Tag: writing like crazy

The Writing Adventure

I slipped into the groove today when I was writing. It’s a fun, satisfying, and rewarding place to be. Words fly and the story unfolds with that amazing sense that I’m transcribing what I’m watching. Finishing is a little sad because it was so enjoyable. I sit for a while, reading what I’ve written, thinking about it, and considering what I know comes next. I’m doing that to kill time because I wrote so fast, with such focus, that most of my coffee remains. I only wrote for about fifty minutes, but wrote fourteen pages, about three thousand words.

My fingers are tired. Looking around the coffee shop, I feel disconnected from this place  and uncertain if it’s real. These people and this place aren’t as dynamic as the characters and setting that I just left, but then, these folks are concerned about seeing plays, the weather, and what to eat. None of them seem intent on saving someone else. Maybe they’re hiding it well.

Good day of writing like crazy. Time to return to life’s mundanities.

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Coffee

Tasting the coffee today, I raised my eyebrows in appreciation and admiration.

It was the second cup of the day. The first had been at home. I was now in the coffee shop.

But this coffee —

“Mmmm,” I said to myself, like I was Wolf the cleaner (Harvey Keitel) in Pulp Fiction, appreciating the coffee Jimmy (Tarentino) had given him.

I enjoyed the coffee sequences through that period at Jimmy’s house in that movie, because it was so damn real, a pause within the gritty to appreciate a flavor.

Pulp Fiction, Get Shorty, and Reservoir Dogs all need to be added to my dirty list, along with Serenity. How could I forget them? They’re mos def movies I stop to watch when I come across them.

Time to write like crazy, at least one more time.

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The Walls

Thinking about what I’m doing in my writing and thinking, and writing and posting to understand what I’m thinking and writing.

See, I had to leave my characters behind and scale the walls once again. First I did it while I was walking, but once I glimpsed the territory, I needed to map it out on paper.

I don’t know if you’re familiar with the walls. I’ve never heard other writers use the expression as I use it. The walls establish the characters’ limits of knowledge. They’re different for each character — all remember, realize, experience, or know different aspects than others.

Beyond the walls are the other events taking place that will affect the characters. How much is happening and what you, the writer, decides to share, depends on the story you’re telling. For examples, walls are frequently employed in sitcoms. One character establishes some half-ass fact or understanding predicated on misheard or overheard information, or glimpse something and make a wrong assumption, initiating a chain of misguided decisions. We, the audience, knows what’s going on beyond the wall. That sets up the humor.

We see the walls in the Jason Bourne movie franchise, where many walls are employed, torn down, or penetrated. Secrecy, security, dirty histories, and personal agendas establish and maintain the walls.

In this series that I’m writing, I use multiple walls. A huge part of what’s going on is happening beyond the walls. It’s stuff that wasn’t told to the characters or the readers. Now, though, the characters are storming the walls. They’re planning to tear them down, so I need to go see what’s happening on the other side. To get to that point, I pulled out pen and notebook. I resort to this methodology when I’m going my craziest. Pen and paper is less permanent, and more fluid and malleable. Typewritten words on screen or paper demands grammar, punctuation, and spelling be followed from years of conditioning. The notebook and pen shouts, “Scribble fight!” And off I go.

Got my coffee, and in position. Time to write like crazy, at least one more time.

 

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Finishing

I’m reading the third novel in the Dire Earth series by Jason Hough. Like most books that I read, I research the author. I’m curious about who they are.

I liked what I learned about Jason Hough and his writing. The first novel in the series, The Darwin Elevator, was a NaNoWriMo effort in 2008. He didn’t finish it in 2008, though, but kept writing, and found publication for it in 2013. That’s persistence.

Others did it, too, like the author of Water for Elephants, Sara Gruen, Hugh Howey, who wrote Wool, and Erin Morgenstern, author of The Night Circus. Their books were all the results of NaNoWriMo efforts. They didn’t always finish in one November, or in one year. That’s the point: they kept going.

Persistence is invaluable for a writer. Let your vision flow, and let it carry the words. Becoming side-tracked isn’t a problem, as long as you come back and continue. Time isn’t a problem, either; just keep going as the days, months, and years lap you. Endure your self-doubts, and then put them aside and write.

Time to write like crazy, at least one more time.

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Funny to Think

Next month will mark the end of the second year of working on the Incomplete States quadrilogy. I hope to finish writing the fourth book in the series soon. At least, I sense the end feels near. Then I’ll have a beta version of all four books in the series.

Then the work begins, yeah, the real work. The creative writing part, hell, that’s fun and easy. Just turn your mind lose, and then tidy it up so it resembles correct written English and aligns with everything else written until then – to the best of my memory. I know from previous novels that I’ve finished that, in two years of writing these four books, I’ve forgotten a lot of what I’ve written. In fact, novel writing often feels like I’m a channel, a conduit through which the words and ideas flow. I write without remembering large swaths. That’s why the work begins after the beta versions are completed. Hidden in these four books are dead-ends and roundabouts, wandering paths and cliffs. Motivations have been established, shifted, and challenged. Facts must be checked and confirmed.

So on completing four books and about a million words in two years, it’s staggering and funny to realize, the work is just beginning to take the books from beta to first drafts to final drafts to publication. 

Once I finish the fourth book’s beta version – I call them beta because they tie in so completely with one another, they’re not truly a draft until the ties are cleaned up, so they have all the major features, but they’re not complete — I’ll probably take a break and write something simpler. Fans have been asking, where is the next book in Life Lessons with Savanna mystery series. Those books are usually less than one hundred thousand words, and a lot easier to write and finish.

Another day of writing like crazy has to be stopped to attend to real life. I love the tension of this moment, stopping while writing, when so much remains to be written. Makes me eager to jump back into it.

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All Along the Spectrum

I’m bouncing along the spectrum this week, sliding from hopeless negativity into enthusiastic, boundless optimism. 

I know there’s a sweet spot there. Just can’t seem to find that balance.

That’s not overly surprising, and I don’t knowingly let myself fixate on it. ‘Knowingly’ is key, because my mind has created traps that I fall into without realizing, following worn paths that I should avoid, except they’re so damn easy to follow. Do you write fiction or pursue goals and dreams? If so, you might understand what I mean when I refer to these dark, weary paths.

I don’t know all the nuances that trigger my spectrum slides. I have ideas and insights into that process. When I win writing battles, my spirits soar toward the positive end. Good food, a good time, and a surprising compliment can take me there, too. Struggling with writing decisions, events that seem beyond my control, and simple frustration can drag me down into sour, doleful depths.

I know those things. Unseen health issues affect me with sneak attacks. Or, are they health issues? Maybe they’re not. I note, I feel off, and ask myself, what’s going on? Is it too little sleep, something I ate, part of the aging process, the first symptoms of a disease, or intellectual activities affecting my emotional activities affecting my physical activities affecting my spiritual activities affecting my intellectual activities?

Yes, that circle exists. It’s more complex than those few arcs described. That’s the spectrum. It’s not an orderly, linear line, but a circle, perhaps even a mobius. I think of it as a spectrum on a circle. Abstract visualization is one of my strengths, so I turn to it to help me think through things.

Being aware of the circle’s existence, like the monster in the dark, is helpful. Dreams can sometimes help, but last night’s dreams about aliens and seeking understanding seemed to highlight my morass rather than illuminating a way through it. Bummer. Fortunately, finding a satisfying resolution to whatever artistic-writing-intellectual problem is challenging me helps as well.

Today, after dwelling on the dreams during my morning coffee, I did find a satisfying approach to resolving the problem (which, yes, was of a writing nature), feeding my positive energy. It came while I dawdled, putting aside my normal routine to read some fiction and goof off, rather than to go out to walk and write. After just a few pages of distracting my brain with another’s fiction, my sub-conscious announced, aha, and an idea was floated. The solution isn’t fully formed, but has enough substance that I can grasp and shape it into something more and move myself forward.

Knowing this minutiae about myself is helpful to coping with its repercussions and trying to contain it. It’s easy to let these things eat me up, starting a more self-destructive circle. I encountered those when I was younger, when I didn’t know how to sort myself, when the territory that is me was darker and more unknown. I did a lot of destruction to myself and my life in those days. Fortunately, others helped me with patience, kindness, and insights. When I think back on some of the craziness, I gulp with amazement that I’m alive, intact, and not incarcerated.

Time to write like crazy, at least one more time.

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The Plot Web

Yesterday developed into a sensational writing day, one of those joyful experience that has me shouting, “This is why I write.” I then want to tell everyone about it, but there’s no one to tell. They wouldn’t understand without extensive background explanation, anyway.

But this is my blog, so I’ll go into some of that here.

Essentially, I’d reach a cross roads. I was calling it a cross roads, but that was a convenient and sloppy label. Every character, backed by a muse, had ideas about where the story was to go at this point. I, the writer, was reluctant to embrace their suggestions. I had my reasons.

That foundation created a few days of slow writing. Slow writing isn’t like slow sex. Slow sex, from my understanding (I’ve never experienced it, being a quick little pecker), is sublime, packing in pleasure. Slow writing, though, is more like using a machete to hack your way through a tropical jungle with drums playing in the background, giant mosquitoes trying to carry you away, and huge snakes hanging from the tree branches.

This was the sort of slow writing, coming at my time of month, that made me think, maybe I should just quit writing. Who would care? Nobody would care! Shit, nobody would notice.

Shit replied to me, “That’s oh so true.”

Which ignited a stream of profanities from me at Shit.

Because there were/are so many directions, the crossroads is really the center of a beautiful  orbital web. Which strand do I pluck and follow?

Naturally, being me and the person that I’ve nurtured and developed for six decades, I over-analyzed it all. I am consistent. That was, of course, the greatest issue with the situation. After realizing for the tenth to the twenty-seventh power time that, creatively, I can’t logically and intelligently analyze it because I’m too deeply mired in the mess, and that I had to just suck it all up and write, damn it, I did so, and enjoyed the result. Naturally, too, the writing took me in unexpected directions that I couldn’t see when I was struggling to decide which way to go. Once again, naturally, I learned, just write.

Naturally, there’s a caveat to all of this.

The caveat is that yesterday’s writing experience set up unreasonable expectations for another glorious day of writing. Of course, that’s coming from my logical, emotional, and hopeful sides, and not from the creative and writing sides. I think I’m d20 die, part of a polyhedral dice existence. Roll me and see what comes up for the day.

Time to write like crazy, at least one more time.

 

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Tricks of the Mind

I ran into a friend who is also a writer. She and I, along with a few others, used to meet for drinks and conversation. All writers, we talked about what we were writing and our writing processes, and complained about the non-writers and our struggles with them. Non-writers are rarely interested in our WIPs and processes. I can appreciate that. I’ve gone into eyes-glazing-over mode when others have gone into explanations about their processes about things like making soap or quilting.

Our outings were wonderfully healthy and happy times. Everyone in the group moved, though, leaving us to find other avenues or go without. I turned to posts like these to help me cope.

When we encountered each other on the street, we resumed our writing relationship, spending fifteen minutes catching up. Both had elsewhere to go, though, so we had to cut the encounter short.

One thing she revealed was that she’d begun using a typewriter to write. She’d slowly stopped writing as much as she used to write, and thought that part of her issue was that she found herself editing as she wrote when she used a computer. That process curtailed her productivity. Typing the work in progress, at this point essentially defining the concept, helped her because she held tangible evidence in her hand each day.

It was an interesting issue and approach. I can relate. Sometimes, when the writing way becomes denser, as it has in the current chapter in progress, tangible progress seems elusive. I type, think, edit, revise, and repeat. It’s not as much fun, but I discover that I still achieve about fifteen hundred words a day. That’s not an amazing amount, but it’s tangible progress.

Once in a while, I’ve returned to writing in a notebook. I consider that much rawer and intense. I’ve done so when I feel like I’m stuck. I usually felt stuck when multiple paths to pursue were available, paralyzing me with indecision and doubt.

In the end, I applaud her typing effort. Whatever it takes to goad yourself to keep writing, you know?

Got my coffee. Time to write like crazy, at least one more time.

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Method Writing

There’s method acting, the art of experiencing what a character feels and endures. I suspect I’m a method writer. I like putting myself into the character and feeling their experience.

My method writing process created a hard writing session today. The character of focus was attacked and injured. Alarms were ringing, and his ears suffered. That affected his focus, concentration, and effort.

It affected mine, too. I felt weighed down by his pain. The clamoring in his ears filled mine, exhausting me. My typing slowed as his efforts to think and move wrung out his physical and mental energy. By the time that I finished, I wanted to curl up into a ball and rest in a dark, quiet room.

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Wandering the Dark

Man, was it dark. At first, I saw and heard very little. When I did hear or see something, I’d type like crazy to capture those impressions. They were the starting position. I thought it was the beginning, but it turned out to be toward the middle.

Hearing people talking and moving, I followed them. Drawing closer to them, I started glimpsing their figures and faces. With greater exposure, I came to understand them. Soon, I could slip into their thinking and understand what they’re doing and their motivations.

But the paths and area remained dark, forcing me to explore. Some paths were easier to follow. Others became dense with forest, slowing me down and forcing me to feel my way. I stumbled over things unseen underfoot, slipped along muddy sections, got stuck, and sometimes fell.

I kept going, though, mapping it all in my mind and typing up details. Sharp turns, switchbacks, parallel paths and hidden ways surprised me. Cliffs and walls were encountered. Following a grade, I climbed to the highest area I found, thinking, from here, I’ll see and know where I’m going. But it looks different from up here. The details aren’t visible from this level. It’s the details that must be known and understood.

Hours of typing become days of typing that developed into weeks, months, and then, years. But at last, I think I fully understand the story problem and solution. I believe I see all the paths and connections. I think I know where everyone went, why they went there, and what happened to them.

Now that I know, I can finish. Finishing, I can begin revising and editing to ensure the story I see at the end, when it’s all been revealed, is the story that I wrote from the beginning.

Time to write like crazy, at least one more time.

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