with Seven) ends, moving the series’ stories forward, clarifying more, and setting up Book Four, An Undying Quest. I also have more appreciation for the title, Six (with Seven). It’s more whimsical and cleverer than I first realized. I’m not being immodest, but recognize that a lot of these decisions have subconscious insights going on that I don’t appreciate at first.

With three hundred twenty-two pages in Word and less than eighty thousand words, Six (with Seven) remains a slender book in my general pantheon of fiction writing.

Tomorrow, I begin editing and revising Book Four, An Undying Quest. Once it’s completed, I’ll have a first draft of all four. With some hope and luck, it’ll all make sense and flow together to a decent ending.

Now, the coffee is gone. Time to go for a walk, have lunch, do some yardwork, and maybe have a beer to celebrate.

Cheers

Old Paths

Ah, more ME STUFF. Yes, it’s all about me, which sounds like a good movie title, except it seems so similar to the classic, All About Eve.

I’ve been editing the third book, Six (with Seven), in the Incomplete States series. It was the first of the four books that I wrote. I finished it over sixteen months ago.

Reading and editing the book rekindled memories of how I hunted for a writing process that worked for me. I was initially a staunch proponent of outline and research. I took that route because everything that I read said, that’s how you write a novel.

It didn’t work for me. I was restless, frustrated, and bored with the process. I tried modifying it. Reading of Orson Scott Card’s process, I attempted something of the same. I attempted to flow-chart what I would write. I used Post-its, white-boards, butcher paper, and story boards. As none worked, I chucked them all with the decision, I’ll just wing it.

I started writing in notebooks. I’d edit and revise each day’s work, typing it up on my computer, and doing further editing as I went. I later learned many writers use this organic process.

That first resulting novel was a disaster. I still have it, with promises to edit and revise it someday. Meanwhile, it was a tremendous learning experience. First, I’d written a novel. That buoyed my self-confidence, but then, it needed so much work that I sank like a house in a Florida sinkhole.

The next thing that happened is, I shoved that monster aside, and wrote another novel, and then several more. Each time, they needed work, and I was too impatient to fix them. Eventually, slowly, I gathered, ah, editing and revising is part of the writing process. I wrote more, I edited them, and published them. Then I grimaced because I see the errors in the published work.

They needed more work. I needed more patience.

With my panic and self-doubt somewhat subsiding, I began to think more about my writing process, and what that meant. Insights into myself and my process grew. 

When previously reading wonderful books, I lamented that I’d never be that good, capable, creative, or talented. Now, I think, how do I write and tell stories like that? Instead of bludgeoning me to the point of retreat, those other writers and novels establish goals.

Which brings me back to this novel and series. I started out blindly with a half-baked concept, and then went down different paths until I found a path that worked. Those other paths were still in the novel, and required that I read them and decide, keep them in, or cut them — or revise them.

Done writing, editing, and revising today.

Another Fun Session

It was fun editing Six (with Seven) today. Written over a year ago, I’d forgotten the surreal aspects that the book took on at that time, dealing with a character’s memory, sex, and imagination as separate entities. I had fun with the arguments that they had among themselves and Philip K. Dick flavor infused in some of the dialogue and situations.

The character’s name is Madi (Madison) Handley. Because she’s a pirate, she modeled her memory after a pirate, Grutte Piers, and insists on having a parrot, J.R. As Handley’s existence streamed into my awareness, her name came from another blogger (J.R. Handley) and a barista (Madi), with the parrot named after J.R. Handley as well.

Her story is running in parallel to Pram’s terra-forming story, and I alternated between the two in the chapters in this section of the novel. I have a lot of affection for Pram and Handley, and love discovering their lives in space.

Coffee gone, and damn, I’m hungry. Time to stop writing editing like crazy, at least for today.

Time, Energy, and Patience

Incomplete States is a science-fiction infused historic series of possible futures. Book Three, Six (with Seven), now in editing and revision, also focuses on another intelligent species.

They are much different from Humans and the other species encountered in this historic series. Their culture, mores, and social structures aren’t like Humans or the rest. This makes editing them a powerful challenge, which translates into time, energy, and patience. Clarity, coherency, and consistency is demanded. This is the fourth day of editing and revising this thirteen-page chapter.

Time, energy, and patience has become my new editing and revising motto. I used to race through writing books and then become impatient with the editing and revising phases. I’ve developed a more acute respect for how editing and revising fit into the writing and publishing process as I’ve written more books.

The other aspect that’s found new respect in me is reading . On Sunday, a friend asked me, “How do you know when you’re done writing the novel after editing and revising it?” I told her, “That’s when the reader takes over. I write what I enjoy reading. If I, as the reader, am happy, then I’m done.” Of course, that’s when the professional editors take over.

Thinking about my answer later increased my appreciation for how reading helps writing. If I’m writing for a reader, me. I want that reader — me — to keep expanding their appreciation of what they’re reading. As I do, what I read and enjoy permeates the reader/writer/creator membrane. So expanding what I read, enjoy, and appreciate improves my writing and creating skills.

I like casting a wide net over my reading choices. I have favorite authors and genres, but enjoy exploring. I just finished reading Red Shirts (John Scalzi, 2011). Now I’m beginning Less (Andrew Sean Green, 2017, Pulitzer Prize). I’m still reading The Order of Time (Carlo Rovelli, 2018). That last book requires many pauses to think about what I’m reading, and revisiting parts of the book.

Of course, I’m also still reading Six (with Seven). I must read it to edit it.

Time to write edit like crazy, at least one more time.

Another Writing Update

Editing and revising continues on Book Three of Incomplete States, a novel titled, Six (with Seven). 

While remaining ambivalent about the title, I’m feeling more attached to it as I edit. I’m ambivalent about it because I conjure negative reactions from others about the title. I imagine that it will sour some because it’s different (gasp). But reading, editing, and revising the book has brought me closer to the title. I understand why that title came to me, and why it works. I also swung back toward ignoring and dismissing the naysayers, which basically goes along the lines, “Fuck you.” I like to think that they’ll be so in love with the series by the third book that they won’t care about the title.

See? I can be an dewy-eyed optimist.

Editing and revising Six (with Seven) hasn’t been all coffee and cookies. One chapter obviously needed major reconstruction. I struggled to fix it for several days. Then, one morning, I opened it and realized, the chapter didn’t work because everything had evolved away from it. It’d been an early, exploratory chapter. Now, it didn’t fit.

It still took some time to cut it. I liked the characters and the writing. It was damn prettified. I also worried that I was cutting it out of expediency. The muses didn’t agree, so I cut it. I saved it…just in case.

Once that chapter was removed, everything else fit together like fine tongue-and-groove construction. I loped through several chapters a day. It’s a fine thing to enjoy what you’ve written.

Enough patting myself on the back. Coffee has been downed, but this is free refills Friday. Time to write edit like crazy, at least one more time.

Blog at WordPress.com.

Up ↑