As A Muse Will

I’d come in, fired up the ‘putin’ machine (no, not the one that make everything that comes out look or sound like Putin), had my coffee, and settled in to write. Problem was that I didn’t know what to write.

In the course of revising April Showers 1921, I added another layer. It’s worked well. I was ready to end that layer. I didn’t know how. I’d been thinking about it but nothing came to me.

And then, hands on keyboard, the muse arrived and conducted, as a muse will. A scene flashed on my mind’s edge. Words arrived. I typed. The scene took off, becoming multiple scenes and dialogue, becoming a chapter. Walking away from it much satisfied with the results, I continued thinking about it as I conducted my post-writing walking review, and the next pieces came to me. Arriving yesterday and setting up, I took up with that, and had more terrific results. Then, today — yep, again, for a hat trick.

It was an intense and productive three days. I feel like I’m just coming back up for air.

I know it’s not a muse, but deep recesses in my mind shooting neurons at mental walls until something sticks and some sort of Jackson Pollack-like story ideas gel. It’s easier, simpler, and more elegant to just attribute it to the muse, though.

Besides, you never know. If it is a muse, sure as hell don’t want pull a Joey Tribbiani* and upset them.

Done writing like crazy for at least one more day. Cheers

* If you need the explanation…

Joey Tribbiani was a Friends character played by actor Matt LeBlanc. (Friends was a U.S. television sitcom on NBC last century.) Joey was an actor who achieved success on a daytime television soap opera. During an interview, Joey claimed that he wrote most of his own lines. The writer wasn’t happy and promptly killed the character.

The end.

 

Laughing At Myself

I’ve been laughing at myself. When I finished the first draft of April Showers 1921, I thought, what a mess. Then I began hunting for what to do.

I found problems with structure, character motivation, pacing, story-telling… Whatever could go wrong seemed present. Very disheartening.

I began hunting fixes, slicing like a surgeon removing tumors. Draft two was finished and stalled, then three was written and discarded, followed by four. I lamented to myself, “This is like telling the history of World War II. So much happened. How do I find the right handle to it?”

That lament helped. Although I was complaining, it was true. The novel sprawled in a million directions. I needed to reduce the sprawl and improve the story.

Meanwhile, in parallel, I was reading thrillers. I was reminded of a Stephen King quote: “I showed them what can happen, and then I make them wait for it to happen again.” I’m paraphrasing. Forgive me. Maybe it wasn’t King, too, but I thought it was.

Whoever came up with that quote, it helped me sharpen my story’s focus, and tightened my grip on the sprawl.

I created some rules for myself.

  1. Head down. Focus, and stay focused. Work hard. Concentrate.
  2. Stay humble. Ride the wave. It’s a long ride, so manage your energy and emotions.
  3. Write better. Tell a better story. Sharpen your story-telling skills.

The last was revealing. I’d always concentrated on writing, putting words after words, fixing pacing and finishing novels and stories. Now, I decided that I needed to elevate my efforts and focus on being a better writer. That would hopefully result in a better story and novel.

It required hard decisions. Cut this arc. Modify that one. Tens of thousands of words were shred.

Partway through draft number seven. I think I’ve found a grip. I won’t know until I’ve finished and read it through again.

Done writing and editing like crazy for today. Time to go for a walk and let myself decompose.

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