Monday’s Theme Music

Going into week three of isolation, I start thinking about changing things up.

My wife’s Y-exercise group have done some adjusting. Using Zoom, they’ve now reverted to their Monday-Wednesday-Friday exercise routine, although one hour later than usual. My beer group is considering the same thing. Having a beer with others, via Zoom, and having a chat about the news, checking up on one another, might be the change I need.

Overall, I am slooowly adjusting. I miss my long walks and solitude, and my coffee/writing routine. My wife noticed, “I don’t think I’ve seen you writing.”

“Well, I tried but there were too many interruptions. Cats…you…my brain, the net, the coronavirus.” She made arrangements to give me some ‘me’ time for a few hours in the office. That enabled some writing.

Other than that, it’s been reading, cleaning, and playing ‘puter games. Too much of the reading has been drawn toward coronavirus news. I’ve made it a habit (or a compulsion) to check on different states and countries, along with the overall sit, several damn times a day.

So, a change would do me good. That thought introduced the Sheryl Crow song, “A Change Would Do You Good” (1997).

I’ve been thinking ’bout catching a train
Leave my phone machine by the radar range
Hello it’s me, I’m not at home
If you’d like to reach me, leave me alone

A change would do you good
A change would do you good
Hello, it’s me, I’m not at home
If you’d like to reach me, leave me alone

h/t to AZLyrics.com

Beastie Floofs

Beastie Floofs (floofinition) – An American hip floop/alt-flock group from New Floof City, formed in 1976, known for their aggressive, confrontational style.

In use: “With songs like “Floofbotage”, “Hey Floofies,” and “Interflooflactic” earned them entry into the Flock and Roll Hall of Fame”

Sunday’s Theme Music

Back with an old Kinks favorite. It popped into my head as I saw myself in the mirror as I began shaving.

Hello you, hello me, hello people we used to be
Isn’t it strange, we never change
We’ve been through it all yet we’re still the same
And I know it’s a miracle, we still go, and for all we know
We might still have a way to go

h/t to Genius.com

This 1978 song was about the changes the Kinks were going through so far as lineup, but tells in parallel about a man influenced by their music. Each, in a way, is going through a rock and roll fantasy, from coping with being musicians making the music, to fans listening to the music and taking solace.

In writing, we always talk about how characters change. Yet, how many times have we experienced people in our lives and realized that they haven’t changed, and probably never will?

As we’re going through this global pandemic, I wonder what changes are being wrought, and how many will last? We already see that some people aren’t changing, and won’t change.

We might still have a way to go before we know.

Saturday’s Theme Music

Today is Saturday, March 28, 2020, day fifteen of our self-isolation (yeah, we jumped on it early).

I realized this morning that I didn’t see anyone’s face except my wife (with exceptions via technology). This isolation and watchfulness brought an old song up into the mental music stream this morning. Part of it were lines brought up by news of people who refused to follow guidance.

All along the watchtower
Princes kept the view
While all the women came and went
Barefoot servants too

Outside, in the distance
A wildcat did growl

Two riders were approaching
The wind began to howl

h/t to Genius.com

Here’s the Jimi Hendrix Experience covering Bob Dylan’s “All Along the Watchtower” (1968).

 

Blue Öyster Floof

Blue Öyster Floof (floofinition) – American floof rock (flock) band, active from their formation in New Floof in the late 1960s until the present.

In use: “Formed in 1967, Blue Öyster Floof songs such as “(Don’t Fear) the Vacuum”, “Floofin’ for You”, “Cities on Flame with Flock and Roll”, and “Floofzilla”, earned the group a solid reputation as rocking cats and dogs.”

 

Friday’s Theme Music

As I slipped from dreams back into my life, this song was there. Don’t know why; it wasn’t featured in any dream (that I can remember) and I don’t recall hearing it yesterday. Maybe something about going somewhere, other than walks through the hills or a drive through town to check the situation (or the traditional office-bathroom-kitchen-office round trip) slipped the song into my consciousness.

But here it is, “Old Town Road” by Lil Nax X, 2018.

Wednesday’s Theme Music

Writing and the coronavirus mated, spurting today’s song into the stream.

I was writing about a queen. On break, I slipped into the backyard. Standing on the covered back patio, ginger cat wrapping around my calf like furry python, I listened to soft rain and admired pink and white blossoms on trees.

Lyrics arrive.

And I said mama, mama, mama, why am I so alone
I can’t go outside
I’m scared I might not make it home
I’m alive, I’m alive
But I’m sinking in
If there’s anyone at home at your place, darling
Why don’t you invite me in?
Don’t try to bleed me
I’ve been there before
And I deserve a little more

h/t to AZLyrics.com

The lyrics continued on autopilot while part of me sorted memory, coming up with Counting Crows, and then “Rain King” (1994).

Floof at Work

Floof at Work (floofinition) – An Australian floof band formed in 1979 and active until 1986.

In use: “Floof at Work had hits in Australia and New Zealand but soon, songs like “What Can I Eat Now?” soon brought them global fame.”

Monday’s Theme Music

I had to venture out to a local store for a few things we deemed critical. As I shopped, maintaining a social distance (six feet) from others, their apparent (and maybe willful) ignorance annoyed me. The chorus of an old The Police (remember them?) song jumped into full-loop mode in my mental stream.

Don’t stand, don’t stand so
Don’t stand so close to me
Don’t stand, don’t stand so
Don’t stand so close to me

h/t to Metrolyrics.com

(You prob’ly knew that was comin’, dinja?)

Yes, those lyrics from “Don’t Stand So Close to Me” (why, it’s right there in the title) from 1980 are perfect for when you’re out and others are nearby in the age of coro. Beyond that, I enjoy this song about an older male teacher and his young female student. Nice beat.

 

 

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