My Five Writing Rules

I have simple writing rules. It’s a complicated world, so why burden myself with greater complications?

  1. Write every day. Writing every day helps me maintain story continuity, and making progress is tangibly reassuring. I also like the practice and discipline, but as an amendment to this rule, I stay flexible and adapt. I don’t sweat it if I can’t write every day. Okay, I confess, I sweat it, but I endure with the promise to myself, “I will write again.” 
  2. Write like crazy. Yep, put it down, one word after another, and let it flow like lava escaping an erupting volcano. Then, edit, polish, edit, polish, revise, re-write, and edit and polish. It’s a rare sentence that is not changed in some manner between first thought and final edit. After grudgingly accepting that re-writing, polishing, and editing are necessary, I now enjoy this process. Writing like crazy is a fast and intense process, but the polishing, etc., is loving, and let me feel the novel and see how it breathes.
  3. Don’t overthink it and don’t write for anyone else. Man, I get angst about what I’m writing. I worry that it’s crap, and I suffer the imposter syndrome. Even as I write and enjoy what I write, I worry that others won’t like it, that it won’t measure up as professional, meaningful, entertaining, or original. I fear the moment when someone stands up, points a finger at me, and shouts, “J’accuse! You are not a writer.” However, I’m also ready to respond, “Fuck you, jack.” Of course, that won’t prevent me from brooding about it.
  4. Create and maintain a support structure. Like anything that you consider imperative, such as eating properly, exercising, or family time, it was critical for me to let others know that it’s writing time is important. In return, I set a schedule for it, and adhere to it, so that they know when I’ll be writing. Telling others – coming out of the writing closet, if you will – was a huge step. People respect the effort. Telling my wife, and her support of my writing efforts, were tremendous boosts to my ability to go off and write every day. Writing is already a solitary and lonely business, but her support reduces the struggle by an immeasurable chunk.
  5. Don’t talk to others about the novel(s) in progress. People will ask, and I do want to share. But it’s so easy to let that writing excitement overpower the moment. I end up going on and on, regaling them about the characters, concept, plot and complications, even as I understand that it’s in beta, or first draft, or whatever, and subject to change. Just answer politely in vaguely sensible terms, change the subject, and let them escape for being a good friend and inquiring.

Any rules that work for you that you want to suggest? No pressure.

Time to write like crazy, at least one more time.

Expectations

You ever read another’s book, and begin editing it to improve grammar, pacing or story-telling, or think that the character should have been changed, or think about how you’d change the words because a sentence is awkward or sloppy?

I encounter this all the time. But I can’t edit or change it; that book is done. That’s why I’m reading it.

One of the best aspects of reading and editing my own work is that I can enjoy the story and make those changes. Massaging and polishing the elements mentioned in the first paragraph, and more beyond that short list, becomes satisfying, exciting, and rewarding.

Conversely, though, I don’t know how much of my entertainment comes from reading these written words versus enjoying the expansion of my interior worlds being made real. Deep in this forest of words, I’m having a damn fine time, but could anyone else read this and have the same experience?

Well, no, probably not. Writers know what we write, and what others find and take from our words rarely match. Readers develop their own set of expectations as they read our work. As we write from our experiences, so they read from their experiences.

That completes the lap of thought, and I’m back at the start, and the rhetoric about wanting to change another’s book.

Surely, of all that’s possible, that’s not what that writer expected. And that’s why we edit and revise, and have editors, so that we don’t put out that book that someone reads and wants to change.

A Writing Problem

I have a new problem to relate to my writing process, something so fucking stupid that it’s monumentally irritating. It’s one of those things that make me go, “Grrrr.”

Lately, hunger is interrupting my writing process.

Hunger, as in, “I’m hungry, my stomach is rumbling, and I want to eat.” It’s not like I’m starving to death.

I know, as living and writing goes, it’s not an impressive problem. I imagine many people reading this will think, “What a whiner. I wish being hungry was my writing problem.”

Yeah, I know. It’s definitely a first world complaint, right? Who else but a white American male can complain like this?

Yes, I know.

Let’s back up a moment and add some exposition. I write in a coffee shop. I usually leave the house around 10:30, a few hours after eating breakfast. I like that process. I need to escape the house (and the cats and distractions) to write. Plus, the walking I do prior to writing helps me settle into the writing groove. Right, wrong, indifferent, this is my process, and I like it.

It used to work great. Eat, dress, walk, arrive, buy coffee, set up, work for a few hours. I generally begin by reviewing news and other blogs. I then make a few brief posts. I consider them to be clearing my throat. Then, off to work. I usually achieve ninety minutes of writing and editing punctuated by a couple breaks, and feel satisfied by the process and progress. But since returning to the writing process after going east across America to visit with family, I start getting hungry about a quarter of my way into the writing session.

The first time it happened, I wrote through my hunger. I figured it was isolated because it was rare. The next day, when the same thing happened, I bought a cookie at the coffee shop. The third day, I ate a tangelo before leaving to write, and the fourth day, I brought a Larabar with me and ate it as I walked. Then, the next time, I cut my time short again, and again the subsequent time. By now, I recognized a problem.

All these actions of eating something bought me a little time. Today, though, I had to leave later for my writing. This was due to a cat. One of our cats, Tucker, decided to re-arrange his litter box. (Oi, the mess.) An hour of clean up was demanded. Since that put me behind, I figured that I’d eat lunch before leaving. That was okay; I’d eaten breakfast (waffles) at eight, and then ate lunch at eleven fifteen, departing to write at eleven thirty. I should be good. Yet, here I am, hungry by one, dreaming of sandwiches, salads, wraps, and burritos.

I considered, of course, buying lunch here at the coffee shop. That doesn’t fit in with my budget or dietary plans. I have the money but can’t stomach the idea of paying five to ten dollars a day for something to eat here. The food offered is standard sort of fare, and while generally tasty, it isn’t particularly healthy for more than a once in a while thing.

What it all seems to be pointing to is that I need to leave earlier to write, closer to when I finish eating breakfast. That provides a different problem. The coffee shop is busier earlier in the day. That makes it harder to get a good writing location. I define a good writing location as a table or counter space with an outlet and sufficient room to not hot or be hit whenever someone moves. Further, it’s not just during my writing time, either, plagued by hunger. I’m hungry after dinner. I’m hungry in the evening. I wake up hungry.

I don’t understand why I’m so hungry. I’ve been eating normally. Yes, I’ve kicked up my walking again. Yes, I’ve lost some weight. (Hurrah!) Yes, I’ve reduced the sugar and fat in my diet. Yes, I feel great, other than being hungry.

I guess I’m done for the day. I feel like I’m cheating myself because the writing was going well, and I have more to write. I also feel like I’m weak, giving up writing for eating. That’s silly, of course. (Right? RIGHT?)

Worse, I try to walk two to three miles after writing. It helps my writing process and it’s good exercise. Today, I’m so hungry, I’m heading straight home.

So, calling it a day on writing like crazy. Time to go eat. It’s Pi Day. Maybe I’ll go have some pie.

Damn it.

 

So It Goes

I ended up doing a little editing and a lot of reviewing during my writing session today. It was wholly unplanned. Part of it was that the stories drew me in. I wrote what I liked to read, and I enjoyed reading it.

That’s the best part of this writing life, that I can read these things that seem to flow into me from somewhere else, and enjoy them. They seem like they’re far superior to my thinking and skills. Weird, right?

Time to call it on another day of writing like crazy.

Turbidity

My writing streams rushed together. The words and ideas became turbulent, muddied and entangled, becoming too much, too much. 

What had happened?

It’s always in me to be analytical and introspective, to explain and try to understand myself, in hopes that I can reach productive and lasting peace with myself. So I asked, what happened to the writing process. I was writing. The flows of words and ideas were strong and potent. I was almost keeping up. Then, overnight, it unraveled.

In the stillness of my pre-walking walks, insights arrived.

  1. The flows were too intense. I’d been keeping up. Now, I’d failed. I wanted to write everything at once. Chaos resulted from impatience.
  2. I’d seen the movie Black Panther. I enjoyed it, but it was a catalyst for new ideas. Just like I sometimes – hell, most of the time – read a book and enjoy it, I wanted to incorporate new thoughts and directions, because I liked how them in the movie. A purge of that was required.
  3. Doubts; I was suffering doubts about whether I was up to understanding the story, and keeping up as a writer sufficiently to present the story.

Thinking and walking it out helped walk me back from the metaphorical ledge of despair on which I found myself. Well, I’m off the ledge but I remain a little unsettled. Write through it, I tell myself, and hope to hell that works. Oddly, while walking, I thought about a dream I had, and that helped a great deal to come to a palatable understanding about my inner dynamics and anxieties.

Time to write like crazy, at least one more time.

The Porsche Dream

I dreamed about a Porsche again last night. 

I dream about them often, and post about them sometimes. (The last one that I remember posting about was an Arctic blue Porsche cabrio, an older model, and I won the right to drive it thanks to my friend, Kevin.)

Porsche – I’m talking about the car manufacturer – represents success and style to me. I fell for Porsches during my first decade, when I discovered cars and then racing. I became a fan of the E-type Jaguar and the Chevrolet Corvette Stingray.

Jag Corvette

 

 

 

 

From them, I found Aston Martin and Ferrari, and then Indy, Le Mans, Can-Am racing, and Formula One. The Ford GT became dominant at Le Mans in the late sixties, but the Porsches were there, too. Then the mighty Porsche 917 came on the scene, and my neighbor, a Volkswagen sales person, brought home a Porsche 911S and took me for a high-revving ride.

In last night’s dream, I was part of some process. I was with many others that I knew. We were outside. Our role was to receive incoming people. While I understood who the incoming were, that knowledge seeped away once I woke up. I don’t know if they were students or refugees, but both of them paw at me as plausible.

My role was to organize and hand out information packages when the newcomers arrived. The task was in my wheelhouse. I did it quickly and easily. That left me with a lot of free time, so I purchased a Porsche.

Silver, it was a new 911 Turbo Cabriolet, a sweet ride. After I ordered it, it arrived. I walked around, admiring it with my wife. Others came and gawked, asking the usual questions about the expensive high-performance car. That’s your car? You bought it? People were amazed that I had the resources.

That statement became key to understanding the dream.

Meanwhile, between my work, I explored the car. First, I got into it with my wife. The foot wells were shockingly small. Oh no, we didn’t fit. 

Then, miraculously, we did. The Porsche changed to accommodate us…or did we change? It wasn’t clear in the dream world.

The Porsche’s dash was covered by a black plastic panel to protect it during shipping and delivering. I carefully pried it away, revealing a dash that sparkled like jewels.

I wanted to drive it, but the car intimidated me. I knew it was powerful, and I love mashing the throttle when I’m driving. I knew that with this power, the car could bite me in the ass with that behavior. It reminded me that I’d had a powerful sports car in real life. One person told me that they’d owned one, but traded it in after a few months, because the car’s power scared them. Others told me that they’d test-drove the car, but decided against buying it primarily because of its power, speed, and acceleration. Those were the things I loved about it.

RX7

I remembered that car and how I drove it while I dreamed. Those memories reassured my dream-self that I could handle the Porsche. I fired it up and then took it for a short drive, feeling it out, but not opening it up.

I returned to the dealer to do some paperwork. They’d been looking for the car because they hadn’t released it. I was worried that I’d done something wrong, and they laughed, waving it off. “No problem.”

A sales rep took me over to gain full and legal possession of the car. At the counter, I was asked to tell them what car I had. I hesitated. Then I said, “Porsche.”

“Which one?”

I hesitated. As I was about to say, “911 Turbo,” the man with me said, “Top of the line, a Turbo, fully loaded.”

“Wow,” people said. Blushing and self-conscious, I said, “Yes, I have a Turbo.”

It was a strangely reassuring dream about my writing as I walked and thought about my writing turbidity. Relax, and don’t fear the process, I told myself. I’m in a Turbo.

Time to open it up and take it for a ride.

No Panic

I’d resumed writing this week after returning home, completing a ten day road trip. It’d been a sad period, beginning with a red-eye flights across the United States and a five hour drive to a hospital. Eighteen hours of hope and optimism followed, and then, with startling realization, it was over. After that came calls and emails, mourning, memories, and planning. Then there was a service.

Next were visits to my side of the family, and a short, intense, fun reunion with them, the fun and intensity waning under the mourning that continued for my wife’s mother.

Finally, there were return flights.

Routines slowly resumed. Walking, cleaning, writing, etc. Notes and work-in-progress were reviewed, and story lines picked up. But…I seemed disconnected from the work. It seemed remote to me. I understood all the reasons that could account for that distance and my attendant lethargy. I didn’t try to rush myself or berate myself. I took up my routines with the anticipation that I’d catch fire again.

Fire caught this morning as I emerged from the shower and began toweling off. First, there was a chapter title, “Ebb and Flow.” Setting dropped into place. The opening paragraph was written across my mind. Other lines followed.

Suddenly I had the rush. Had to get to it. It’s a beautiful, familiar rush of having something to say about the story I’m telling.

I’m at the coffee shop. Set up is complete and coffee is at hand. Time to write like crazy, at least one more time.

The Writing Purge

I was out of the writing slot this past ten days, venturing in but once. Life business demanded my attention.

As I traveled, I read The Watchers (Jon Steele, first book in the Angelis Trilogy) and Ready Player One (Ernst Cline). While writing, I often reflected on how my style and material compared to the two books, and what I liked and disliked about each novel.

Then I required a purge. Are you familiar with this? The purge is needed when others’ fiction is enjoyed, and I begin thinking that I need to do things in my novel to make it more like them.

Bad idea? No, terrible idea, worse idea in the bloody world. Almost inevitable, too. I’ve gone through this before. In early years, I tried changing my stories to be more like something just read.

The results sucked, but they were helpful. I learned, and I know, trying to write my book with inflections and concepts found in something recently read ends up torturing my story lines and prose, and dilutes my concept and originality.

That’s why the purge is needed.

Several steps are required for me to purge. I’ve been through this before. I know what to do. One, I need to recognize that I’m about to throw untested code to what I’m writing. Two, I need to understand why it’s so damn tempting.

The latter point is easier to cope with, and best for me to first approach, because the first point is so nebulous, harder to grasp, and is a challenge and affront to my confidence as a writer. Basically all of my writing is untested code. I’m an organic writer. I write it, modify it, and test it until it fits. So, naturally, I think, well, damn, can’t I make other things fit, too?

Yes, probably, but it’s pricey. I may end up muddying my developed story lines, something dangerous to do twelve hundred words and four books into a series, right?

This is why understanding why I want to change my books to incorporate what I’ve read is important. What I read entertained me. I admired their talent and skill. They’d developed concepts, characters, plots and sub-plots, and story lines in novel manners. Their books allowed me to escape.

That’s what I’m shooting to do, too: write stuff that entertains others and lets them escape. Steele and Cline’s books “win” over mine because I still offer a work-in-progress. It’s harder to pick my novel up to compare with their books. But once I stopped to review my WIP, I was surprised anew how entertaining it is. Yes, similarities with other novels and my novels exist, and will be spotted when mine are done, no matter what and how I write. I try to minimize these things but it’ll happen because I’m a product of my environment. Books and other authors fill that environment. Hell, they’re the foundation of what prompts my desire to write and publish.

With that thinking processed, the purge was completed.

Another day of writing like crazy done. Time for other things, like, umm…lunch.

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