Coffee Break

After returning from the market and eating breafast, I read an article which a friend referred me to.

“How busing, school desegregation shaped Kamala Harris’s views of race” is a WaPo article about Vice President Harris’s childhood and integration through busing informed her mind about the possibilities.

An important lesson is conveyed in it which is lost on the GOP. Inclusion and diversity strengthen us. They are not dirty words or immoral ideas. Inclusion and diversity help us understand one another better and further, fertilizes new ideas and insights that would have been lost.

Broadening horizons, expanding work forces, and forging social bonds through diversity and inclusion are not new ideas. We’ve been using them for some time. And if the GOP can pull its collective head out of their collective ass, they would see that it’s one of the fundamental reasons why we attained and maintained global leadership positions in so many areas of modern life.

The GOP should not be allowed to throw away all that progress just for the sake of narrow Biblical viewpoints, fragile male egos, reactionary ideas about women’s rights and gender roles, nor for the benefit of a super-powerful and wealthy one percent. Vote Blue in 2024.

The Writing Moment

I‘d been so pleased with how editing and revising Memories of Why (current working title), my current work in progress had been going. I related to my wife that it’d become like I was reading a novel that felt like someone else had written, feelings which have a surreal impact. What I meant was that it was going smoothly and keeping me engaged. No lip biting, teeth gnashing, or fits of despair was endured.

Then, screeched, I hit a piece of finished work which needed some updating and repairs. I immediately saw the issue but The Writing Neurons seemed to be gone for the day, staying aloof and unengaged. Letting out a heavy sigh, I called it done, packed up and headed for the door.

As soon as I hit the door, I knew what to do. Once the opportunity came in my home, I opened the doc and made the change.

We’ll see how it holds up today.

The Writing Moment

Revision work on the novel in progress, Memories of Why, continues. I work on it everyday. 40% completed, I’m being a tortoise in this endeavor, slow and steady. Not infrequently, I read and revise a chapter three or four times. I mostly did this because it was overwritten to hell and needs to have overbearing words cut away.

But it’s satisfying and entertaining, and keeps me out of trouble, so I’ll keep on keeping on.

The Writing Moment

The final hundred pages were attacked. He brooded. My god, this was boring writing, wasn’t it? Did it advance the story? Not to his mind today. Slash, cut.

After tough decisions on two chapters, the rest went with stunning, engrossing speed. Fifty pages were read and edited in the next two hours.

Just fifty pages remained, for this go-around. Then there’d be another. Because he needed to ensure the book made sense with the cuts made. That he hadn’t inadvertently destroyed continuity and coherence.

But for today and now, he felt pretty damn good about it.

The Writing Moment

The writing day drains me again. I feel physically like I’ve run a half marathon — and I’ve done that and remember how I felt afterward. I also feel like I finished an important project at work, one that consumed my time and thinking. I feel, too, like I’ve been at a funeral, by a grave in the rain, and now I’m back home, changing clothes, reflecting on life and death, change and emotions, and I feel like I’ve been waiting for someone who never showed.

A good writing day, I judge it, even though so much remains to be written.

An Instruction Dream

This dream featured Mila Kunis and included my SIL, along with a cost of fifty more strangers.

I was sitting in a terminal. Don’t know what means of transportation, only that I was on a journey and waiting to start the next leg. Beside me, one empty seat removed, is Mila Kunis. She’s on the same trip. She is talking about where she’s been and where she’s going, answering questions for people. I’m listening but not paying deep attention to her.

We’ve been given a package. Included in that package is a small, tattered book. Small, about 1/2 inch thick, four inches by three inches. Black or dark blue or green. The cover color might be different for other people in the group. I’ve seen some with red, brown, and tan, but I’m not certain that they have the same book. I’ve opened my book. The pages are very thin. There are symbols inside. The symbols look like hieroglyphics in faded black ink. Bird, eyes, pyramids. I begin working my way through the symbols because I think they’re important to learn. I’m soon starting to read other material and interpret it by using the symbols.

My SIL comes up. We’re surprised and pleased to see one another. She’s traveling, too. We’re going to the same place. Asked me what I’m doing with the book. She’s noticed it but I’m the only one in the group with it open. I explain what I’m doing and what I’ve learned so far. She tells me that’s a great idea, that she wants to do that, too, can I help her get started? I agree, and I start reading things to her, explaining the symbols and their relationships. Mila Kunis joins us to learn, too.

We’re all then called to move to another section. When I go there, I realize that I’ve seen the new place. They’re part of the symbols. I realize, too, that for us to move forward as planned, we need as a group to be arranged differently. I mention these things to SIL and Mila. SIL calls that out to the travel leader. The leader doesn’t know about it but he believes me. He wants me to arrange everyone as they should be.

I give instructions. Everyone has a chair. They need to be in one straight line at a specific place. I tell them to do this. When we finish, another group arrives and then ‘takes off’. The group I’m in wants to know why they went first. I explain, “Because their line was straight. We’re not aligned.” I’m looking along the line of chairs. It’s a tiled floor. With the tile pattern, it’s very easy to see that we’re not aligned.

I explain that to everyone. “Look at where you’re sitting. Look at the line on the tile. We need to be in a straight line. You should all be aligned on the same line of tile.” I walk along, repeating this, pointing it out to people, encouraging them to move and fix the line. They finish doing that. We’re ready to take off.

I turn to wait. I’m the only one standing but that, it seems from my reading, is right. While I’m waiting, I resume studying the book.

Dream end.

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