A Vicious Compulsion

A question often asked between writers is, why do you write? Strangely, I don’t encounter it from non-writers. Non-writers seem to understand that I’m a writer. Writers (and potential writers) want to understand why.

The flip answer is that I must. I’m compelled by nature or desire. Sometimes I think it’s an escape and an addiction. Writing about other characters, worlds and situations permits fight from my life blues. Those are shallow answers.

In truth, I follow a few cycles. One cycle is that I enjoy reading. Reading entertains and educates me. Reading fertilizes thought and wonder and introduces me to new mysteries and solutions, and helps me keep growing. Reading is enjoyable, and I admire writers that can tell stories. I want to emulate them. So that cycle is that I read and I want to be like those who wrote what I read, so I write, and then I read more.

The second cycle cascades from that first cycle. The thought, that would be an interesting story initiates the second cycle. Headlines, images, comments, trends and observations all trigger that simple five word thought engine.

‘That’ is often just a concept, though. Behind the concept are complicated questions to link it all together through words. The questions are about characters, motivations, situation, setting, and dive into emotional and logical issues of the story, and then dealing with the novel challenges of pacing, structure, arcs, climax, denouement, along with grammar and punctuation, and ‘truth’. The story must be truthfully told in that it must be faithful to the premise created and the established parameters. If I’m going to lie to the reader to create an ending, I have to establish early that I’m lying. This is the gospel that I developed as a reader who was disgusted after discovering the writer lied to me, or left something out, or didn’t really end the story.

All of this requires thinking. Gosh, I love thinking, especially the abstract thinking embraced in the promise of, “What if…?”

It’s this process that compels me to write. Once a character merges into my thinking, and their situation and setting evolve, it’s difficult to just dismiss them. I prefer embracing them and asking all the questions about them and what’s happening, pursuing them until this mystery is resolved and told in a story.

I suppose I can think through those things without writing it down or typing it up. (In a Steven Wright aside, why do we ‘write down’ but ‘type up’?) To put that another way without the distraction of those expressions, I suppose I can think through those matters without recording outcomes. Perhaps this is where the compulsion actually begins, to add the answers to these questions to the stories being told.

Sipping coffee, my preferred stimulant, and reflecting anew on the process and compulsion, I grasp how I see it as a painting. I grew up drawing pictures, sketching and later painting, breaking off from career paths involving art because everything I created was too mundane and traditional. Now I can glance back and understand that I was impatient and restless. Whereas I should have attempted new directions, I merely stopped and sought other creative avenues. In writing, though, I’ve found the challenge to improve and find new directions to be invigorating and stimulating, puzzles to be solved.

In a sense, puzzles summarize what it’s all about for me. I enjoy Sudoku and logic problems, and when I was employed or in the military, I enjoyed solving problems, and organizing processes. Writing envelopes all of these facets for me.

After that writing and thinking, then, I come back to the kernel of my personality that I tried denying, that I write because I must, because I need a creative outlet. Were it not writing, it would need to be something else.

It is a compulsion.

So here I am, at the computer again with my QSM, ready to write like crazy…one…more…time.

Twelfth Night

A friend gave us tickets to Oregon Shakespeare Festival’s ‘Twelfth Night’ as a thank you gift.

We attended the play last Sunday night. It was updated to take place in 1930s Hollywood. That premise seemed a little thin at times, as characters were still called the count and the jester, and the studio was referred to as a land. Overall, it was well acted and enjoyable…for as much as I paid attention. For as the lights dimmed and the play began, I thought, “What does Handley’s imagination look like?”

Almost everyone (future studies estimate over ninety percent of people) in the future have an augmented memory. The augmented memory has a variety of options available. One of them includes creating an avatar of your external memory. This presents you with the opportunity to talk to your memory about your memories and life. Your memory can also be a memorable companion, so you’re never alone. You always have your memory, which is useful in space.

Madison Handley, however, went a little further than the norm. Although she embodied her memory as an avatar, she also embodied her imagination as an avatar. Thus, she and her memory played with her imagination as well as her friends when she was young. But, as her mother warned, “Someday your imagination is going to get you into trouble,” her imagination caused trouble and Handley took the fall. (It is her imagination.) After that day arrived, Handley banished it. Now her memory is requesting an audience for her imagination on its behalf because her imagination has some suggestions to help Handley out of her current situation.

All of this led to the standard use questions about the character. As I developed the background to this while at the play, I thought of other imaginary characters and the troubles they caused. A movie was semi-recalled. It seemed like it was in the 80s or 90s. The imaginary character was green and male. They had disappeared, but now they were back.

That’s all I could remember. I thought I would google it sometime but didn’t get around to it. Then, today, while thinking about the imagination and shaving, I remembered, ‘Drop Dead, Fred’, Phoebe Cates, Tim Matheson, Marsha Mason, 1991. Then, remembering those sudden details, I searched for confirmation on the net. Yea, verily, I was correct. The movie only received 9% on Rotten Tomatoes, so I wondered, why do I remember it so well?

All of this cogitation, delays and results – the process – amused me. Took a while of circling but the memory finally landed.

Now back to my novel. I still don’t know her imagination’s appearance but I believe that will come. Time to write like crazy, at least one more time.

 

Today’s Theme Music

A character is pushing for this music. She screwed up. They accused her of trying to be a hero, which is wrong, which is not what it was about at all. They don’t care. They set the course of their perceptions long before her actions.

Now she needs a hero. So many offerings out there, musically, but went with David Bowie’s ‘Heroes’. Many renditions are available and Bowie always delivered an excellent show. I chose the recording of his Live Aid performance from 1985.

 

Today’s Theme Music

Ah, a simple offering today. I’ve not known this song long but it’s taken a place in my virtual jukebox.

The song is ‘The Blues Don’t Care’ by Frank Bang and the Cook County Kings. I’ve added writing verses:

The blues don’t care how many words you wrote

The blues don’t care if you’re published or not

The blues don’t care if you’ve written all month

The blues don’t care if can’t write at all

I need to amuse myself somehow.

 

Greetings from a Sexagenarian

Back when my mother was in her late seventies, she went dancing on Friday nights. She often mentioned how much she enjoyed it, and enthused about the old people and their dancing skills and energy.

That always drew my laughter. “The old people? Mom, you’re old.”

Impatience snapped through her response. “I mean the really old people, you know, in their nineties.”

While I understood her point, it amused me that she didn’t think of herself as old. Now, at sixty, I understand better.

My wife was in a conversation with a man in his mid-eighties. She’s a few years younger than me and mentioned to him that she was middle-aged.

He seemed amused. “Middle-aged? Isn’t that well behind you?”

I was taken back when she told me. If she’s younger than me and she’s not middle-aged, than what am I? What constitutes middle-age?

Does it matter?

Not really, and yes, and no. Middle-aged, as already demonstrated, is a vague, inaccurate term. Definitions by psychologists and institutions vary, as it does by era and culture.

Part of it, which disturbed Mom, and bothers me, are the connotations associated by these terms, young, middle-aged, and elderly. Think ‘young’ and contemplate the images and ideas springing to mind. Substitute ‘elderly’ and ‘middle-aged’.

Yet, in most of the advanced world, these labels mean less and less. So I’m taking up the Latin route. I’m sixty, so call me a sexagenarian. I like it. Easy to spell, and it has sex embedded right in it. Mom, in her eighties, is an octogenarian.

I mean, what does middle-age conspire to mean? I’ve been accused of being immature, old beyond my years, and an old man before his time. I’ve also been deemed young at heart by some, immature, or young in spirit by others. My older friends – in their late sixties to upper eighties – call me their young friend.

It’s all context and impressions. Like everything else, a spectrum of behavior, expectations and impressions establishes others’ perceptions and judgement. Yet this can change by day. Give me a short night of sleep and I can appear as a cranky old man. Pour a little beer in me and I can be as immature as a two-year old. Mostly, I’m somewhere in between.

I don’t dress ‘old’ but nor I dress ‘young’. I adopt dress that is neat without calling attention to me. My hair is thinning and retreating as fast as antarctic ice (but with less alarm), and when the sun gets its rays on it, it goes silver and white. Do I care?

Hell, yes.

And hell, no.

See, I’m trapped on that spectrum. I logically understand aging and its impact. I also appreciate the freedom of aging, and its limitations. I know I can’t do anything about it, nor influence others’ impressions of my age and their labels, so why care? But then someone says, “Isn’t middle-age behind you?” and I’m newly irked.

In the future setting of my novels, ‘Returnee’ and ‘Long Summer’, you can bet it’s addressed, because we’re driven by advertising, perception and self-image, themes that sharpen in that future setting. You can bet that a civilization that has developed a technological work-around to dying has done the same with aging’s impact and their appearance.

It becomes an exercise for the characters and their thinking. Many embrace genetic sculpting to develop a look which they like and others appreciate. It’s just like hair, mustache and beard styles and colors, or even jewelry. Some take up the approach, how do I want to look today? What color should my skin, eyes, and hair be? Others emulate famous people, but more establish a look and keep it. A few chose to resemble cats, dogs, dragons, centaurs, and other creatures. It’s almost free and relatively easy.

The 4G in my future (the fourth generation of space colonists) have taken it to an extreme, part of their statement about who they are and their stand. Their leaders look prepubescent. That fad is spreading. They think it’s a meaningful statement of who they are and represent, but others who have lived longer and done more, mostly understand how little that appearance really means. There are some who are more easily swayed, or want to be included in the new youth movement. It’s fun to think about and one of the great joys of writing fiction.

In one of my vaguely conceptualized ideas, people who become zombies immediately look young and beautiful, which sways a large segment of weak thinking people, who want to look young and beautiful again. And as zombies, they have no cares about work, taxes, politics, wars, civil rights or the environment.

Which takes me from here to there and back again. Because, after all, weren’t we really talking about mindless zombie thinking about what it means to be old?

 

Nobel Prizes

Love the Nobel Prize for Physics this year. You’ve probably heard but I’m a pedantic beast so I’ll tell you that three Brits, working in the US, won the Nobel Prize for their work in exotic matter.

David J. Thouless, F. Duncan M. Haldane, and J. Michael Kosterlitz are the three awardees. Being a science fiction fan, I love such work that pushes our thinking into new directions and recognizes new potential.

Over in Medicine, Yoshinori Ohsumi won for his work on cells that eat themselves in a process called autophagy. I pay less attention to medicine than physics, so my reaction was…whhaaat?

These discoveries and the explanations behind them unroll reams of imagination and story ideas. I swear my brain began overheating. I’ll never understand this stuff but it’s cool to think about theoretical applications and situations, and how you can take off into new directions. So many ideas and stories, so little time. My mortality and human limitations really limit me.

(Hah, and there’s another kernel of an idea for a story/novel/incident. So many ideas….)

Knowledge! Got to love it.

 

 

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