Didn’t Finish

I didn’t finish writing the first draft of It Begins. (BTW, I’ve come to despise that title, even for a working doc. It was always meant to be short-termed. I keep waiting for the real thing to pop up.)

Disgust, anger, irritation, and frustration all stopped me from finishing the first draft. This wasn’t working, it wasn’t what I’d envisioned (or anywhere near it) and more, it wasn’t satisfying, winning a prolonged grrrrr from deep in my throat.

WTH and WTF? I kept trying to write around the issue. What was it disturbing me? Didn’t like that beginning, so I added shit. Didn’t like that, so I took it away again. Rearranged chapters. Deleted story lines.

None hit the magic g-spot. Exasperation hounded me like a hungry cat. Finally, and at last, as I was in the bathroom, a huge freakin’ epiphany struck.

First, I want to note that a much of my best epiphanies arrive in the morning while I’m doing my washing, shaving, and dressing. I think that’s because the tedium of routine permits my brain to enter a prolonged idle. The stream of thought calms and new items percolate in.

The second strike of intrigue came as I walked, thought, and then started writing. The epiphany showed me that I was pursuing the wrong tack. But as I reviewed what I’d written in the first takes compared to what I thought that I was writing about, it seemed that my subconscious (through the vessels called muses) was pursuing the correct direction while my conscious mind slaved in the wrong direction.

I’d been thinking that I needed clarity. That’s what I’d been hunting, not a problem with the writing, but clarity about the story that I was trying to tell. Now it feels like clarity has been found.

Hope so, but you know, like many things, a victory is achieved on one day, but the same work is required on another. Which was what I think all my writing efforts demonstrated: I knew something was off, and tried writing through it to a solution. In a roundabout way, that’s what happened as the effort helped my thought process. Guess that’s what fiction writing is about, in the end.

Once my clarify was delivered, I felt like I was suddenly shifting into a new, unknown writing gear. Not surprising, right? That’s what happens when you overcome an obstacle.

Done writing like crazy for the day. Off to other adventures. Cheers

Moving Targets

Quick updates on the writing and submitting fronts.

  1. I’d originally hoped to complete It Begins by January 15th. I’d begun it on November first. Writing had progressed to the point that I really thought I had a chance to finish it by the end of 2019. Now, though, I think it’s more realistic to believe that I’ll finish it by the end of January. Fingers crossed.
  2. More dismaying, I had a target of three hundred pages for the first draft. I’m on page 292, and I can see that it’ll be more than three hundred pages. I’m hopeful that I’ll finish it with less than three hundred fifty pages. I can then edit it down.
  3. I responded to the agents who requested more material on the last novel, April Showers 1921. After I finished editing it in October, I’d submitted it to agents. I’ve had some response but, knowing how long it is before one says yes or no, I decided to submit to more agents. I kicked it out to ten more. I have good feelings about several of the agents, but I tend to be an optimist.

Those are the main things. For background, the completion target of January 15th was simply a spur of the moment decision, a whim to provide focus, grab my attention, and stimulate my discipline. It seems to be working.

The page count was a more practical matter. I tend to write long books (or books that turn into a series of books). April Showers 1921 is six hundred pages and one hundred eighty thousand words. Incomplete States, the series that I completed at the end of 2018, is five novels and four hundred twenty-eight thousand words. I felt like I needed to write something smaller.

It was another excellent day of writing like crazy. Let me give credit to the muses; I couldn’t do it without them.

About the only detail that marred it was that I had to work at a counter in the coffee shop, sitting on a stool. I don’t like sitting on stools. Nothing personal against stools, but I can’t get comfortable on them. Due to that, I ended up standing for most of the writing session. Now my dogs are barking (an expression that I’ve always enjoyed).

Time to call it a day. One, there are other things to do. Two, the coffee cup is empty. Three, I’m very hungry.

Primed

Yesterday was a particularly intense writing day. I added twelve pages (and edited multiple sections), shunning other activities to stay in the tube. Ran out of coffee; butt went completely numb. A friend later said, “I saw you at the coffee shop writing. You were so intense, I think you were scaring people. I sure as heck didn’t want to disturb you.”

Yes, twelve new pages are a lot for me to accomplish in one day. My sessions generally top out at five to six. More, though, after ‘finishing’ writing for the day, the muses continued feeding me pieces of story, scene, and characters. Getting in here today, words fill my pathways, ready to find the page, a fantastic feeling.

I’ll write today but not tomorrow (damn coffee shop is closed for some holiday, can you believe it?), and then resume Thursday. I thought, hopefully I won’t lose momentum, and then shrugged that off. Momentum comes and go. Long as I keep putting my ass in a chair and turning on the computer in front of me, progression will continue, not always as a deluge or a storm, but at least at a gentle trickle.

I started this project on November first. I’m at two hundred fifty pages (71,000 words). My goal is to limit it to a three-hundred page draft, and I think that’s within reach. Of course, I have to laugh at myself (and my muses), as sequels (and tangents) have leaped into my imagination stream.

Got my coffee. Time to write like crazy, at least one more time.

Cheers

A Few More Drips

I’d been experiencing such great writing mojo. It was wondrous, the sort of writing experiences sought by authors everywhere. The writing flowed freely. Editing and revisions tailored the passages into cleaner, more reader-friendly (and story-advancing) prose.

Then, Wednesday came.

There wasn’t any indication Wednesday would be the day that the mojo didn’t come, but Wednesday was the day the mojo took off. Maybe the rain chased the mojo away, or perhaps they had a dental appointment.

I asked the muses where the mojo had gone. The muses shrugged, palms out in classic “I don’t know” non-verbals. “Who knows how the mojo works,” they said. “Mojo has a mind of its own.”

Their response surprised me; I thought the muses supplied the mojo, a position that amused them. “As if,” they said.

I struggled through Wednesday. Writing a short chapter (about a thousand words) consumed hours. Carving and shaping it sucked another thirty minutes. Even then, I was like, geez, that needs work.

Then, of course, I walked away.

The next day, the mojo showed up late but still, good to have them (don’t know the mojo’s gender, to be honest). Fixed that Wednesday chapter and then pushed on. With mojo encouraging the muses (or is it the other way), the writing time flew. Words poured out.

Beautiful. Off I went, walking, writing in my head as I went, pursuing chores, then back home for lunch and household tasks. All the while, the mojo stayed. The muses kept whispering more.

Quietly (avoiding attracting the cats, scaring off the muses, or alarming the mojo), I opened my computer and added another page. Off for more holiday running around with my spouse. The mojo remained, and the muses kept whispering, “Add this. Write that.”

Back home, more was added.

Then, showering this morning, more scenes dripped in. “Hurry,” the muses said, “let’s go write.”

“Come on,” the mojo said. “You gonna write or what?”

Yes, I was gonna write. At page two hundred, with a goal of keeping it less than three hundred pages (which looks promising), I believe it can be completed by the middle of January. Earlier is possible (as is a shorter novel) as, tying ends together, I revise the page count down.

Got my coffee. The muses and mojo are present. Time to write like crazy, at least one more time.

 

Coffee House Rules

My home office is a comfortable place. Got a big desk, chair, books, all that stuff, with easy access to the kitchen and coffee.

You’d think it’d be ideal for writing. Cats, spouse, neighbors, and generalities seem to conspire against it working. If I had to name one as the greatest offense, the cats would take the spot. They’re like, “Hey, I hear him typing. I better go put a stop to that by getting on his lap or the keyboard.” (This is called an interflooftion.) Just doesn’t work for me.

So I like coffee houses for my writing endeavors. I abandoned my previous favorite (management changes, and they treated former employees (who are family) like garbage, so I’m gone). The search was on, causing me to remind myself what I was looking for. Also, people ask me, “What are you looking for in a coffee shop for your writing?” or “Why do you go there?”

So — no order, really, but numbered for convenience.

  1. Tables with chairs and access to outlets.
  2. Good coffee.
  3. Some space.
  4. Decent prices.
  5. Location – must be in Ashland, OR.
  6. General ambiance.

A nice staff also helps but I must say, in fourteen years of frequenting Ashland’s coffee houses, I’ve not encountered a nice (code for friendly and engaging) staff.

These are subjective things. (Right? Most things are.)  I settled on Noble’s after trying a few places. Noble’s has all of the above (plus excellent scones and muffins (although I try not to indulge, right?) except their coffee costs one dollar more. After deciding on the place, though, I then had to pay attention to its ebb and flow, cause, you know, those tables, chairs, outlets, and space aren’t unlimited.

As with most places, you either must arrive early (typically before 8:30) to beat the morning rush. The next break generally arrives at ten. With Noble’s, I found the best time to arrive for my writing is 11:30 AM. The place empties. Most tables (with outlets) are available, so I have a choice of places. There’s then a forty-minute lull before they experience a lunch rush. I can settle in and write for a few hours. It’s great.

The start time pushes back my time, so I need to adjust either ends. Of course, this is winter; things will be different in other times of the year.

It probably won’t surprise you, but I ran into friends everywhere I went in to have coffee and write. (“Oh, you’re writing here now?”)

Alright now. Got my coffee. Time to write like crazy, at least one more time.

Fun, Fun, Fun

My writing sessions continue as entertaining and productive sessions. The book in progress is booking along (sorry for the pun — no, I’m not) as the characters grow and the story expands.

Didn’t go to the Boulevard today (see yesterday’s post, “Unbelievable”. As recap, Allison’s father, who owns the property, had Allison and her husband (Josh) managing the property for him, and fired them yesterday (Merry Christmas!). Baristas walked out in solidarity, and I went, too. Yeah, I know, I don’t know all of the story; I’ve witnessed how hard Allison and Josh work, though.

Anyway, had to find a new writing spot today. The first was too crowded. I made the second work. I’m at a breakfast bar on a high stool. Not comfortable. I alternate between standing and sitting, but the writing must be done. I’m thankful that our small town (population less than twenty thousand) has about ten coffee houses (which is down from when we first moved here, and two of them are Starbucks, which is a last resort).

Best, the muses didn’t care where I was. (“What? You’re not at the Boulevard? Well, screw you, mister,” they didn’t say.) They crowded in and began their thing before I’d taken off my coat.

I have ten main characters. I don’t know who the final primary protagonist will be. Several candidates are slugging it out. Meanwhile, each character apparently has their own muse. So, today, when settling in to write, these muses were all clamoring for me to write ‘their’ character’s story.

That’s what writing like crazy is all about — getting it down without prejudice, sorting it out as needed later, and editing and revising to improve it sanity — I mean, flow — and story-telling.

Good day of writing like crazy. Off to the movies now, to see Knives Out. I’ve been looking forward to it, and today is five dollar Tuesday.

Hard to beat that.

A Bevy of Muses

After awakening with busy dreams, my muses immediately pounced on me.

“Add these sentences to this, this, and this,” one was telling me.

“You need to pick up Sly’s point of view,” another was saying. “It’s ready and needs to be expanded and told. Here’s what happens.”

A third was saying, “We’re not done with Selena. There’s a lot more for Selena.”

“Okay, okay,” I was answering all of them, making mental notes about what they directed.

That didn’t mollify them. I think it even energized them. Much more was directed, becoming a tsunami of scenes when I was walking to the coffee shop where I write. “Alright, alright,” I kept saying, nodding as each muse bubbled up to add more. I was trying to keep up and trying to shut them up, but without offending them. Never want to offend the muses or piss them off, nope, nope, nope.

Got my coffee. Yeah, time to obey the muses and write like crazy, at least one more time.

Boom Days

Boom days are here. I’ve had four or five great writing days in a row. The muses have arrived on time and sober each day and fed me the tale, sharing character details, pointing out the story arc and plot lines like they’re good friends. They’ve been amazingly generous…so far.

Ah, good times. One hundred pages are completed, twenty-seven thousand words, on It Begins, the novel-in-progress begun at the beginning of this month. I know, doesn’t sound like much, but this is the foundation stage. Once things are established, the story starts flowing more quickly. Ten main characters have been introduced. Think of it as And Then There Were None, but in reverse.

Having multiple main characters with separate points of view and varying story arcs complicates matters a little. I solved that (for now, at least, as it’s working) by focusing on one or two characters, writing their scenes until they reach a major plot pivot point where the first three characters stopped. Today, I continue to focus on Selena, the four-year-old. She amazes and surprises me.

I’ll take the boom times. I know from my experience that there will be bust days sooner or later, forcing to take a deep sigh and a long swallow of coffee, gird myself with grit teeth, sit down and type, damn it.

But for now, all is well.

Meanwhile, I’ve not heard anything from agents on my previous offering, April Showers 1921. Three expressed interest a few weeks ago and requested more material. That was sent. Now I wait. Is longer time of waiting good or bad? It’s a Schrödinger situation, innit?

Got my coffee. Time to write like crazy, at least one more time.

 

A Storm of Scenes

The muse had warned me, “Set aside expectations.”

Of course. Muses are always telling me that. I readily agreed. She was the muse. Lead on. That’s how it works.

“I’m serious.”

I didn’t doubt that.

“You need to discard preconceived notions. Drop them like they’re too much clothing on a hot, sunny day.”

Um…okay.

“Can you give me some clues about we’re where going, what’s going on, and all of that?” I asked. I tried not to sound miffed; I don’t want to irritate the muse. I know my place, but… “I am the writer, you know. It’s supposed to be my work.”

“You’ll know when you need to know.”

She was pretty damn haughty.

She was right, though. I’ve always enjoyed writing my novels. I’ve had a lot of fun writing them. They entertain me. The muses do usually lead in unexpected directions.

This one, though, has been wildly different. The writing and story-telling pace are much, much faster than usual. And as she warned, the scenes, characters, and ideas introduced are constant shocks, little that I expected.

It’s a storm of scenes keeping up with her. Write, write, write, faster, faster. Then, after writing, update the bible to ensure everything’s been captured as far as details so I’m not slowed down by searching for some detail later.

It’s tense, exhausting, and exhilarating, leaving me on a natural high that life just can’t match. It’s a shame, then, to stop. But stopping is required, to go on to do other things and deal with the mundane of existence as a married white American male in 2019.

Once again, it’s been a great day of writing like crazy. I highly recommend it.

Drunk Muses

My muses seem drunk today.

Picture this: it’s a party, mostly of strangers, maybe co-workers who’ve never socialized outside of the office. Everyone is subdued, withdrawn and watchful, spying on others from safe corners and walls. Then some alcohol enters the scene. Glasses are filled. Sips are indulged. Alcohol slips into the bloodstreams. All start loosening up and chatting away, becoming livelier.

The latter are my muses today. They’ve had a few. Now they’re giggling and flirting, throwing ideas at me like I’m a dart board, frequently scoring high marks. As the scenes, characters, and ideas hit, I urge them, “Slow down, slow down, I can’t keep up.” That only encourages the tipsy little buggers to offer more at a faster rate, feeding off one another.

Not complaining, just noting. It’s a lot better than those days when the stand statuesque to the sad, cold and contemptuous, offering little other than disdain.

Got my coffee. Time to heed the muses and write like crazy before they pass out.

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