Thursday’s Theme Music — Look! Roberts!

Ashland, southern Oregon — Thursday, May 7, 2026.

Blue, blue sky. 67 F that we now feel would’ve been the high a few days again. Now it’s a measurement as the thermometer sings toward 83 F. Higher is possible, I think.

Mom is settling into acceptance that the nursing facility will be home for a while. Although she looks and seems happy in photos and videos, she doesn’t like paying the money and doesn’t like having her independence curtailed.

I hear her. I can see myself feeling and doing the same. I wish something better was available for her.

Meanwhile, my sister is moving forward on selling Mom’s house and getting powers of attorney. Sis has been patient and persistent and gets a lot of points for that.

My sisters and I shared health texts yesterday. We older beings laughed as we compared our health issues. My younger siblings were agog with dismay. My older sister responded, “Getting old ain’t for sissies.”

Big news front that I’m seeing is Justice Roberts is upset.

Chief Justice laments perception of ‘political’ Supreme Court

I read that to my wife. She laughed. “Gosh, I wonder why.”

No kidding. The shadow docket has surged under Roberts once Trump came into power. The Brennan Center summarized exactly why we think the Roberts Court is politicized and favoring Trump:

“The Court has sided with the administration 80 percent of the time when making “emergency” rulings, often without revealing its reasoning.

Your Trump Quote of the Day:

Despite Trump’s claim, made less than three months ago, Republicans are now asking for $1,000,000,000 for the ballroom. Trump also claims the Epstein ballroom is under budget, even though they’re now asking for five times the original amount to build it.

Trump can’t be trusted. Nor can the GOP. What’s your guess for how much the Epstein ballroom will end up costing?

Between the Epstein ballroom and Trump’s Iran War, Operation Epic LOOK — SQUIRREL! is becoming one of most expensive fiascos in history.

Today’s theme music is “Under My Wheels” by Alice Cooper. The song came out in 1971. It entered my morning mental music stream today after reading Jill Dennison’s blog. It featured the ELO song, “Telephone Line”. That was enough to inspire The Neurons to lift “Under My Wheels” out of my dusty folds of memory. See, the song begins, “The telephone is ringing,” and the line is repeated throughout the song.

Hope you enjoy it. Still sounds good to me, fifty years plus later. However, I don’t often play Alice Cooper these days; he’s a right-wing individual who trashes trans ‘as a fad’.

I hope this day finds you doing well in all ways that matter. May peace and grace carry you on no matter what adversity life might deliver.

On to my coffee. Cheers

Tuesday’s Theme Music

A bizarre string of songs flowed through this morning’s stream. A brief sampling is “Snoopy and the Red Baron” by the Royal Guardsmen (1966), the Bee Gees with “Massachusetts” (1967), John Denver singing “Annie’s Song” (1974 ), and “Cumbersome” (Seven Mary Three, 1996). The rest included a song by ELO called “Telephone Line” (1977) and that’s what I went with. It won because of the lines, “Okay, so no one’s answering. Well, can’t your just let it ring a little longer? I’ll just sit tight, through shadows of the night, let it ring for evermore.”

I always think, wow, that’s persistence. I probably wouldn’t stay on that long. I mean, I don’t have Phoebe’s stamina for waiting to be served. Nor am I living in twilight like the guy in “Telephone Line”. I’m just streaming songs forevermore.

To clarify a little, each song was actually triggered by something that happened in the morning. For example, I was marching the cats to their feeding area (sure), saying, “Hup, two, three, four.” That’s used in the Red Baron song. A glance out the window at the sun and light rain introduced “Annie’s Song”. (“You fill up my senses like a night in the forest,
like the mountains in springtime, like a walk in the rain.) A reflection on people being too rich invited “Cumbersome” in (“Too rich or too poor, she’s wanting me less, I’m wanting her more”). “Telephone Line” came by way of being on hold.

All that in an hour.

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