Sunday’s Theme Music

Today’s theme music is a surprising turn for me. I blame my dreams.

I had a cluster of dreams last night that shared the theme of saving. I saved some people and animals in a few dreams, but I was also saved, most memorably once by a Jack Russell terrior. The dog led me out of what appeared to be a benign situation. After I thanked him, he left.

Keeping with the weirdness of all that, I awoke thinking, “And it said so in my dreams.” I immediately knew that line from “Candida”, a hit song by Tony Orlando and Dawn back in July 1970. I never had one of their albums, but they were immensely popular in the early seventies. That popularity translated to a lot of AM and FM radio play and appearances on television shows — or did the radio play and appearances on television shows lead to immense popularity? Either way, I heard them often. Pop culture tends to be like that.


Saturday’s Theme Music

Today, thinking, through it all, I’ll rise and fall, (and laughing at myself with a small head shake as I did), I thought that those words sounded familiar. My mind stumbled around for a while, tripping over other songs, almost tripping over cats, sipping coffee (and almost spilling coffee) until, wait, wait for it, wait for it…

A face appeared. A guitar riff followed. A voice popped into the stream.

Ah, yes. Having clues, I dashed to the Internet! A little later, the answer was mine: My Chemical Romance, “Welcome to the Black Parade” (2006).

Well, after that time dredging the stream for what it was, I had to feature it. Besides, the video is interesting, don’t you think? The whole thing is a little pop, a little rock, a little punk, a little drama, and a little surreal, don’t you think?

Friday’s Theme Music

You’d think that today’s theme music originated with feeding the cats or something, but, no, this one started with a dream.

The dream had to do with a man that I’d met and the movies. Throughout the dream, he was either trying to get me to go to the movies with him, be in a movie with him, or make a movie with him. A cheery, energetic guy, I never quite understood him or what was going on. But I recalled him saying, “Just how deeply do you believe?”

After thinking about the dream and feeding the cats, that phrase started Nine Inch Nails, “That Hand that Feeds” (2005), streaming through me. “Just how deep do you believe? Will you bite the hand that feeds? Will you chew until it bleeds?”

Thursday’s Theme Music

I’ve always had a place in my heart for the Clash, and I like the hard-edge they bring to today’s theme music. “I Fought the Law” by the Bobby Fuller Four was a hit when I was ten. Featuring clear and easy lyrics and a fast beat, I heard it on AM radio and picked it up and liked singing it. It was a decent song.

Over twenty years later (1979), with the Clash’s almost smug, sneering, raw cover, I felt it was more correct. Then, on reflection, I recognized, no, this is more about our cultural shift regarding music, and the evolution of taste. My mother disagreed. She liked Fuller’s smoother version.

I also thought it was humorous and odd after “White Riot” that the Clash recorded “I Fought the Law”. While the subject matter, an unlawful resistance theme, was similar, the songs’ structure were different. I decided the Clash were being ironic with their cover of “I Fought the Law”.

The trigger for releasing the song into my stream last night and today was a conversation with my spouse. I said, “I’m going to the ATM for some cash. Need any?” As I went, I thought, “I needed money ’cause I had none.” Naturally, the chorus followed. Fortunately, my ATM card worked, my account had cash, the law wasn’t involved, and the only fighting was within myself about how much cash to take out.

Here’s both versions. Hope you enjoy one of them. Cheers


Wednesday’s Theme Music

Oh, those dreams. After those, I was hunting for an energy jolt. After reading some Dave Grohl comments about Billie Eilish, and thought, yes, she will work.

I like her work because it’s a change, although, honestly, “Ocean Eyes” (2015) was weirdly Enya-esque, prompting thoughts about cycles.

“you should see me in a crown” (2018) doesn’t remind me of Enya. It reminds me of exploration and alienation while sourly mocking invitations, judgments, and expectations.

Count my cards watch them fall
Blood on a marble wall
I like the way they all
Tell me which one is worse
Living or dying first
Sleeping inside a hearse
I don’t dream

It’s musical art, an expression about a generational segment, in my bones. Don’t mind the spiders. She doesn’t.



Tuesday’s Theme Music

After another night of multiple, interesting dreams (some involving playing games), I was mocking myself this morning. “These dreams go on when I close my eyes,” I said to the cats, who were not looking at me nor listening to me (because, the cats were all thinking — I could see it in the spread of their whiskers, the glints in their eyes, and the tilt of their ears — “The others are here, and who knows when one of those other cats will lose it and attack me, so I must stay vigilant!”), “but it feels like I’m thinking about them every second that I’m awake.” Of course, I was close to the song lyrics from “These Dreams”,  a 1986 Heart hit.

“These Dreams” sounded different from Heart’s earlier music, IMO, but I liked the song. (Confession: I like songs ’bout dreams. It might be because I dream often, and seem to remember them.) Of course, the band’s line-up had changed, too, another reason for the different sound. Not long after buying Heart’s album, I discovered that Martin Page and Bernie Taupin wrote the song. Ah, hah.

The other aspect of this song, heavily noted during the song’s time on the pop chart, was that Nancy Wilson sang lead vocals instead of Ann, even though Nancy had a cold.

Ah, trivia.

Monday’s Theme Music

Another rejection last night. That always opens a darkside vein, for a bit, at least. I pondered the usual of whys and hows for an hour, slept on it and sluiced through some dreams. Then I arose this morning, told myself onward, and started humming this old classic to myself.

Oh lordy lord, oh lordy lord
It hurts me so bad, for us to part
But someday baby, I ain’t gonna worry my life anymore

“Worried Life Blues” have has been sung and played for decades. I’ve heard many performers do this song, but I went with B.B. King and Eric Clapton, two musicians I admire and enjoy. This version is from Riding with the King (2000). I especially love King’s deep, emphatic style on this song.

Pour a cup of something and listen with me. Sing along, if you’re so moved. Enjoy the day.


Sunday’s Theme Music

Today’s theme music, “Runaway Train” by Soul Asylum (1993), came from writing thoughts about the current novel in progress, April Showers 1921. As the story fleshes out more, becoming more substantial, I entertain different scenarios about what could happen, reactions and twists, and what could be said. One idea was that a person was thought to have runaway.

The novel’s protagonists are all teenagers. As I thought about their situation, my stream took a turn toward runaway children and their existence. That brought out today’s song.  Images and details about runaways are often featured in their videos and during Soul Asylum’s performances of this song.

Sadly, not all children were actually runaways. The missing aren’t always hiding. Sometimes, they’ve been hidden.

Saturday’s Theme Music

It’s another feline inspired theme-music day. I petted Tucker and fed him, then fed the others, and then started my coffee and breakfast. Tucker, though, stayed with me, standing by me wherever I want. I finally asked him, “What’s up? Is this stand-by-you day?”

So, for Tucker, here’s the Pretenders with their 1994 song, “I’ll Stand by You”. Not that he was looking sad, or had any tears in his eyes. Quite the opposite, he was tail-up.

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