Okay

I’ve noticed people doing this.

I’ve notice that I do it.

After completely something, say reading a few pages of a book, people take a deep breath, let it out, and say, “Okay.” Based on observations and personal experience, it’s a psychological preparatory step. They and I have been putting something off that we planned to do, something we’re not really happy about doing, I think. We keep telling ourselves that we’re going to do it. We’ve have the conversation with ourselves that we can’t put it off any longer, that we’ve stalled long enough, that we are going to do it, and we’re going to do it now. 

“Okay.”

I don’t know where this comes from, but I suspect that I’m mimicking someone in the past, or maybe my wife. I’ve heard bosses say it in this same way. I hear myself say it, and I hear my spouse. I hear people in stores say it to themselves while they’re stocking shelves, and I hear it from baristas in coffee shops as they turn away from the counter.

Deep breath. Release. (Sometimes a sigh.) “Okay,” so soft, it’s like they’re talking to themselves.

I’ve heard it from all age groups, including a young girl. She seemed like a six-year old by size and expression. She was standing about six feet from a car. I saw her take the breath. I heard her say, “Okay.” Then she turned and walked back to the car.

“Okay.”

Okay seems like a uniquely American expression, even if some claims to its origins begin in Germany, Greek, Scotland, and Haiti, along with Puerto Rico and French Louisiana. I have heard it used in foreign television shows made in exotic places like Canada, Australia, New Zealand, and the U.K. I don’t know if the residents of those lands use okay in this context, as a final acknowledgement to oneself, it is time.

Got my coffee. Time to write like crazy, at least one more time.

Okay.

Monday’s Theme Music

Today’s music is “In My Blood” by Shawn Mendes. It was released this year, 2018.

I’d been thinking about the work left in my series, Incomplete States, just to finish the beta edition, and then the revisions and editing left to take it to publication. I was also thinking that it has a strong chance of being read by few to no people. With all that to do, and other writing projects and life opportunities in limbo while I’m working on it, I thought, why not give up? Give up writing this series, and write something simpler and smaller. Why, in fact, write at all, with the odds so heavy against me?

Then the lyrics from “In My Blood” streamed in.

Help me, it’s like the walls are caving in
Sometimes I feel like giving up
No medicine is strong enough
Someone help me
I’m crawling in my skin
Sometimes I feel like giving up
But I just can’t

It isn’t in my blood
It isn’t in my blood

h/t to genius.com

Researching the song, I discovered that Mendes had written it in response to his struggles with anxiety disorder. Once again, as often happens, I became revitalized by reading of others who struggled and succeeded. If they made it, so can I.

So, thank you, Shawn Mendes.

 

Piece Work

I was thinking about my organic writing process, and how much of it is piece work.

Like many writers, I had a concept in the beginning. Then I developed a sketchy framework. Then, like many writers, I wrote to tell myself the story, to realize most of the facets, discover the plot, story and character arcs, and to find where I will begin and end. Today, I’m working on a climatic chapter, the penultimate moment. I’ve already written the end and denouement. Writing this series of scene that is this chapter means that the series’ beta version is done.

In true piece-work fashion, I’ll put together all these raw chunks of words and story until I can see the entirety. Then I’ll begin reading, editing, and revising, cutting and changing as necessary to find the right story (or stories) out of this mass of words. I’m reminded of a sculptor studying rock, marble, and wood, studying it to see what art is within the mass, waiting to come out.

From the beta will come the first draft. From the first draft will come a second draft, something that’s workable and complete. With the second draft, maybe I’ll have something to give to an editor. I’ll see. If I need to, there will be a third draft.

It’s been a long process for me to learn these things, that the first product isn’t the final product, that it won’t be perfect — that it’ll probably have substantial flaws — but whatever flaws are found doesn’t mean that I’ve failed. Writing is a journey and exploration. But it’s not just the story being explored; the novel isn’t the end-all of the journey. Most of the journey and exploration is about me, about learning how I think, what I imagine, and what I don’t know. When I write, more of myself and my attitude is revealed to me through the characters and novels than I ever realized would happen back when I first thought, “Hey, I think I’ll write a novel.” Part of this is learning, how do I cope with setbacks, disappointments, and frustrations? How do I found and maintain the pace and discipline to traverse the arcs and write a novel, or a series? How do I deal with going the wrong way?

I think that may be where many beginning writers struggle; they don’t realize how much of writing is about themselves as much as it is about the story they’re writing. It can be daunting, descending into our private depths to face the person within. It’s a test of resilience to face yourself and your shortcomings, and find ways to address them.

Time to write like crazy, at least one more time.

 

 

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