Downstreams

Some mental activity racing along my axons today.

  • Love that first slurp of my quad shot mocha at the Boulevard. The baristas know my preferences and do a great job of blending everything and then topping my coffee drink with with a skim of dark chocolate powder. I love the contrasts of flavors in that first tasting. Sensational.
  • It’s National White Shirt Day! This day recognizes the end of a 1937 UAW strike at GM for better working conditions. I have my white tee shirt on, under my natural wool sweater.
  • I don’t recall any dreams from last night. That’s unusual. Wonder why. Sleeping period, six and a half hours, seems about normal.
  • I’ve been reading a series of articles on sleep and whether we’re evolving from being biphasic. The latest article was on Van Winkle and provided a brief summary of the last eight thousand years of sleep.
  • I realized Part I of my  science-fiction novel in progress requires some serious editing and revising. I first realized that about a week ago and tried rejecting it. My writer within was willing to overlook changing it; the resident interior editor was reluctantly accepting of it. However, the reader in residence said, “Oh, no. That needs work.” Trust the reader. After we argued a few days, the writer and editor agreed with the reader’s points. However, the writer came up with some interesting ideas to explore in parallel.
  • The editor, though, urged us all not to make any changes until it’s all done. He pointed out that Part I is the way it is because the stories and concepts were still being explored. True; I write to understand myself, to order and structure and expand my thoughts. He pointed out that since I’m still writing the other parts, I can save myself some potential work by fully completing an entire draft before making major revisions. I accept his contention and put it on hold until the first draft is completed.
  • The novel in progress is ‘Long Summer’. Science-fiction, it’s not quite a sequel but is collateral to ‘Returnee’, as it stars Brett and Castle Corporation, and continues with many of the same themes of technological alienation and isolation, and socializing with yourself via virtual beings you develop to help people cope with life as they live far longer.
  • Talking with the barista today. “Fun plans?” she asked. Because, it’s Saturday; in her working and school world has meaning that has left my writing world. I don’t segregate the days into weeks and weekends any longer. I barely notice the date. “Movies,” I answered her. “We’re going to see ‘Lion’.” She wasn’t familiar with it. I mentioned Dev Patel and a few of his movies. Yes, she remembered ‘Slumdog Millionaires’. It didn’t occur to me until later that she was eight years old when Slumdog was released.
  • That conversation pointed me onto new vectors of changes and the differences in my values, perceptions and experiences as a sexagenarian and the same in her as a young adult. It’s the same conversation I had as a young adult with those forty to fifty years older than me. I was twenty in 1976. Those who were sixty in 1976 had been born just after World War I ended. They fought in World War II and remembered the atomic bombs dropped on Japan. Grandparents had been part of the American Civil War. The Soviet Union was founded during their lifetime and the Cold War dominated world politics.
  • It’s interesting to put into perspective. What I think of as ‘normal’ isn’t the same as the previous generation or the next generation. Besides when we were born forming us, so do our education levels. More strongly and interesting, we saw how where we live and our education and economic situations affect national politics during the 2016 presidential election. Now, this article on FiveThirtyEight tells about how where we live affects our deaths. It’s a telling insight to me.

Cheers

The Competition

I always interact with the Boulevard baristas. Intelligent, personable, charming, they seem to enjoy it as well. This isn’t limited to me; they interact with everyone. After all, they do get rewarded with tips. The interactions are about snippets from personal activities and lives but also about the drinks. They get serious about making the drinks, which serves me well, because I’m serious about drinking my coffee, especially my writing mochas.

As part of our daily rituals, I often admire their latte art. They typically fill my drink to the brim, forcing me to slurp some away before walking lest I spill some of it on the way back to the table, so I comment about its taste. They’ve come to wait for those comments, and some of them are competing to see who makes the best-tasting drink, and who has the best art.

I didn’t know how serious this had become until I made a comment to Meghan about three weeks ago. “I think your drink tastes the best,” I said, “but Lexi has the best art.”

Meghan responded, “I make your mocha different. I put the cocoa directly in the steamed milk at the bottom.” Chrissy stopped what she was doing and leaned in to listen. “And I add a lot of cocoa powder because I know how much you like it. I can make better art but I’m being lazy.”

That changed immediately. Her drinks started sporting more serious latte art – flowers, trees, and hearts. Lexi also heightened her efforts, along with Chrissy and Chelsea. Madi is still learning it, something we both acknowledge, and often covers her efforts up with extra cocoa powder (which I mind not at all). Sam, ironically an art student whose wonderful water colors are now on display in the coffee shop, is also still learning latte art. Allison, the owner, doesn’t try.

But Meghan raised her game the other day. After calling my drink out, she waited for me to pick it up. “Look at what I did. Do you see it?”

I looked into the cup and laughed; she’d spelled out my name above a daisy. “Wow,” I said. “You’ve upped your game.”

Eyes bright and smiling big, Meghan nodded. “I have upped my game. You have to tell Lexi that I upped my game. But don’t tell her how. I want her to have to ask me.”

To be continued, I think….

 

Some Days

Some days –

You leap up, eager to engage. Yeah, you got work, but so what? You’re fucking ready! Give me coffee, tea, whatever, and stand back, ’cause here I come.

Other days –

The movement to remove yourself from that lovely bed is proceeded by a long sigh, a bit of ceiling staring, and an argument. “Is it really worth it today to get out of bed?” you ask yourself. “Can’t I just stay here all day?” Thoughts of responsibilities, deadlines, appointments and engagement roll over you like waves. Damn, you realize, I have to get up.

You throw the covers back and shove yourself free. Look out world, you promise. You hit me, I’m going to hit you back. Hard.

But some days –

Oh, Jesus, you think. Another day. There’s no end to them. I’m in a tunnel but there’s no light. Nada. Nothing. Zip. Zilch. “I hate my life,” you whisper.

But, what must be done, must be done. So you get out of bed, a stoic embracing of your duties and trudge through the day, engaging as it must be done but trying not to use much of your energies. Not on days like this.

But other days –

Ha, ha, ha, you think, with a surreptitious glance at the clock and daylight, I don’t have to get up today. I can sleep in as long as I want. I can do whatever I want. And with that, you bound up, because this is your day. You can do whatever the fuck you want.

But some days –

You awake and arise. You don’t feel really rested but you don’t feel tired, either. You don’t know what you feel. There are things to be done but nothing is pressing on more than the immediate need to pee.

You think of the things that you need to do and what you might do. You might go some places. You might not.

Thoughts are accompanied by small mental shrugs of indifference. You’re not really happy. You’re not really sad.

You’re not really anything.

You and the day feel like an onion. Some peeling must be done before anything useful is found. You’re not even sure if you feel like peeling it, though. It’s not a question of energy or attitude. No, you don’t know what it is. To know that would require some peeling, and you don’t feel like peeling. Perhaps you will after having some coffee or tea, or being up a while, or maybe you’ll feel like it after getting cleaned up. Who knows?

That’s how it is.

On some days.

But not others.

Contemplating the Storms

Inside, safe with coffee, I eye snow ranging between raging and swirling.

Everything is white, a cover-up to hide yesterday’s progress of melting and drying roads. It looks cold, and cold is permeating my protective window panes.

I made an espresso sized cuppa using French Roast. The staunch flavor pleases me. It’s great not needing to deal with all that extra water that goes into a larger cup. The coffee fuels thinking about the storm’s extent. The web helps track its size, what has passed and what is expected. I need something like that for the rest of my life.

The cats, of course, drift between blissful slumber and energetic bonkers. That’s when older cats are preferred; they recognize bad weather and are happier to watch through a window than the young beasts. Quinn is the rule’s exception; he enjoys the cold. We think he employs an active imagination, going out and pretending he’s Siberian. His whole demeanor reeks of of it. But this weather play has a heavy element of wind; Quinn says, “Nyet,” to wind.

Tucker indulges in several mad dashes, practicing his football jukes. Taking pity on the kitties, I visit with each and play with them. The toy of choice is the white feathers on the yellow string on the pink stick. All love this. Meep captures it, picks it up in his mouth and attempts to carry it away, tail up. His trophy pleases him. Boo, the oldest, becomes most engaged. He manages to free three more feathers. Only one feather remains on the toy. Time for a new one.

Snow surrenders to sunshine, which yields to rain. No matter; the temp has scaled thirty-eight degrees. The wind refuses to abandon its role so the cats stay in but the sun is back.

Time to move, get ready to go out and write like crazy. Breakfast, first.

It’s a good morning for pancakes.

 

Work Habits

Here we are, the six of us: writers. Meet Michael the Original and Michaels Two through Six. None want to be called a number, usually channeling Bob Seger and the Silver Bullet Band when that’s attempted. (“I’m not a number, I’m not a number, damn it, I’m a man.”)

Each writer has their piece to write. We’re seated around a large, round table. Each has their own space and quad-shot mochas. Each is on a computer and has their files open.

One is copy-editing the novel to date. The Original – that would be me – is doing the hard thinking to bring these drunkenly rambunctious stories together. The next four are working on the different storylines and scenes for Pram, Forus Ker, Brett, Philea, Richard, Kimi and Handley, onboard the Faux Mo, Pentagon, River Styx, and Wrinkle, on Willow Glen and the escape pod, in the stasis pod, and in the past, present and future, dealing with the Monad, Sabards, Humans and Travail Seth…and each other…. There are battles, revelations, duplicity, treachery and betrayal.

It’s a lot of work for the six of us.

Unfortunately, there is only me. Having the six wouldn’t be sufficient, either. I would need more, a committee of me to write and edit. Each story and its main character is drumming, “Write my story,” into me. I write a few lines, paragraphs, and then jump into another, tediously advancing on all fronts, advancing, but not anywhere near the desired pace. The process reminds me of a class I took decades ago, in 1988 or 1989.

I was stationed in Germany. Offered by the University of Maryland, the class was four days long, two weekends, eight hours each day. The subject was French literature. Four authors were being studied. Among them was Honore de Balzac.

Balzac was said to write fifteen hours a day. The claim presented to me in that class is that he wrote with a quill, standing up, sucking down cups of coffee. He was said to be always writing and created voluminous manuscripts, often with characters straying from one story to another, and frequently revised. How did he do it, I wondered then.

How did he do it, I wonder now.

But then I figure, man, if good ol’ Honore could write and edit so much on his own, I can as well.

Just give me more damn coffee.

Here we go: time to write like crazy, at least one more time.

 

The Mojo Exceptions

I’m pursuing the opposite strategy. This is embracing and doing the opposite of your normal choices. The thinking is, if what you’re doing hasn’t been working, then the opposite of what you’re doing should be successful.

This approach was successfully employed by George Costanza, played by Jason Alexander on ‘Seinfeld’ in the television series’ eighty-sixth episode, during its fifth season in 1994. Jerry Seinfeld’s character articulated the idea although George began it by deciding to order something other than his usual.

True, Costanza is a fictional character. We  don’t want to start modeling our lives on fiction, do we? But some real value to this method could exist because it’ll take you out of your usual ruts. In a sense, this can help you face your fears.

But —

There are always ‘buts’.

But, I went to write yesterday after several opposite choices and the buts started flowing in. One, I don’t want to mess with my writing mojo. I got my writing mojo working. So I needed the Mojo Exceptions to the opposites.

  1. I can continue to go to the coffee shop and write. Otherwise, taking the opposite path, I would stay home and write. Although, by Costanza’s Rule, that’s exactly what I should do. In my feeble defense, I used to stay home and write. It wasn’t working. I decided to do the opposite, and go out and write. See how nicely I’m trying to rationalize that?
  2. I can continue drinking my quad shot mocha. The Costanza Rule decrees that I’ll have something else, like tea. Again, I began drink the mocha to embrace the opposites because I used to drink black coffee without cream or sugar.
  3. I can still write like crazy. The opposite of that would be to write with restraint. I used to try that and abandoned it to write like crazy.

Expressing the Mojo Exceptions make me appear to be a coward. I write to learn what I think, and I learned why I wanted the exceptions. I see how fear from change is really behind not wanting to mess with the writing process. I see how comfortable I am in it. And yet, I can convince myself that I was already doing the opposite with that aspect of writing, and that’s why it works.

I see inconsistencies about following the opposite strategy that trouble me. I think, ‘Don’t post that post,’ because I’ll be exposing my cowardice and inconsistencies. That, of course, would be the usual. I have to do the opposite, except for the Mojo Exceptions so I post this entry. I figure the Mojo Exceptions define the one area that works really well and can be excluded. But Mojo Exceptions are not unlimited. After wrestling with this aspect, I agree with myself that three is acceptable, but no more than three.

After all, you don’t want to mess with your mojo. Of course, it can be argued that your mojo isn’t working if you’re pursuing the opposite strategy because it’s purpose is to take you out of your comfort zones by doing the opposites.

I’m getting a headache.

Son of A Gun

My normal coffee writing consumption is the Michael – four shots of espresso in a non-fat mocha, in a twelve ounce cup. One barista always charged me less than the others, putting me into an OCD tizzy. She explained that the sixteen ounce is actually less expensive because it already includes four shots. So she would charge me for a sixteen ounce and put it into a twelve ounce cup.

I was duly awed by her thinking. I was due a free mocha today as part of the customer loyalty program so I went for a sixteen ounce mocha.

“You want extra shots?” Shannon asked. “It comes with four but we can bump it up to six.”

Six? Dare I?

Hell, yeah, I’m sixty years old.

Just call me a six shooter, an old son of a gun, a word slinger.

“I’m a cowboy. On a laptop, I write. I’m wanted, dead or alive.”

Sorry, Bon Jovi, but my words make as much sense as your lyrics.

Time to write like caffeine infused crazy, at least one more time.

How It Works

Car appointment today, 12:30, in Medford, down the asphalt river seventeen miles. Wife asks, “Are you going to go do your writing first?” Because this is the standard, this is the norm, this is the way it works. Whatever else, go write. Michael must write. Not writing makes Michael a cranky man.

“Yes,” I answer, “but I need to have some coffee first.” Because this is the standard, the norm, this is the way it works. I must have a cup of coffee to go have my coffee and write.

What were once indulgences are now habits. But come on, that first cup, black and hot, French roast, untainted by milk, cream, sugar or anything else, is awesome. Yeah, it would seem like there’s a chasm between drinking strong, unadulterated black coffee and then indulging in a mocha with four shots of espresso. But I believe – and belief is important – that the coffee pleases my muse, and that helps my writing. Gotta keep the muse happy.

That’s the way it works.

Happy Monday, Writers

You may not have noticed but Monday has struck. Here we are, the first Monday of this week, probably the only one planned for this week, for all I know. I believe that might be true.

Here in ‘Merica, we’re planning hard for the Next Big Holiday. That’s right, Christmas! Woo-hoo! Between now and then, we’ll also celebrate Black Friday. YOU CAN GET YOUR BLACK FRIDAY PRICES NOW if you’re a smart shopper. But I’ll bet many smart shoppers are holding back, nodding (perhaps mentally), concluding, “They say these are Black Friday prices, but I’ll bet the prices will be lower on Black Friday. I’ll bet that if they’re offering these great deals this early, they’ll have a better deal on Friday. So I’ll wait.” Cuz they know the deal. They didn’t just start shoppin’ yesterday, ya know. They got their first credit card when they were five years old. Came in the mail, unsolicited, like.

To help pass time until Black Friday and Christmas, we’ll be celebrating Thanksgiving, in which a week’s worth of calories are consumed in one day. Many try to eat it all in one sitting, perhaps preparing themselves for the new Fox Reality Show, ‘How Much Can You Eat?’

Eat, as they’re calling it in the biz shorthand, pitch people agin one another in a celebration of food and eating. Each show focuses on one culture’s food, holiday meal or special occasion. We start with fifty-three contestants for this weekly extravaganza. We’ll include side-dishes about the contestants and what eating means to them and why they like to eat, along with fave dish recipes. Domino’s has signed up as a maj sponsor. Domino’s, where, “We love pizza so much, we’ve added salads.”

That’s all fer now. I’m gonna chug my ten shot mocha – “It’s decadent!” — and start writing like a fiend. Happy Monday, everyone!

Happy Monday!

 

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