A Traveling Dream, and Other Snippets
Dreamed I was going to a camp. Just a small sort of outdated place, with low wood-framed buildings painted brown or dark red, with a flat, slanted roof. A woman I’d just met was going with me, along with her sister.
We arrived in a 1970s era dark Dodge Charger or Ford Torino. I was driving and it was night when we arrived. The sisters had no place to sleep. I told them they could share my bed or sleep in the car, or I could sleep in the car, but I didn’t really want to. They ended up sleeping with me, one on either side.
Later, we got up to go find food and ran into other people I casually knew. They had soup and bread. We asked where they got it and headed toward a little shack they indicated. It was a dark place with a low ceiling, where we discovered we needed to pay in marks. I didn’t have any marks so the sister paid a 1,000 marks for food for me.
We ate and then separated. I wandered, exploring, following winding dirt paths between the buildings and trees at this tiny resort. Night was falling and I didn’t have any marks, so I didn’t know what to do. I did have dollars but not a large amount.
It was dark. I went back to my car. Another car, very like it, was parked beside it. Both with nose in, the rear ends toward me. As I reached my car, I looked over to the other car and saw the sisters sitting in it. I wondered if they’d gotten into the wrong car by mistake.
Dream end.
This was one of three dreams remembered from last night, but the most coherent and lucid.
Can’t recall much of the other two dreams. They’re shifting, like almost there, not quite remembered or forgotten. The strongest of the two had me carrying baking tins. Something finished was in it but I don’t know what. Others were doing the same. Many of the others looked like me but were slightly different. When I offered my baking tin, I saw that their offering was fully risen and mine was flat. I went off, got another like magic, and it was full. I went to give it to someone else, but discovered it was flat again. All of this took place outside in bright sunshine on a calm day.
The main thing I remember from the third dream was that I was happy and laughing a lot. And younger, but an adult.
Ah, night work.
The Writing Moment
I’m revising and editing the novel in progress, “Unfocused”. This pass is for understanding, coherency, continuity. More planned passes will address line edits and polishing. I do address egregious issues whenever I encounter them but improving mechanics and refinement isn’t my current focus.
It goes well but it’s not an even tide. Most chapters are broken into six to ten numbered sections. It fascinates me is how well I remember writing passages and yet they seem like foreign lands. Distinct memories of decisions and progressions are encountered. When I wrote the novel, I sometimes wasn’t satisfied with a chapter and decided to get out of my way, just get it all down, go on, and return to it during revisions. Chapters also exist where I worked them and worked them until they satisfied the writer of that day and I was content to move on.
How I addressed the chapters and sections show. Revision for one rushed chapter consumed an entire week, developing into a sequence of revising and editing. Sometimes several passes of a section were done in one day. More than once, I walked away to think and digest what was and wasn’t working and where changes were needed. Those breaks always helped.
Other days — yesterday, for instance — I swept through one entire chapter in one two-hour session and walked away pleased. It all varies.
Now, back to editing and revising “Unfocused”, 536 pages long, resuming at page 246.
Mundaz Wandering Thoughts
I was in the coffee shop — typing, revising, thinking, scrambling through the novel, noticing faults and fixing them. Progress was steady but heavy with challenge.
.Another customer approached my table. Regulars, she and I briefly spoke together a few times. Today she said, “Excuse me, but I love watching you at your table.”
Blinking, I gave her my attention.
She continued, “You become so deeply focused and oblivious to the rest of us, it just amazes me. I’m sorry to interrupt you but I really felt an itch to say something.”
I thanked her with a laugh. “Don’t worry. Interruptions can be helpful. Sometimes a little break is needed to help me think more clearly.”
We exchanged names, then she left the coffee shop, leaving me smiling.
Sometimes it feels good to be noticed as orders are called out, conversations rise and fall, and people come and go.
It feels…human.
A Road Trip Dream
I was setting out on a trip with three friends. Only one — Ron, an older man — translates to a current real-life person. Ron was just as he is in real life. The others, also males, were known.
One interesting note that emerged and wove throughout were two others, both female. They sometimes joined the journey, and Ron and I discussed whether they would be with us. The two women, both brunettes, one in a red top with black pants and the other wearing a bright blue top, would only appear and not speak directly to me.
We were riding in Ron’s truck. This was beige and big, with a four-door cab and a luxurious tan leather interior. Though Ron was driving, he was in the backseat. I was alongside him. He’d put the car on autopilot, so it was essentially driving itself with him just monitoring what was going on.
I kicked back beside him on the back seat. Stretching my legs out, my foot ended up hitting the steering wheel. That put us off course. Because of the way I was reclined, it took several seconds of jostling to get my foot out of the way. During that time, we went off the road and onto the shoulder but didn’t slow. Ron finally steered us back on course and returned the truck to autopilot, but now he was worried and concerned the police would pull us over.
We arrived at our destination — a huge furniture store. I’d never been to it. The floor was hard dirt. All furniture was antique white. Despite the floor and the limited offering, the store was very busy. The women showed up briefly. The others spoke with them while I went out to another section of store.
The next store section was filled with tables and chrome appliances. The appliances turned out to be food and drink dispensers. Needing to use a restaurant, I did some bowel business but discovered the toilet didn’t have any way to flush. Removing my fecal material with a wad of paper towels, I looked for a way to dispose of it. I found one but they wanted me to pay money to flush it away. I refused, angry and disgusted that they’d monetized flushing away our body functions. I instead found a small white bag, put the materials in there, and set it on a table, telling myself, it would be someone else’s problem.
I then reconnected with my friends. I told Ron that when we went back, I wanted to sit in the front and stretch out and sleep. He looked at me with confusion but didn’t reply. The two women came by. One said she had to go off and find her children.
My friends and I went to another section. People there were seated, waiting to pay for their selections. I stopped before one man and did a giddy tap dance. The man, overweight and big with swarthy skin and a white cowboy hat, ordered, “Stop that.” Laughing, I kept dancing but moved to another section. Another man who I didn’t see said, “Stop that,” but I laughed and danced away.
My friends met up with me again. All were surprised that I was tap dancing and thought it strange. They wondered how I learned it. I replied, “I’ve always known how to tap dance. Nobody ever needed to teach me. I just knew. I just don’t do it much.”
Dream end.
The Writing Moment
I wrote “The End.” Then I sat there, slightly stupefied, wondering what to do next.
Is it really the novel’s end? Only the three Rs—re-reading, rewriting, revising—will tell me.
It feels good as a novel at this point. I think I found the story and followed it where it needed to go, shaping plot and character along the way. Like so many writers, I’m left with a quiet sense of wonder: nearly five hundred pages spent exploring another life, another existence. There’s sadness, too. I enjoyed my characters. Writing “The End” makes me miss them already.
A million other ideas are queued up, hungry. But first, I’ll take a day and let the novel—and myself—breathe. Then I’ll open it again, turn to page one, and begin the three Rs.
Michael Seidel, writer 