Dissecting A Diversion

I was ready to start a new chapter, and went back to where I’d stopped yesterday.

Main character was on a zeppelin. I decided I needed to get him there, so I moved back in time. Yeah, my process is very non-linear. I’d written what I saw the day before, and that meant he was on a zeppelin, taking a trip. Now I needed to get the hero and team there. I decided to pick up the action where he first encountered the zeppelin. I began visualizing that moment. The zepp is tall. How tall? How big? To the Google!

Wikipedia was a bitcoin mine about zeppelins. A company had built some and had been giving tours, but folded. The company was based at Moffett Field. Well, shoot, used to live there!

I needed technical information on the zeppelin. How many engines did it have? What’s its payload, crew size, etc. Remembering my time on Moffett, I recalled the U.S.S. Akron. Well, let me search and read.

From the Akron, I went to the Macon, and on through the history of German, British, and U.S. military and civilian zeppelins, designs, and disasters. Nevil Shute helped design R100 and R101 for the British military. A side path was followed to a summary about his autobiography, Slide Rule. Clicks uncovered information about hybrid air vehicles (HAV), dynastats, rotastats,  Long Endurance Multi-intelligence Vehicle (LEMV), the Airlander 10, and the Flying Bum.

This novel is set in a future dystopia so I needed to wrap my head around how HAVs may progress from now to then. Then, what limitations would be encountered, and how they would address those.

Hours had elapsed. I’d taken bathroom breaks, replenished fluids, and stretched and walked around. I hadn’t written, although I’d collected a stack of information as building materials. It was almost four by then, so…well, I needed a break. I’d do a Sudoku, and then write. But, by the time I finished the puzzle fifteen minutes later, well…I went on to my jigsaw puzzle in progress.

And that is how a novel doesn’t get written.

Got my coffee. Time to try to write like crazy, at least one more time.

Another Elizabeth Said

From a short and interestinginterview in Seattle Times. I agree with her assessment; I’m amazed how many would-be novelists say they’ve written a hundred pages but don’t know what to do next, so they quit.

 

The Typist

I sit down to write each day with little idea of what’s going to happen. This terrifies me.

Then I read a sentence or two of what I’ve written the day before, sometimes a little more, and the story takes off. In the space of ninety minutes to two hours, I’ll add two to three thousand more words, then stop and edit a little. Few changes are required; the story is coming to me so fully complete, I’m just the typist.

I know where and how the story started and where it’s supposed to be going. I lack all clues about how to get it there. I just followed the muses. They’ve presented this character that I don’t understand. He’s erratic. I know the reasons he’s erratic, as more of his backstory comes to me after I’ve written about him. After I write, I walk away and think, why did he do that? What’s wrong with him? He’s so inconsistent, I worry about it; I want to fix that, and make him consistent. But I suspect that if I attempt to fix him, he’ll just stop and the muses will walk away.

So…I let it ride, accepting my role as typist. The story sometimes entertains me, but more often baffles me. I’m writing mostly to see what happens next.

It’s a weird, odd role, being the typist. I know some writers insist that what I’m describing is complete bullshit, muses and characters don’t just take over.

Yeah, but here I am, with my coffee, about to do it again. It really is writing like crazy. It’s gotten me to seventy-seven pages so far. Guess I’ll just hang on and try to enjoy the ride.

Onward.

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