Category: childhood

Wednesday’s Theme Music

I’ve posted about this one before, but it’s one of my short-listed favorites. I can’t claim to have an absolute favorite song. Like movies, food, and books, the choice is about where I am and where I was. There are certain songs, like the other things, invested with rich memories.

This Four Tops song was one of those early songs that prompted us to find a faux microphone, like a hair brush, so we can pretend we’re the performer singing the song. It became part of our basement playlist on forty-fives. Later, it was part of our make-out parties. “Reach Out (I’ll Be There)” has lyrics that speak to young love, passion, and hope, and we had some of that. Love that bass line, too, provided by the memorable Funk Brothers.

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Tuesday’s Theme Music

A classic of my youth by Marvin Gaye, I often feel this is the perfect song for the times. But as I’ve aged, read, and learned, I’ve recognized it could be the perfect song for many times and situations.

From 1971, here is “What’s Going On.”

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Friday’s Theme Music

Today I’m streaming a song out of 1970. I’m a Joe Walsh fan. Before he went off to perform on his own or with the Eagles, he was part of the James Gang. I’m streaming their best-known song today, “Funk #49.” Wondering how and why it was called “Funk #49”, I read in an interview that it was a jam that the James Gang used to do. They figured they’d done it at least fifty times, but the band’s engineer said that they hadn’t. So, they called it forty-nine.

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Thursday’s Theme Music

Alice Cooper came into my scene around 1969, when I was thirteen. Their Killer album, with its snake on a blood-red cover, was a favorite. From that album were “School’s Out” and “I’m Eighteen”. Those two songs were generally played a couple times a day at very loud volume for a few months after the album came out in 1971, but my favorite song on it was “Under My Wheels”.

Lyrics draw me, and did the same with this song. The delivery, backed by rising guitars and horns, becomes more frenetic and intense, which I thought was a reflection of some relationships. He wants one thing, she’s offering something else, and it’s all messed up.

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Monday’s Theme Music

Streaming back via the Wayback Machine to 1971, I was reminded of a lot of music that I enjoyed. The Who, Led Zeppelin, Rod Stewart, The Doors, Jethro Tull, Yes, John Lennon, Elton John…a solid foundation of future classics were out that year. Against all those albums was a simple sound delivered by Bad Finger. Right off of Straight Up, here’s “Baby Blue”.

I admit, the album disappointed me a bit. It seemed too simple and a little derivative. Once again, my exposure, through an eight-track cassette on a continual loop, came via a friend. He played this album whenever he drove his father’s Ford 500. This was about two years after the album came out. I honestly think he only had three or four eight-tracks. He played this one so often, it developed all sorts of warble.

I still laugh thinking about it.

 

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Thursday’s Theme Music

I always have enjoyed convertibles. Named spyders and spiders, roadsters, rag tops, I include the targas and tee tops in this group. The top down lets the world in when you’re motoring along.

I was trying my best to emulate that yesterday. A gentle spring sun warmed the day into aspirations of summer. Our little town was an idyllic verdant green. Sunroof and windows open, I was cruising home like it was yesteryear. To help me on that journey, the radio station played C.C.R.’s eight plus minute version of “Suzy Q”. Turning it up, I felt like a teenager for the six minutes that I listened as I drove home.

Not too much to the lyrics. Very straightforward, but I enjoy the guitar work and the variations on the drums and cymbals that arise.

 

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Tuesday’s Theme Music

I know exactly why and when I started streaming today’s music selection.

I went into the MBR and stripped down in front of a ginger floof. He’d been sleeping but lifted his head and watched me with sleepy eyes, to confirm I didn’t have food and wasn’t a threat. I was speaking to him, telling him what I was doing. Taking off my shirt, I inhaled my armpit essence and told my cat, “Definitely stink this evening. Know what I mean?”

Like that, here comes Lee Michaels streaming through my head with his song, “Do You Know What I Mean”. I enjoyed Lee Michaels’ offerings. This song spoke to me. Its lyrics  seem real and autobiographical. The way he sings it delivers pain and bewilderment juxtaposed against a heavy beat with brass sounds that remind me of a circus environment. It’s is an excellent vehicle to capture relationship confusion.

Back when the song came out, my friends never took to the song. Many current friends know it vaguely or not at all. Hope I’m reacquainting you with a song that you enjoy. Cheers

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Sunday’s Theme Music

The usual nut cluster of dreams swept me last night, providing a sea of material to think about. When the dreams ended, I began streaming an eclectic selection of songs. “One Bourbon, One Scotch, One Beer” (G. Thorogood) “Gloria” (by Laura Brannigan), “Wild Horses” (the Rolling Stones), “Will It Go Round In Circles”, Billy Preston, and “Kyrie” by Mr. Mister. But the last song was Bryan Adams, “Summer of ’69”.

Summer of ’69 was a good year for me, a thirteen-year-old white boy living in a middle-class suburban housing plan in Penn Hills, outside of Pittsburgh, Pa. I had a good cotorie of friends, and was playing sports, enjoying school, and meeting girls. Likewise, when the song was released in 1985, I was with a unit I enjoyed. Although I was traveling a lot, the song fit my mood. Released in June, it was a big hit by the time I returned from the field to America a few months later.

The song becomes a unique bridge then, between my early teen years, my early thirties, and now, my early sixties. Let’s rock.

 

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Saturday’s Theme Music

I’m streaming a favorite Led Zeppelin song from a favorite Led Zeppelin album. These lyrics always speak to me, and I enjoy their delivery:

“Walking through the park the other day baby, what d’ya think I saw?”

“I didn’t notice but it had got very dark and I was really, really out of my mind.”

“You really don’t care, if they’re coming. Whoa oh, I know that it’s all a state of mind.”

This was my generation’s music (oh, great, now I’ve started streaming a Who song).

Anyway, here’s a little “Misty Mountain Hop,” from almost half a century ago.

 

 

 

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Wednesday’s Theme Music

Long hair and suits. That seemed to be part of the transition from blues to rock & pop.

“For Your Love” by the Yardbirds was part of that transition. I like watching this video for these pieces – the suits and hair, the somewhat bored or impassive expressions of the band members, the band’s setup, and what seems like a tiny, tiny drum set. Everything was simpler. This video was from 1965, and within a few years, changes would be visible in how pop/rock stars should dress and act. Fun to have YouTube and the associated technology to look back into the early years of the rock era.

 

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