Diane Said
Beatrix Said
I find this is true with many chapters and plot twists, too — I never certain where they’ll take me.
Another James Said
I feel the same. Juggling, a scene, character, setting, or bit of dialogue crystallizes into a pattern. That’s the start. Then it’s a continual process of juggling, crystallizing, filtering, processing, and typing, exploring, finding, and filling the pattern.
Another Fun Session
It was fun editing Six (with Seven) today. Written over a year ago, I’d forgotten the surreal aspects that the book took on at that time, dealing with a character’s memory, sex, and imagination as separate entities. I had fun with the arguments that they had among themselves and Philip K. Dick flavor infused in some of the dialogue and situations.
The character’s name is Madi (Madison) Handley. Because she’s a pirate, she modeled her memory after a pirate, Grutte Piers, and insists on having a parrot, J.R. As Handley’s existence streamed into my awareness, her name came from another blogger (J.R. Handley) and a barista (Madi), with the parrot named after J.R. Handley as well.
Her story is running in parallel to Pram’s terra-forming story, and I alternated between the two in the chapters in this section of the novel. I have a lot of affection for Pram and Handley, and love discovering their lives in space.
Coffee gone, and damn, I’m hungry. Time to stop writing editing like crazy, at least for today.
Time, Energy, and Patience
Incomplete States is a science-fiction infused historic series of possible futures. Book Three, Six (with Seven), now in editing and revision, also focuses on another intelligent species.
They are much different from Humans and the other species encountered in this historic series. Their culture, mores, and social structures aren’t like Humans or the rest. This makes editing them a powerful challenge, which translates into time, energy, and patience. Clarity, coherency, and consistency is demanded. This is the fourth day of editing and revising this thirteen-page chapter.
Time, energy, and patience has become my new editing and revising motto. I used to race through writing books and then become impatient with the editing and revising phases. I’ve developed a more acute respect for how editing and revising fit into the writing and publishing process as I’ve written more books.
The other aspect that’s found new respect in me is reading . On Sunday, a friend asked me, “How do you know when you’re done writing the novel after editing and revising it?” I told her, “That’s when the reader takes over. I write what I enjoy reading. If I, as the reader, am happy, then I’m done.” Of course, that’s when the professional editors take over.
Thinking about my answer later increased my appreciation for how reading helps writing. If I’m writing for a reader, me. I want that reader — me — to keep expanding their appreciation of what they’re reading. As I do, what I read and enjoy permeates the reader/writer/creator membrane. So expanding what I read, enjoy, and appreciate improves my writing and creating skills.
I like casting a wide net over my reading choices. I have favorite authors and genres, but enjoy exploring. I just finished reading Red Shirts (John Scalzi, 2011). Now I’m beginning Less (Andrew Sean Green, 2017, Pulitzer Prize). I’m still reading The Order of Time (Carlo Rovelli, 2018). That last book requires many pauses to think about what I’m reading, and revisiting parts of the book.
Of course, I’m also still reading Six (with Seven). I must read it to edit it.
Time to write edit like crazy, at least one more time.
Another Writing Update
Editing and revising continues on Book Three of Incomplete States, a novel titled, Six (with Seven).
While remaining ambivalent about the title, I’m feeling more attached to it as I edit. I’m ambivalent about it because I conjure negative reactions from others about the title. I imagine that it will sour some because it’s different (gasp). But reading, editing, and revising the book has brought me closer to the title. I understand why that title came to me, and why it works. I also swung back toward ignoring and dismissing the naysayers, which basically goes along the lines, “Fuck you.” I like to think that they’ll be so in love with the series by the third book that they won’t care about the title.
See? I can be an dewy-eyed optimist.
Editing and revising Six (with Seven) hasn’t been all coffee and cookies. One chapter obviously needed major reconstruction. I struggled to fix it for several days. Then, one morning, I opened it and realized, the chapter didn’t work because everything had evolved away from it. It’d been an early, exploratory chapter. Now, it didn’t fit.
It still took some time to cut it. I liked the characters and the writing. It was damn prettified. I also worried that I was cutting it out of expediency. The muses didn’t agree, so I cut it. I saved it…just in case.
Once that chapter was removed, everything else fit together like fine tongue-and-groove construction. I loped through several chapters a day. It’s a fine thing to enjoy what you’ve written.
Enough patting myself on the back. Coffee has been downed, but this is free refills Friday. Time to write edit like crazy, at least one more time.
Book Three
“Deep breath,” I told myself, and scoff, mocking myself with, “Why?” Editing and revising the first two books in the Incomplete States series had gone well. The weeks of editing and revising had flown past. This is fun and rewarding. Yes, there are challenges, but no deep breaths are required, just time, space, and coffee. Fortunately, I have all three.
Word can tell a lot about a document. In this instance, Word tells me that I began this novel on March 3, 2017. I edited it for sixteen hundred twenty-two minutes. It’s two hundred fifty-five KB. At seventy-two thousand, nine hundred seventy-nine words, it’s over twenty-five thousand words smaller than each of the first two books in the series, Four On Kyrios and Entangled LEREs. The series’ final book, An Undying Quest, is largest at one hundred fifty thousand words.
The third book’s working title is Six (with Seven). I’m ambivalent about that title. I’m not certain that’s this is the final title. I’ll find out while I’m editing it.
Doubt about the series still assails me. Have I told enough for it to make sense, or did I tell too much and bog it down? Is it too chaotic for people, becoming too challenging for them to read? The reader in me felt it read well, but I won’t have a better sense of it all until I finish all four books. That stream of thought amuses me because readers all bring and find their own meanings. Even as I’m doubtful, I’m also optimistic. I think that if readers find the series, they’ll enjoy it. I’m reminded, too, of people I know who read the first book of a series, enjoy and recommend it, but never read another book of the series.
Thinking about the four books, I’ve come across several places where I recall thinking while I was editing, there’s another book there. It seems like another book is always possible.
Meanwhile, the muses are becoming pensive. Novel ideas are erupting. Besides these new ideas, old concepts exist that I want to pursue. Part of this is because, while I’m not writing but focused on editing and revising this series, I’m reading several books a week, which fires up the muses.
While walking yesterday, I thought, this series is a science-fiction infused fictionalized history of the future. That gave me a good laugh.
Okay, time to write edit like crazy, at least one more time.
Michael Seidel, writer 