Tuesday’s Theme Music

Mood: introspective

Sunshine glistens off a wet, clean sheen, complementing the air’s fresh smell with sigh-inducing vigor. Fall has been good to Ashlandia, so far. That could present further clues about why I like it. Summer in our zone becomes damaging. Blazing sun takes over, cooking the plants. Temperatures lunge into the nineties toward triple digits. Sweat pours off us as the heat broils us. Wildfires light up as summer lightning strikes parched vegetation. Smoke spreads, clotting our lungs and stinging our eyes.

Come fall, with soothing, “there, there” damp temperatures, the world relaxes; we the people relax with it. In my perfect world, I’d have fall weather but with the long stretch of daylight seen in the summer. That’s where fall fails me, as orbits and planes shift, moving the sun away from us, shortening the daylight.

Temperatures today will operate in a narrow zone. 56 F now, cloudy, 66 F later, with rains coming and going throughout the day.

A bevy of tunes fell into the morning mental music stream (Tradement teasing). Dreams sparked these. Such a myriad of wild, long dreams were experienced. The Neurons just rode the current. The song which ended up on top was “Who Can It Be Now?” by Men At Work from the 1980s.

It’s a true Aussie new wave sound. The part which The Neurons linked to a dream is a line, “It’s not the future that I can see, it’s just my fantasy.” That’s a true beat to my waking mind dealing with the dream mind.

Stay pos and hydrated, be strong and push forward. I can and will with help from my little dark friend steaming in a large mug. Here’s the music. Let’s enjoy some life. Cheers

Monday’s Theme Music

Ah, they’re always pestering me, calling from phone numbers that I don’t recognize, and sending me emails with sensational deals, deals that will make me wealthy, or is such an amazing travel bargain, that I’d be a fool to take it up. Never mind that the travel bargains are going to places that I don’t want to visit. It’s such a good deal.

Although this song, “Who Can It Be Now?”, by Men At Work, came out while I was stationed on Okinawa, I always think of Mom and my family. In the days before caller identification, Mom established the number of rings as a primitive IFF – Identification, Friend or Foe – for when friends and relatives call. “Ring twice, hang up, and call again. I’ll know it’s you, and answer.” Or maybe she won’t. But when the phone rang more than twice, “Who can that be? Should I answer it?”

The same was true with someone knocking on the door or ringing the bell, or  stopping in the driveway or in front of the house. “Who is that? What do they want? Who can it be now?” Mom passed it on to the rest of us. “Who can it be now?”

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