My Character & Me

It’s apparently spring in my novel, because I’m experiencing a revolt. No blood has yet spread across anything. I don’t think it will. We’re pretty civilized here. Civilized people don’t kill one another to get their way, except in fiction…right…?

The main character and I are wresting with what’s going on in the novel. He’s moving into this new direction. Heavily dependent on technology, he insists on exploring how the loss of personal technology influences his behavior. He has become mentally, physically, and emotionally weaker. Although he’s staying fit and slender, he’s aging, and his energy level is drooping. He does not have the level of control with which he’s accustomed to living.

But he’s not seeing that in his people. Without technology, individuality is sprouting. His people see and hear better than him. Many have higher energy levels. Some are becoming bullies. While bullying had been psychologically and socially influenced over the course of time from now until the future, and diminished through socializing, technology in their recent history, those safeguards and safeties were removed when their nanotechnologies were removed.

Other emerging trends among his force are disturbing him. Binge drinking is becoming a problem. Without their sexes and free of their technology, people are becoming sexually active. Promiscuity is flowering. That’s causing jealousies and attachments that can affect discipline, good order, and the chain of command.

These changes, and how this unit copes with it, is the story, he insists. That’s what he believes should be written. I disagree; I sought more of an adventure story. I add elements of adventure, threats, and conflicts to increase that sense of adventure, but he keeps dragging me into psycho-analysis.

I dreamed about this problem last night. In the dream I was a military member on shift again. I’d been lazy and hadn’t completed the shift checklist. Hell, I didn’t know where to find it. I hadn’t inventoried the COMSEC materials, read the log, closed out the last log for the Zulu day, nor started another one, and shift change was coming on fast.

Anxiety suffused me; WTF was I going to do? 

Well, I started scrambling to make it right. But I was quickly sidetracked with my environment. It was disorganized, and poorly planned. I was appalled. Although I knew I was running out of time, organizing that place developed into my primary priority. Of course, once I did that, I developed a focus. Having a focus revitalized my energy level and determination, and wiped out my anxiety.

Pondering the dream this morning, I developed understanding that it wasn’t about my life, but the novel in progress. That bifurcation I experienced was causing anxiety because I didn’t know what the character was coming up with next. And, I’d developed him as a strong individual. I didn’t like seeing him losing his way.

Ah, hah, I understood, oh, there we go. This is about writing the novel in progress. My conflict with my character  —

Let’s put this more correctly. The change of direction in the novel from my original intention bothers me. With that, I’ve lost focus and energy. Thinking about this – because I write to help me think – I think my character is correct.

I know from reading others that many writers wrestle with characters taking over. Some dismiss it; they’re the writer, they’re in control, and they decree what gets onto the pages. I live and work through my characters on the pages. We’re partners more than master and puppet. Perhaps it’s due to my organic writing style, which, on reflection, can look as complicated as layers of spider and cobwebs. And it’s not like I haven’t been down this path before. I often begin with an idea that grows into something else.

Although it makes me uncomfortable, I’ll probably write what the character wants. Then I’ll edit it down to find a compromise we can live with.

Characters; they can be the worse.

Time to write like crazy, at least one more time.

Wrote That Scene

Wrote one of those scenes. You know what they’re like. You’re casting for something inside yourself and discover something hidden, so you drag it out and use it.

In this instance, I used a memory from when I was young. I’d seen a creepy movie that burned anxiety into me just in time for bed. Despite that, sleep managed to find me.

Awakening, though, I kept completely still in an all-embracing darkness. Even now, remembering, my blood pressure rises and my pulse thumps faster. In that darkness, I’d heard a noise while I was asleep —

Or did I?

Was it real or imagined? I listened and listened without daring to move, barely breathing to help me hear and minimize my presence. Just when I’d begun to accept the hypothesis I’d imagined it, I heard another sound. It sounded like slithering….

Snake, I thought.

A snake is in the room.

I couldn’t move. If I left the bed, I might step on the snake. It might be coiled on the floor, waiting to strike.

But I couldn’t remain in bed, because the snake might crawl up into the bed. Which was worse, waiting in bed, or stepping down and getting bitten?

It was a rush of words to write, but it fit the novel like a found puzzle piece. As for the young boy who feared what might be in the dark, he carefully stood up in bed. Balancing himself and profusely sweating, he leaped across the yawning gulf where the snake might be waiting, and threw on the lights.

Time to go write like crazy, at least one more time.

How Writing Isn’t Like Yardwork

I was raking and hoeing yesterday, preparing the back yard to seed it for the winter. My wife had already put one garden to bed. As freezes are striking, she’ll probably put the other to bed this week. Meanwhile, we have before us the question, should she plant garlic and, or, onions for winter? Probably so, but we veered away from the subject into collateral discussions before a decision was found.

Back in the yard, thinking about trimming back trees and bushes, I wrote in my head, as I often do when doing something that doesn’t require focus and will let me think about other things. Often, I think, writing is a lot like yard work. You’re always pruning and weeding, considering what’s been done and what else must be done.

But in yesterday’s internal dialogue, I realized how flawed that was. Yard work is continuous; it changes with the season, but you’re always out there, forever doing things. Plants grow, not only in the yard, but in the yards around you. Volunteers arrive, and trees grow taller and fuller, changing the exposure to the sun. Weather changes, like the super-hot summer of twenty thirteen, and the super-frigid winter of the same year, damages and kills plants. These need addressed, as much for fire safety as aesthetics.

Which is why novel writing’s comparisons with yard work should end. Eventually, I finish a novel. It becomes published and goes out into others’ hands and minds. The yard is always being attended; it’s only completed for a brief cycle. Although a novel may feel like it’s taking forever – this one of mine is now in its fifteen month of writing – I know it’ll be done someday. Then I’ll begin another, and it’ll feel like yard work again.

But it’s not.

The Beginning

“A writer never forgets the first time he accepted a few coins or a word of praise in exchange for a story. He will never forget the sweet poison of vanity in his blood and the belief that, if he succeeds in not letting anyone discover his lack of talent, the dream of literature will provide him with a roof over his head, a hot meal at the end of the day, and what he covets the most: his name printed on a miserable piece of paper that will surely outlive him. A writer is condemned to remember that moment, because from then on he is doomed and his soul has a price.”

~ Carlos Ruiz Zafón, “The Angel’s Game”

An interesting perspective, but I would have more periods and commas in this paragraph.

The Writing – Wait

On normal days, I sit down, and take a few sips of coffee. Then I turn on the writing mode and brace myself. Sights and sounds pummel me. Smells come last.

Seeing the scenes happen, hearing them, and smelling it, I struggle to keep up. I can’t type as fast as it comes. I barely think fast enough to keep up with what’s streaming into me. It’s more like a movie, with smells. I’m more like a man with a hammer, chisel, and stone table.

I begin with a stream of consciousness form to capture it all. My writing frustrates me, though, correcting me, and suggesting changes, improvements, and elaboration even as I still try to type what was already given. The replay is wonky, so it needs to be caught the first time. Sometimes there are leaps into other avenues that are to come, like coming attractions, or previews. Those are most exciting, the spur that digs in to sit down and repeat this process.

Not much time is consumed during my writing sessions. I’ll typically write forty-five to ninety minutes. I’d like to extend my writing period to a three hours in the afternoon. I envy those who can pace themselves, handle the onslaught, and pump out five thousand words in a day’s work. I’m below half that, and feel spent when I stop. Worse in this process, though, is that I’ll finish typing for the day, the writing mode doesn’t get turned off. So I walk, and remember what I’ve written, and what needs to be written. Sometimes a flash of a scene comes to me, and I remember, “Oh, yeah, I need to go in and add that.”

This methodology always prompts wonder in me about how others work. Please share, if you’re willing.

Now, time to turn on the writing mode. Time to write like crazy, at least one more time.

Five Changes

I wasn’t satisfied with how things were going last month. I was in a tunnel, that tunnel shaped my life and attitude. There were no lights in my tunnel. Changes were needed to provide me a light to look to at the end of the tunnel. So, on a whim in August, unmentioned to anyone, I sought to make five changes.

  1. I quit drinking mochas every day.
  2. Priorities were re-evaluated and shifted.
  3. I re-balanced myself.
  4. Alcohol intake was reduced.
  5. I began drinking apple cider vinegar every morning.

My decision to stop drinking quad-shot mochas during my writing routine at the coffee shop freaked my barista buddies. I had to assure them, it wasn’t them, it was me. I didn’t explain why, though, just ordering black coffee. I’ve had two mochas since August 27, when I stopped, but they were of the weak Starbucks variety, which is more like mild hot chocolate than anything else, and were accepted when another bought them for me.

To re-evaluated priorities, I had to change how I approached blogging and my Fitbit activities. I’d become almost obsessive compulsive about establishing goals for them and following through. I had to remind myself, they’re not as important as other life matters. I blog far less. My daily Fitbit goals are met, but they’re the last item of focus.

Re-balancing myself required the biggest effort. I posted about it in The Resentful Writer.

I’m not and wasn’t a ‘big’ drinker. I liked having a glass of red wine in the evening. I stopped it. I haven’t had wine, except at one dinner, in three weeks. I reduced my beer intake. I enjoyed a beer when my wife and I went out to eat, so I took a pass a few times, and I forsook my Wednesday evenings spent having a beer with friends.

The apple cider vinegar was last. I think it’s the most drastic step. I’m frustrated with my digestive system. I’d recently read about the Kansas City Chiefs, an American pro football team. They like pickle juice as an electrolyte. A few days later, a friend told me that her late husband loved pickles, so she had a huge stash of pickles of different varieties, and she doesn’t like pickles. I told her about the Chiefs and pickle juice, and she reciprocated by remarking that people often come up with interesting remedies, such as apple cider vinegar. She couldn’t remember what people drink it for. I made a note to look it up later. The results I found enticed me to try it.

Time to write like crazy, at least one more time.

The Resentful Writer

I’ve been warring with myself. Fortunately, I’ve been winning.

The war is about priorities, routines, and discipline. I’ve worked hard to establish a daily writing routine. Discipline, so many writers counsel. If you want to write, write. Set up a schedule, and do it every day. So I’ve faithfully done. Friends, coffee shop employees, and family members all know my routine.

Several aspects have evolved on the quest for writing discipline and publication. First, I’ve learned that I’m happiest writing from mid- to late-morning to mid afternoon. Second, walking before writing helps me shift thoughts from daily life to plots and characters. Third, I write better outside of the house.

Writing outside of my home took some time for me to understand. My wife and I bought a home with a room that could be my office. We specifically set it up for that purpose. Yet, writing in there feels uncomfortable to me. Being an introspective person who self-obsesses, I’ve thought about why and came up with reasons.

First, cats. We have four. They seem drawn to my typing sounds. I suspect it sounds like scurrying little critters to them. Hearing my typing, the cats enter to investigate. Oh, it’s just you, they realize. Then, they say, give me some loving. Let me sleep on the keyboard. Let me on your lap. Let me mark this computer as mine. Permit me to play with your hand.

Yes, it’s precious, but it’s a frustrating divergence from the focus my scurrying brain cells need to type a coherent sentence. Closing the door on them doesn’t work. A close door is a challenge to get it open. They work on that challenge with scratching and mournful wails of deprivation.

The walks, too, are part of the whole thing with being out of the house. I leave, I walk, I shift into the writing mode, and go write somewhere. I think returning to the house pushes me out of the writing mode.

Socializing, chores, and errands all work against maintaining the schedule. Events come up that my wife wants to do, like go places, and have fun. I don’t know where she gets these ideas. I blame it on a bad element that she works out with.

She comes up with things to do. They’re enticing. I often want to do them, too. Well, I can say, “No,” to her. It sounds good, but it doesn’t work well. And I want to say, “Yes.” I want to have fun, and I want her happy, and I’ve heard that experiencing life can be a pleasant, entertaining experience, and help me develop as a writer by introducing me to other elements. So I say yes.

But I’m often resentful. My writing time gets whittled down to a third of my desired period. I’m forced to rush, and move the writing session to another time to accommodate the socializing.

Balance was needed. Balance is needed. Yet, the balance isn’t between socializing and writing; the balance is needed in me to accept that I don’t need to adhere to these hard-wired set of practices I created.

The shallow and insecure part of me fears that if I don’t write every day, I’ll lose the plot. The story will meander. My output will dry up. I’ll stop learning and improving as a writer. My meager stores of talent will oxidize, turn to dust, and get blown away. So, after working hard to establish my routines, I’m loathe to forfeit them, for anything, and anyone. The challenge, then, became, banish the fears. Accept variations.

Relaxing, I did. Yes, I write that like, la-di-da, I’m relaxed. It’s basically taken the year to date to get to the point where I’ve relaxed about it. I realized that my resentment was counter-productive. Negative energy often is. After I relaxed and dismissed my resentment – again, expressed as though I faced the sun and shouted, “Resentment, I dismiss thee,” three times, and it was all good, when it was really a constant wrestling match – I found I could enjoy socializing and varying my routines, and still be a productive writer who was having fun, learning, and improving.

It’s been a difficult lesson to learn. Once learned, I struggle to remember it, and keep the lessons learned in play. Sometimes, I feel like a child learning my ABCs.

It’s coming together, though. Check in with me again after twenty years. I believe I’ll have it down by then.

Time to write like crazy, at least one more time.

Prepped

I’ve been writing in my head all morning. Now, here I am, coffee at hand, computer set up, ready to write. I feel like a little stopped up from all the mental writing.

That’s a perfect lead to my dream last night. It was all about a foreign woman trying to marry me — though she was married to another man, and he was present, and I am married, and my wife was there — my efforts to dissuade her, and then, my adventures with a toilet.

My recent dreaming has been a dream process. For the last twelve days, I’ve been awakening, remembering my dreams, and then knowing what they meant. Some of them were very specific about what to do with health issues, such as a foot bothering me. Others were about writing, and what I should do about something troubling me. I can tell you, and you can appreciate, it feels amazing to have such dreams.

So, last night’s dream was a little bit of a letdown. What especially troubled me was the end, when I was sitting on a commode and using it, and it started going forward. It was like I was riding a riding mower, except it was a toilet. After rolling the dream details around in my head down halls designed by M.C. Escher, I told my spouse the dream. She instantly provided a very satisfying explanation.

Okay, got that out of me. Now, for the rest. Time to write like crazy, at least one more time.

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