I either heard this one used in some television or movie function, or in a car going by. Suddenly, Paul Young’s 1985 cover of Hall & Oates’ song, “Every Time You Go Away”, is streaming through me. I was surprised when Young’s cover arose as a hit. I knew it from a H&O album from a few years before. People liked it on the album, with one neighbor, a big H&O fan, saying that it was her favorite song. I thought it was a little too slow on the album, and do prefer the Young version, even though it has that disco-techno sound that irritates me. I don’t know how she thought about it; I knew her when I was stationed on Okinawa. She and her husband rotated to somewhere else and disappeared from our lives. By the time the Young version was out, I’d also left Okinawa and was stationed in South Carolina.
Friday’s Theme Music
Reading about Sen. Mitch McConnell’s obstructions, and a then a murderer, I thought about monsters in the world. Edgar Winter Group’s “Frankenstein” (1972) jumped into my thinking stream, and here we are.
Thursday’s Theme Music
Found myself singing The Cult, “She Sells Sanctuary” (1985). Sanctuary was on my mind, partly through writing and reading influence but also due to various news articles and local events. Locally, forty-eight hundred customers, including my house, have been without natural gas since Monday. It’s expected to be restored by Friday afternoon at my house. That diminished my sense of sanctuary but also stirred reflections on how much is accepted and taken for granted as a given – gas and electricity to heat and cook water to bath, drink, and cook; and protection from the elements. I see homeless people everyday that don’t have these things. I recognize they don’t have them and feel for them, but with my temporary losses magnified my empathy for people going without. As too many times with privileged folks like me, it takes an inconvenience to look harder and think deeper.
Monday’s Theme Music
I have friends who love this song, “The Safety Dance” (1982). It is quite catchy, and troubling for me, once it’s in my ear, it’s hard to dislodge. Those lyrics —
We can dance if we want to
We can leave your friends behind
‘Cause your friends don’t dance and if they don’t dance
Well, they’re no friends of mine
Say, we can go where we want to
A place where they will never find
And we can act like we come from out of this world
Leave the real one far behind
And we can dance
The words are easy to exploit to use for other purposes. For example, I have sung to my cats, “You can eat if you want to, or you can leave your food behind. But if you don’t eat, you won’t get a treat, and it’s your fault, not mine.”
So, here, enjoy “Men Without Hats”.
Michael Seidel, writer 