Science fiction, fantasy, mystery and what-not
Starting the daily revision work with page 425, I did the math. Just 101 pages remained. Easily done. Can be completed by week’s end.
Then reality spit in my face. Stepping into page 425, I choked on misery. Such clumsiness in the prose. And chaos. Continuity had broken like a quake shook it apart.
Going retrograde, I slipped back two chapters, to where this scene left off. Might be a setback to hopes for a finish this week, but time isn’t nearly as important to me as getting it right.
Here was something freaky for me.
In one chapter of the work in progress, I encountered a scene where the main character suffered from vertigo. I’d experienced vertigo a few weeks ago. I never had vertigo before but this scene spelled it out exactly as I’d experienced it. Reading it, I remember writing the scene in early last fall.
Yeah, I’m astonished. Blown away, even. It induced a weird sense of deja vu, like I’d seen what was going to happen to myself and put it into my novel.
Finished editing and revising for the day on page 320 of 525 on what I consider the fifth revision. A sixth revision is planned. It’s needed for the music and levels.
Started a new novel today. I’d been thinking about it, and the words began coming to me last night, so I sat down to write those opening pages so they’re not buried in memory with other ideas. This is a corollary novel to the work in progress. The main character is level seven.
All very satisfying and challenging. Still, I look forward to being done (enough) with revisions that I’m happy and able to advance toward the next steps to publication with it.
Cheers
Another revision has been completed. This novel has kept growing*, but in a comfortable way, like I’m allowing it to breathe more deeply. I think I understand the story now, and grasp characters’ arcs and histories more completely, along with more nuances of the concept the relevant history informing the tale, things which I’d never thought about, simply inserting the pieces as needed, vowing, worry about it later, just get it written.
Even while I call this rev done, I have a small list of issues that need investigation so they can be vetted against the books’ revised story, so I’ll begin again. It’s been challenging but fun, and very, very satisfying. Makes me smile as I think, done again, even as I prepare to begin again.
That’s the nature of the process.
* The novel is now 482 Word pages and 146K.
Revising my current novel-in-progress continues. I expected to be done by now. I was excited the other day because, hey, only thirty pages remain.
I am over page 400 now, so I have that going for me. But, as I read and revise, I encounter matters of continuity. Like eye or hair color, nicknames, and details relating to the characters’ personal histories.
I don’t know what the right thing to do is, but I always stop, go back, and resolve the issue for myself. It’s one of my personality quirks that if I know that’s still in the book, I become bogged down thinking about it. Better to just resolve it.
A danger to going back to research continuity is that rereading those passages entertains me. I get invested with enjoying the story. Which means that the revising timeline gets imperiled by reading my own stuff for entertainment. There’s also often a little more needs to edit and revise exposed. Like, I’ll encounter a sentence that’s slightly scrambled, just enough for me to question my writing skills and stop to fix those issues.
I also backtracked to a previous chapter. I’d been quite long, so I modified it and re-invented the one big chapter into four smaller ones. Then I did something to another long chapter, feeling that the move would enhance clarity and pacing – win-win.
The final note on this part of the revision is that it’s tying up the story, closing with a large battle, with some matters of other dimensions and time thrown in. I’m a sucker for other dimensions and time. My writer self is amused with our current theories and understanding of these things. Like the growing understanding of quantum entanglement and other quantum matters, I think we have more to understand about time and existence.
The passages in question were also written at high speed: think, write, and press on, with admonitions to myself, don’t slow down to analyze and question. Just get it done and fix it in revision.
And that’s what I’m doing. TBH, I’m a little surprised that it flows as well as it does.
Onward, right? Yeah, just give me a little more coffee. Pass it over; doesn’t matter if it’s cold.
Revision continues. Read. Change. Correct.
Two complicated chapters slowed progress. They remain in need of fixes. But I think their changes should be addressed in context of the entire story. So I press on into the next chapter. Read. Revise.
Those were complicated chapters. And important because of the revelations they delivered. So going through them meant patience and diligence.
But I felt that I lost some of the thread. I wondered if I was confusing myself with attempting too many changes to improve the flow. So, I want to let those chapters slip out of mind and see how they read the next time they’re approached in their natural order.
Page 306 is under scrutiny. The main protagonist is enduring an unidentified illess. Going through the prose affects me. Empathizing with the character, nausea and lethargy overtakes me. Dryness spreads from my lips, invading my mouth, takes over my tongue, slipping into my throat. My eyes grow weary. I want to stop.
But there are goals. There must be discipline. The goal for today’s session is to reach page 330, a completely arbitrary number presented to the pscyhe because I work better with order, structure, and goals, a condition of my personality and my work history.
After page 330 is reached, eighty pages will remain.
First, I’m going on a break. Stretch. Walk in the sunshine. Breathe in, as the character tells himself, breathe out. Like the song “Machinehead” by Bush: breathe in, breathe out.
I’m not looking for perfection. I just want to be happy with the story.
I walked around for days like all was alright. Although I smiled and engaged with others, I was an empty puppet, dealing with anxiety. The writer was agitated. The novel’s finish was supposedly in sight. That was the theory. He — the writer — knew the scantest bit of what was supposed to happen, like saying, you know it’ll snow this month because it’s winter and that’s what supposed to happen. That’s how nebulous it all was. So I kept thinking about it. What’s going to happen? Different avenues were considered and tossed out almost at once for different reasons.
I told myself, “I need to think about this.” No, I answered; overthinking matters, overanalyzing them, is your biggest weakness. Trust yourself, the writer. Trust the muses trying to guide you. Trust the emerging story. Don’t think. Just sit, drink your coffee, and write.
That advice actually worked. Two hours and almost sixteen pages later, what emerged astonished me. Never saw it coming at all. Yet it built on so many throw-away elements I’d embedded in the story as small pieces of verisimilitude.
Trust. Hard to win, hard to keep, even when it’s only with yourself.
Going well. He crossed his fingers and sacrificed a cup of coffee and a pen to ward off jinxing himself. One book was still being revised, the fourth go-around. Another novel, Yum, was being written. Spoon fed by the muses, he was tearing through the story. He envisioned a short novel, and so far, it was going to plan.
Knock on wood.
Michael Seidel, writer 