Flooffeinated

Flooffeinated (floofinition) – becoming energized by the interaction with, or the presence of, housepets.

In use: “Although he made coffee every morning, stepping into the back yard with his cat and dog instantly flooffeinated him as they rolled in the grass and sunshine, and then chased one another.”

Without

he’s an edge without a blade

rain without a cloud

a dance without a song

a steak without a knife

 

he’s a foot without a leg

a beard without a head

pupils without a face

fat without a bone

 

he’s an object without shape

sweet without taste

sour without texture

swallowed without chewing

spoken without thought

buried without mourning

morning without light

coffee

without beans

 

 

Two Cups

It began in December. With receding silver hair and a large, round head, he looks like he’s in his late sixties. Each day, he enters the coffee shop at around eleven thirty. He buys two cups of coffee to go. Going outside, he finds a seat at one of the patio tables. His location varies by weather. He puts one cup of coffee by one seat, and then sits down at another. Sipping coffee, he gazes at something that he only sees. When he finishes his coffee, he picks up the other cup and empties it on the ground. Both cups are thrown into the trash can, and then he walks down the street, alone.

The Process

He had his talismans, his gold-plated 2001 quarter, the pen with which he’d written the first short story he’d ever sold, once lost, but then found in a box of memorabilia, and his tumbled and polished lapis lazuli. With those in his pockets, he processed his mental checklist. Keys, money, wallet, computer, backpack, sunglasses. Donning his coat, he gloved up and left the warm house for the cold, sunny day.

Squirrelly grey clouds marbled the sky’s blue arena. Sidewalks squished with remnants of last night’s rain. He walked fast, shifting from thoughts of cats, wife, social engagements, and news to his stories, drawing up where’d he stopped, what he’d planned since then, and where else he might go, considering the scenes and words like they were night stars.

One mile he walked, warming up over the twenty minutes, two as the land dried out under the sun, reaching the coffee shop in less than thirty-eight minutes. Warmth, conversation, and music percolated inside the small, modern, glassy place. Weird, it didn’t smell like coffee.

He knew many faces but spoke to no one but those needed to get coffee. After ordering it, he set up his computer at a table and powered up. Documents were opened. Internet connections were made.

Hot, black coffee was sipped. Words and ideas were contemplated again. Setting the coffee down, he raised his fingers over his keyboard.

Time to write like crazy, at lease one more time.

A Day Without Writing

I didn’t write write yesterday. I had a full schedule of other activities planned. Yes, it’s rare that I take a day off writing. I think there are usually six days a year that I don’t write, and they’re usually sick days, travel days, or holidays. Might as well face it, I’m addicted to writing.

When I say that I didn’t write, I mean that I didn’t sit down with computer, crayon, or paper and pen. I wrote, but it was all in my head. I’ve noticed before that not writing and breaking out of my routine to do other things stimulates my writing. Same thing happened yesterday. I was writing fast in my head.

After getting home close to midnight last night (and with over twenty-six thousand steps on the Fitbit), I had a lot to write this morning. The writing session was one of those intense, fast-paced, and focused affairs that I so love, one where I take one or two gulps of hot black coffee as prelude to the process, and then unleash the muses. An hour or two later, butt sore and with half a cup of cold coffee still available, I stop, spent like a marathon runner.

It’s been an excellent writing week. Having discovered that simultaneous submissions to agents are now considered normal (yeah, you probably all knew that already, didn’t you?), I’ve submitted Four on Kyrios to six agents. I’ve taken my writing approach to procuring an agent. With writing, I write and press on, and with agents, I submit and press on.

Meanwhile, I’ve jumped into a new novel-writing project, April Showers 1921. As always, it’s great fun here in the beginning, when ideas spin like polished, multi-faceted gem stones, letting me think about all the possibilities. Often, though, as I contemplate the facets, the muses say, “Here, we’re going this way. Come on.”

That’s how it’s been. I’m not arguing with them. Fools argue with muses, because mortals always lose any argument with a muse. That’s just fact. I looked it up on the Innertubes, and found a Youtube interview with Shakespeare about it, so you know it’s true.

Now, though, I’m at the après writing juncture that requires me to stop. Don’t really want to stop because it’s been great but I know that I’m finished for the day. Other things remain to be done, my energy is shifting, and my body is saying, “Excuse me, but can we move? Would it be possible to bend and stretch, reach for the sky, stand on tippy toes, and all that?”

Sure, body. We’ll go do some of that. Time to stop writing like crazy, for at least one more day. Just let me gulp down this cold coffee and we’ll get out of here.

Waste not, want not, right?

April Showers 1921

I wrote about a new novel that came to me in a dream the other night (“Spinning Up”). One unmentioned aspect was the newly conceived novel’s cover. I saw it in the dream. The cover felt and looked so real and substantial to me that I was nonplussed. The title, April Showers 1921, was embossed gold letters on a silver cover. It seemed so real that I looked up the title to determine if that book already existed. Without surprise, I found songs, books, and short stories called April Showers, but none had the 1921 addition, and none featured silver and gold covers. I seem safe with it.

I’ve worked on April Showers 1921 some since dreaming about it, fleshing out characters, setting, and writing some scenes, but I didn’t throw myself into it. After two days of that, I wondered, why not? I realized that indecision caused by my greatest weakness, over-analysis, was paralyzing me once again.

It’s a familiar scenario. I overthink something. That drains my resources, and I stop making progress until I resolve what I’m overthinking.

Naturally, this paralysis is all founded on a writing issue, specifically — this time — finding an agent for the Incomplete States series. I think I’ve identified several potential agents. I narrowed my search to one lucky agent. I’ve written a synopsis and query letter. That’s where I stopped.

The Incomplete States series employs several styles. In terms of recent books, it reminds me of Cloud Atlas. My series science-fiction infused, but its mostly literary, except the first novel has a science-fiction military noir feel to it. Fantasy flares strong in another book, while yet another has the sensibility of historic fiction.

Yes, I enjoy genre B&B – bending and blending – whether I’m reading or writing it.

On a side note, the great and all-knowing Internet says, don’t mention any of the rest of the series when seeking representation and publication of the first book.

For grins, I hunted down the rejection records for successful writers. I’ve followed this path before, so it’s very familiar to me.

J.K. Rowling. Her Harry Potter series was rejected twelve times, you know. Dr. Suess was rejected twenty-seven times before he found a publisher willing to take a chance on his Cat in the Hat book. The author of  The Martian, Andy Weir, had given up on being published, but kept writing and self-published. When The Martian found success, publishers came running. Kathryn Stockett, The Help, was rejected over sixty times. Madeleine L’Engle, A Wrinkle in Time, had twenty-six rejections. Catch-22, Joseph Heller, twenty-two rejections. Twenty for William Goldberg, The Lord of the Flies. Carrie, by Stephen King, was rejected thirty times. Pretty amazing was that Still Alice, by Lisa Genova, experienced over one hundred rejections. After she self-published and had success, publishers came calling, and her novel was made into a movie starring Julianne Moore, who won an Oscar for her performance.

There was also Vladimir Nabokov, Lolita, over five times, and Robert Pirsig, Zen and the Art of Motorcycle Maintenance, rejected one hundred twenty-one times.

Reading about these rejections is invigorating and inspiring. You gotta have hope, optimism, belief, and determination. You gotta keep writing for the love of writing.

Writing about my paralysis cleared matters up and broke the log jam. (I now have a featured image of logs floating through my mind.) I’m ready to submit. (Ha, ha, I love how that can have multiple meanings.) All they can do is say no, right?

The day is full of promise. I got my coffee. Time to submit, and then write and edit like crazy, at least one more time.

The Speed of Time

I’m returning to a favorite topic, the speed of time, because I’ve discovered more about about it.

The speed of time is not universal. As everyone knows, according to the School/Work Principle, time’s speed isn’t constant. When you’re waiting for the school or work day to end, time not only slows, but sometimes goes backward, forcing you to repeat several minutes. Some movies, are like that, too.

Learning of this, the NFL manages to employ this in their football games. The last two minutes of an NFL game often takes as long as most of the rest of the game. My wife can attest to that. She’s endured it. “When are we leaving?” she asks.

“As soon as this game is over.”

“How much is left?”

“Not much.”

That waffling, of course, warns her. “How much time is left?” she asks.

“It’s the last two minutes of the fourth quarter.”

“Okay, I’m going to go bake some cookies.”

Using that as a basis for my research, I confirmed that traffic-jam time drags almost as slow as the final two minutes of an NFL game, or the last ten minutes of work or the school day.  Shopping time remains the slowest of all, though. Even the NFL has not been able to slow time like shopping will do. Figuratively speaking, shopping time can literally last an eternity. I’ve endured several election cycles while I’ve been shopping. I found that having a Fitbit helps deal with shopping time. It doesn’t change the rate of speed, but I can get a couple of million steps in while I’m walking around, waiting.

Waiting in line time is almost as bad as shopping time. I’ve had clothes wear out while I’ve been standing in line to pay for my purchases, especially at Costco. Costco cashier lines exist in a weird time zone of their own where time gets very sluggish. I’ve spent hour-minutes in line, gazing at what others have bought and comparing them to our purchases.

On the other end of it, I’ve discovered some periods of time that pass quickly. Sleep time is very fast. I don’t know how many times I thought, I’ll just sleep for a few more minutes, and then close my eyes, and, snap, forty minutes have elapsed.

Writing time is frequently often as fast. I have three hours to write, I think, and a cuppa coffee. Then I begin, and the next thing I know, writing time is ended, and I still have coffee.

Which is sort of weird. Coffee time by itself seems to flow at an ideal pace. That’s not true for all beverages. I can tell you, beer time goes fast. Sit down to have a beer, and next thing you know, it’s hours later.

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