If the muse stays away, take a nap. Sleep well, my pet. Sleep well.
Fourteen Reasons Why Writing Sucks and You Shouldn’t Do It
A high percentage of people think there’s a book in them. Many think there’s a novel, or a memoir or autobiography. They think they can and should write a book, but they never do.
Then there are idiots like me. We write books. We gleefully leap forward with pens and paper, typewriters, laptops and keyboards, issuing a battle cry, “A novel in a month! Ten thousand words a day! I can do it. I shall do it. Give me a cup of coffee and stand back.”
There are reasons you shouldn’t.
- Writing is solitary. Writing is solitary. WRITING IS SOLITARY.
- Writing requires a soldier’s discipline and courage, but there’s no one coaxing you to go on. Few will do much to encourage you. Sometimes they’ll ask, “Oh, are you still writing that book? What’s it about again?”
- There’s not much reward in writing. Yes, sometimes a word, sentence, paragraph or chapter will launch you beyond the stratosphere with its sheer brilliance. You’re so far off the ground when you’re walking that you’re looking down on others’ balding crowns. You don’t need crosswalks because you’re above it all.
- But the next day, that brilliant diamond has become a turgid stool. Taking your head in your hands, you rub your chin, jaw, cheeks, temples, forehead, trying to erase it from your mind and thinking, “That sucks.” Nobody argues with you because YOU ARE ALONE.
- Money in writing? Yes, I received my royalty payments this week. Should I buy a cup of coffee or a candy bar?
- Writing is hard on your body. You need to stick your ass into a seat and hold it pressed there for hours as your buttocks slowly numb. Don’t think about what it’s doing to your circulation and muscle tone. Your hands cramp from clutching a pen and scribbling, or from moving a mouse and clicking as you copy and paste or highlight and delete. Or carpal tunnel syndrome inflames your hands, but you push on, writing, typing, whatever.
- The pursuit of writing can destroy your psyche and social life. Every spoken word heard, sights seen, glances exchanged, sulks, stumbles, confessions, cries and hugs trigger a sentence, scene, insight. The writer within you sucks you out of the moment and into their space. Others’ joys, triumphs, tragedies, deformities, abnormalities, accomplishment, history, hopes and betrayals burrow into your writing mind and festers with a new story arc, plot twist or character.
- Perhaps the worst aspect of writing is how addictive it is. Exploring lives, stories, tales, situations, and scenes infuse powerful highs. It’s mesmerizing to wonder who, what, how, why, when, and piece letters into words into sentences into paragraphs into moments into stories into novels.
- Writing requires unending segments of deep thought to consider all the things going into your work in progress. That thinking never ends, distracting you from life enveloping you. You awaken in surprise to discover the yard needs work, you need a haircut, it’s September, three fourths of the year gone, a new season upon us, the tsunami of the holiday season and year’s end climbing over you.
- It’s hard to quit.
These only apply to me, of course. Other writers don’t have these problems. Their thoughts are light as they type, and when they’re finished for the day, they stand and stretch, and go out hiking, dancing, singing, gardening, whatever. They have a solid, engaging life beyond the typing page.
I listed fourteen as the title because it sounded good, but I only have ten, the ten that count for me, the ten that really don’t matter at all. If you’re a writer, you can probably come up with four more. I would, but I need to go write.
A Writing Cat’s Advice
If you’re given something other than your desire, wait for what you want. Be patient, my pet. Be patient.
What’s Expected
So you’re back. What do you expect me to do? Smile, and pretend you weren’t away? It hurts my face to turn my lips into a smile.
You never told me you were leaving. Never told me good-bye. I had no idea of where you were. No idea when you’d return.
Again.
Your absence left me hurting. I sat at tables alone, sipping coffee, beer, or wine, whatever beverage answered the moment’s call. I hoped with each of them, you’d be back, and I waited, hopeful as a child waiting for a gift, but you didn’t come. You didn’t show. You know it tore me apart.
Again.
So you’re back. What do you expect now? How am I to trust you after what you’ve done?
You’ve made me afraid, and I don’t like it when someone does that to me. That reminds me of the person I swore I wouldn’t be, the person I fight not to be, after others did that to me. You made me afraid, lonely, desperate and bitter. You made me worry that you’d never come back, and then what would I do? What would happen to my plans and dreams? Was I expected to just let them go? What would I be, when you’re so integral to me? I worried so much, I was sick. Food was uncomfortable in my stomach, and hostile to me tongue. I hated you because you’d betrayed me. You’d left.
Again.
So you’re back. And here we are. And what am I to do? I know what you are to me, and that I’m nothing to you. You made that clear.
Again.
So what am I to do but welcome you back, my muse? I’m relieved you’ve come back – oh, God, relieved? I’m fucking joyous. Ecstatic. And for now, I’ll hide from the plague of what-if scenarios you forced me to confront when you were gone. They’re no longer true, and no longer matter. Although, for a time, I thought —
But you’re here now, aren’t you?
Again.
Yes, I hate you, and, yes, I love you.
Again.
I don’t know how long you’ll be here. You never say. But here you are, so we know what I’m expected to do, damn you. I don’t have a choice. You’re always in control.
Yeah, so here you are, and here I am, which means, time to fucking write like fucking crazy, at least one more fucking time.
Maybe that’ll appease you enough that you’ll stay a little longer. I have hope.
Again.
Wonky Surface Tension
While surface tension chatter is usually about fluids or materials, thinking about personal surface tension emerged from my meditations today. I blame James Blish.
Blish was a terrific science fiction and fantasy writer. I admired his imagination. Flying cities, anti-aging drugs, he offered up so many neat and original ideas, but always managed to do so with solidly convincing style. He was one of those I put up on a pedestal with the hard science fiction Big Three of Asimov, Clarke, and Heinlein.
I’m in one of those places where my writing ideas are generating natural highs. I’v been working on cosmological entanglements (which are a similar idea to quantum entanglements) and tachyon time travel telepathy, and their impacts on the story arcs – who goes where, how and why – constructing the final puzzle from the pieces, and making up the pieces on the fly. (For these ideas, please blame Timothy Ferris and his books, especially ‘The Whole Shebang’.) This, for me, naturally demands deep thinking, thinking that stills me with focus and concentration. Then, epiphanies burst free from of the morass of cogitation. Aha, and eureka!
Now I understand my pretend science and construct it with the flimsiest of physics. And now comes the story-telling. How do I weave all this into the novel without sounding like a science book? This is especially a challenge as several disparate threads are weaving around this central idea, creating a loose fabric that’s gradually becoming tauter.
To veer into other metaphors, scenes then explode in my head. I glimpse some shrapnel of what they’re about, but I become excited. The scenes spread faster and faster. Watching and focusing, I try hard to capture the gist of each, get it down, get it down, so I may build around these kernels (splintering into yet more metaphors), create the scenes and string them together.
Like surface tensions in fluids, I need the correct coherent forces to hold it all together. Frankly, this stage of writing always intimidates and frightens me. And I heed what those old masters like Blish did, creating a story that at least has sufficient scientific integrity that people will give me a grudging pass. Meanwhile, I admire certain writers outside of the science fiction realm and prefer their writing styles, people like Erdrich, Chabon, Frantzen, and Ferranti, and yes, Irving, Updike, and Roth, and even folks like Tana French and Kate Atkinson. My style continues to emerge into something like their styles, and that is very deliberate.
It all makes my surface tension wonky, caused by the differences in what I am, where I am, where I want to be, and who I dream of being. Perhaps contributing to the wonky surface tension, if I pause and squint into the far future’s dim tunnels, I can see this gem of a novel glittering and spinning, there for my taking. I fear my reach will fall short.
But rare exhilaration can be enjoyed even when reaching and failing. No need to remind myself of that (even though I did, didn’t I?), because that’s not the impelling force pushing my writing efforts. Writing, and attempting to visualize and capture these stories and their ideas, is just fun. The process also provides an escape. Writing is like an opiate that helps me cope with my life.
So here I am, once again, writing instrument at hand (a computer), along with a quad shot mocha, time, and solitude. Time to write like crazy, at least one more time.
What I’m Following
I try to follow the news and escape the echo chambers. Demoralizing as so many American newspapers essentially offer the same take on every story. So vanilla. Meanwhile, columnists along the political spectrum are generally predictable about what they’ll claim, reducing their value. I like jumping out of the US and checking the news on BBC America, and British, Canadian and Australian newspapers for coverage of American events. I still dance through WaPo, SFGate, NYTimes, Boston.com, Forbes and a few others on a regular daily/weekly basis.
I’m following theSkimm because a friend recommended it. They read so I can skim. I wanted to see how they read and interpret.
Longreads take me into places I wouldn’t otherwise know. Longreads offer compelling, vivid stories. They take a lot of time to read. Yes, I read the Nation, the Atlantic, and Rolling Stone, which also have long articles. Oi.
Haven’t seen anything on theSkimm or Longreads about Lionel Shriver’s opening address at the Brisbane Writers Festival regarding cultural appropriation, but there’s an eruption of blog posts, newspaper columns and editorials about the complex, challenging situation. Wow.
Trying to drift into a different direction, I’ve been checking out Merry Jane’s website. Marijuana is morphing into a large and legitimate business in Oregon, with signs like ‘Exit here for the BEST marijuana’ emerging alongside Interstate 5, right beside signs claiming to have the world’s BEST pie.
I delve into Pinterest, FB and Instagram to see what’s bouncing around those places. I still check Flipboard and BillMoyers daily, and read an overabundance of writing blogs and newsletters, along with Wired, Popular Mechanics, the Smithsonian, Union of Concerned Scientists, Delancey Place and EPI when their newsletters arrive.
What are you reading out there? You have any sites that you recommend?
The Wormhole in My Mocha
Got a quad shot mocha for my writing drink today. The baristas are so earnest about their art. It’s become a habit for me to play critic with the outcomes.
Shannon finished my mocha with a central daisy, with two hearts rising on either side. Cool. I complimented her work. They always brim my drink so I always take the first swallows at the counter before walking away. This time, after doing so, I looked down to see how the art had changed, and discovered a worm hole, such as you’d see in Star Trek.
I pointed it out to Shannon. “That totally does,” she answered. “Are you going to use it in your next story?”
I laughed. “Of course.”
“I want royalties.”
I laughed more. “So do I.”
Too Personally
Some days I take it all too personally. Rejection of my writing, my words, my voice – it hurts. It feels like a personal rejection. I say things. A tenth seems understood. Grasped. I write things, more digital information in a digital swamp.
Some days I feel like I’m battling alone against bureaucracy, mediocrity, conformity. But I also see myself as those things – bureaucratic, mediocre, conforming. It strikes me that I’m battling myself as well as the world, which isn’t a comfort to realize.
A load crashes down. What am I doing it, and why am I doing it? Why don’t I just stop and live some other life? What is it in my nature that forces me into this hole where I don’t fit?
Some days I feel pitted against the world. The cats desire attention, which is good, isn’t it? But it stops me from advancing my plans – exercising, cleaning, writing. And there is another lost cat out there, crying for food but otherwise healthy, pretty, young and glossy, and well fed. But I take care of it, sneaking it food, telling it to go home, looking for posters advertising someone is searching for it. An hour later, it’s gone.
Even my dreams reflect all this. One out of two, maybe three, days, I experience a mega dream. The mega dream is your summer blockbuster movie, lots of hype. You don’t want to see it but you can’t escape it. Advertising and branding efforts push it on you through your drinks, television, internet, print media, in interviews, commercials, and ads. It cannot be escaped.
That’s a mega dream, too. It can’t be escaped. I awaken and it’s there, crowding out more coherent thinking, vivid, loud and real.
Last night’s mega dream came down to fighting evil. It started at a writing conference, because that’s where evil lurks, right?
Of course not. The writing conference was enormous. It was wrapping up. Hundreds of earnest writers in folding chairs sitting in a semi-darkened hotel cavern, trying to soak up the juice, the energy, the mystique, of one who made it and created a writing career. Got published. Made money. Won awards and recognition. Talks about their writing, their processes, the stories that they’ve published.
And I, in the dream, was in the back row. That’s me in the corner, out of the spotlight, hugging notebooks, a tote bag, and a computer, collecting my pens and writing exercise and handouts. That’s me, listening and frowning, not agreeing, hearing the same thing I’ve heard before, understanding it, yet still failing.
A guest speaker was replacing the guest speaker, and as it was the last day, we were going to socialize, because, as writers, we socialize too little. So let’s all collect our things and go off to the movie theater. We’ll need to brave the night air but it’s just around the corner.
Yes, I know where it is, I’ve been there. Off I go, alone, as others break up into knots, groups and trios, chattering away in friendly, excited manner, while I, dour as Holden, wander off alone, to first stop and pee. In there is a man in a trenchcoat. Twentyish, of average build, clean shaven with neat short dark hair, about five feet ten, white face, dark eyes, tired looking, endlessly talking. No one I know. He’s following a women. Pestering her. Annoying her. Scaring her.
I tell him to leave her alone. He mocks me but continues after her. So, I push him. He falls off into a pit. He falls silent. We’re done, I think. The woman thanks me. Leaves.
But he arises again. Now, he’s following me. Pestering me. Annoying me. Angering me. So I push him off again, and again, move violently each time. Each time, he arises again. His demeanor doesn’t change. He knows he’s evil. My efforts amuse him. He knows he can’t die. He knows that I’m realizing it. He knows it’s getting to me.
I know it. I run from him. I realize more, like him, very similar, in trench coats, but always white, always male, sometimes taller and skinnier, are emerging, going after others. So I begin warning them. I realize the evil plans to escalate and that we can’t fight it but must escape. So I try warning the others but I won’t be heard. The evil begins pestering others. Annoying them. Scaring them. Panicked noises arise. I try to fight the evil. I explain to the others that they must stay calm. If they can’t escape, they must fight.
But I’m not heard. I remain alone, fighting evil, trying to help others escape, until, at least, the evil is in a restroom stall, and I’m pissing on him from across the room in a strange climax that we both recognize as absurd. I’m just pissing energy away.
Inside my brain of brains, I know others feel the same. I believe this is the stereotype of the lives of quiet desperation and fading dreams, that this blog, and this post, is one of many writing about modern angst, desperation, and frustration. They’re also searching for a way to cope, to explain, to call for help, reinforcements and reassurances.
My coping mechanism is my writing. I’ve always written for myself, but I always believed, as every writer does, that someday, someone will read what I wrote. Yet I’ve reached a moment when I stand alone and tell myself, that might not be true. Maybe you should stop writing, stop pissing away your energy. Quit fighting evil, bureaucracy, mediocrity and conforming. Eat the fast food and drink the flavored sugar waters and be as happy as the vape heads on tv and in movies, and not give a shit about dying bees, animal abuse, the murders, police brutality, privacy, the state’s power, workers’ rights, minority rights, equality, freedom, greed, global warming, unending war, and of course, zombies. Maybe I am the zombie, acting from some part of my reptilian brain that I don’t understand and can’t control.
Yeah, I take it all too personally.
Of course, I recognize that it’s my dark side arising again, I’m sliding from somewhere on my spectrum, slipping down toward the deep end. While I have an active darkside, it does also get sunny. And writing it all out, explaining it all to the unseen universe, relieves some of my imagined burden. With a deep breath released in a long sigh, I tell myself, “Go on. Get dressed. Clean up. Check the cats and brush your teeth. Time to write like crazy.
“One more time.”
Five Points
Getting ready to walk and write. Writing dominates my thoughts but other matters press in. Cats. Home improvement. Trips. Phone calls I owe people. Beer night this week, and whether to go or not.
But the walk and writing are the current play.
1. Pen; check. Ink is a little low. Take an extra pen. Notebook, check. Half full. Should be sufficient.
I’m still on paper, with my laptop returning to me tomorrow.
2. Naturally, zombies also worry me. Multiple species exist. I don’t know which zombies inhabit my region. What if I’m attacked during my walk? What will I do? They never addressed zombie attacks during my twenty years in the military.
I haven’t heard about any attacks. But the US POTUS election is underway. The Olympics are happening, and there are a million celebrities eating, drinking, farting and divorcing. Plus business news, and new movie releases. Zombie attacks might not make wide news coverage.
3. Received a royalties payment. Enough for a week of beer. That’s something. Haven’t done any advertising in July. Haven’t checked any sales reports. Awaiting the computer’s return.
Haven’t done anything with the website, either. It also awaits the computer’s second coming.
4. Five points is of major concern. I’m writing a short (5K) story to occupy me with writing until the computer returns. The short story is Merger. Science fiction. I’ve come to the point where I realize four different endings for Merger. (See, I’m on one path, and I’m coming to a point where the road splits into four directions – five points…in case you didn’t catch that.) By endings, I refer to the climax and denouement. Considering it today, I think, why not write all four endings? That would be fun.
5. The nature of my novel writing process prevents me from pursuing writing them. Two sequels are in progress. I’m eager for the laptop’s return so I can return to them.
And I also need to type up the short story.
Not having the laptop increases my awareness in the different types of writing and my approaches to each. Novel writing is a complex, organic process involving a lot of ongoing revision, like painting with oils. Short story writing is also complex but more like sketching with pencils. Emails are less complex and easy. Blog posts are generally barely edited stream of consciousness spewing. So I can do that on the iPad mini (with its keyboard cover). Not much movement and back and forth is needed for my blog posts, unlike the novel and short story writing.
6. Another novel concept’s topography is developing in my mind. I’m picturing a science fiction detective thriller, and it’s exciting to embrace it. Can’t wait to start writing it. There are always so many writing projects.
But for now, it’s pen to paper. I have my quad shot mocha. Time to write like crazy, one more time.
I Am A Writer, I Write
As a writer, I have opinions on many topics. I scrutinize and judge just about everything. I think about politics, values, experiences, events, issues, history, arts, books, food, beer, wine and coffee, sometimes deeply, sometimes intelligently, but often sort of vacuously. Just ask me about something. If I don’t have an opinion immediately available, I’ll create one, because not only do I write, but I write fiction. Hence, I’ve come to write reviews on Travelocity.
It’s been going on a few years, and it’s not under my name. My origins as a reviewer are obscure. I suspect a place either pleased or annoyed me and I wanted to share it with the world, because, see the post title.
And then they kept hitting me up. Do you have more to write about? Why, yes, I do. I don’t write often, though, and I try to be careful. Five stars are not given. Five stars means something close to magic has been experienced. I think too many people too quickly issue five stars. But then, ratings are based on experiences and expectations. If you eat at McDonald’s everyday, other places can quickly seem like fantastic food, and if you sleep on wood, a decent mattress is amazing. I imagine ratings also have the same sort of immediacy and experience auras encountered in performance reviews, too.
So I write reviews, trying to say more than, wow, was this place great, or crap. Travelocity encourages me, “Hey, wow, you’re a level 2 reviewer,” (I think that’s what it said), “and your reviews have been read by 13,000 people.” My writing ego was impressed. Then it tells me, “20 found them helpful.” Twenty, from 13,000? That throws my ego under the truck. “You have 300 followers.” Well, it’s someone.
But I still like writing the reviews. Because — see the post title.