Sundaz Wandering Thoughts
I have routines. Mostly moored in sanity and routine, they help me navigate days and night and months, seasons, and years.
The regular recurring four dominate: dressing, eating, exercising writing. Dressing is actually showering, shaving, brushing my teeth, all that. We just call it dressing in our household. Why get bogged down in details? Same with eating. I’m talking about three meals, snacks, etc. All aimed in a healthy direction, based on medical limitations and bodily needs. Cooking or procuring food is part of ‘eating’.
Writing, ditto, is just something burned into every day’s DNA. I passed on it while vacationing recently, a grueling time for me. I kept writing in my head. That’s an activity that takes me out of the moment. So I made fast notes, lopped off the process, and pressed myself back into local, ‘real-world’ events, like going for a walk at sunset and admiring the waves.
But I also have a habit of deciding what three things I will do besides those things. It’s a mental list I assign myself as I talk to my wife and walk around the house each morning. Weather and other plans are taken into account. Like yesterday’s three things was hanging this new hook we purchased to drape a towel on in the bathroom, then dusting and polishing all the wood cabinets and furniture in the kitchen, dining room, foyer, and living room, and tidying paperwork. Today is a lazier day. Wash and shine the car, gas up my wife’s car, yardwork. A bonus offering is clean off some pint containers and drop them off at a friend’s place.
I’ll also read. Surf the net for news and read some fiction. That, too, is just part of my current DNA. Do both of those every day. Pet the cat, of course. Clean up after him. Also DNA-driven. He enforces it, though. Oh, and take a walk. Do that daily as well. Just who I am.
What are your plans and routines for today?
The Writing Moment
It’s a bumpy writing ride right now.
The novel in editing, Memories of Why, fishtailed and went sideways. On page 550 of 580. Realizing that it needed work brought me down. This is the manuscript’s rev 6.
Fact is, it’s sloppy at that section and the thinking behind it needs tightened up. A few inconsistencies are evident. I gloss over them, but I hear my reading side saying, “That’s weak. I don’t buy it.” Grumbling about it to myself, I thought, look, put it off, ignore it, the first five hundred pages are good. But I can’t. I know it needs work. I can’t look away from that. I’ll need to mask up, get up the scalpels, and go in there. It’s for the patient’s own good. Yes, I’m mixing things there, aren’t I? LOL. More coffee, stat.
Reflecting on it and my writing process, I realized that this section was written late. I’m a writer who likes writing and editing a great deal. I overwrite, then retreat and revise, smoothing and polishing. As this was written in the late stages, it’s not been subjected to as much revising, smoothing, and polishing. I also suspect that the rest of the ms reads and feels better because of the process, so this section comes off as shabby.
The new novel, Gravity’s Emotions, is going fast. Or so I thought. Started on July 19, I’m on page 120. I thought, that’s pretty fast progress for me. But when I actually crunched the numbers, it’s average.
Thinking about why it seems or feels like it’s going faster, I realize that I’m thinking about it less. Attempting to write in a different manner than usual and utilize a different approach, I told myself to get out of the way, don’t overthink it, and just let the words go. It often feels edgy and terrifying. But I’m pleased with how it’s going, knock on wood.
Writing yesterday, I was so caught up that I realized that I’d gone into overtime. See, we had this thing planned and I was to be home at a certain time, which means, naturally, leaving the coffee shop by a certain time, and there I was, still hammering away when I was supposed to have been gone ten minutes before. But the scene, the scene, I had to finish it. Type faster, I mentally exhorted my fingers. Be more nimble.
It all worked out. The scene was finished and I made it home with time to spare. I’d already begun writing the next scene in my head before finishing that scene, so I now have a firm jumping off point for this morning.
More coffee! Here we go. Rock and write. Cheers
Unabashed Pleasure
Yes, I’m reading my baby, but I’m enjoy what I wrote almost two years ago. My baby in this matter is the second novel, Entangled LEREs, in the four book Incomplete States series. I’m often surprised as I’m reading it, thinking, “I wrote that?” I impress myself, but I was writing to me, and I’m easily impressed, so I wouldn’t be impressed that I’m impressed, if I were you.
This isn’t the first time that I’ve posted something like that. *shrug*. My observation about my writing pleasing me also belies how my writing process works. I usually stream scenes through me. “Release the muses!” I shout, and then write like crazy. Writing scenes are often like encountering a tsunami and being swept away. I know what I wrote and can give you the details, but I don’t recall thinking about it much. I think about it before I start writing and after I stop, but I rarely think about it during the process.
The point is, those words are a first shot at writing the scenes. Editing follows, and polishing, and more editing for continuity and pacing, and polishing and editing. I’m an organic writer, so that scene is often edited to help fit a later narrative that emerges. I learn the characters as I go, so their thoughts and interactions in these scenes are revisited and modified to suit their personalities, motives, and agendas. It’s a long way from the first stream of writing to even the beta draft that I’m editing into a first draft.
It’s also a little scary. As I read through these scenes, I wonder, do these things get sufficiently resolved? I won’t know until the entire series is edited.
I’m not worried about being scared. I suspect that I missed some thins when writing the beta draft of the series. That’s why I edit and revise. If I find that my fear is correct, I’ll edit and revise again, continuing that process until I’m satisfied that I’ve answered the questions in a manner and to a degree that will satisfy the reader, moi.
In an aside, as I’m reading and revising, it’s fun to re-discover how I’ve integrated friends and family’s names and segments of their lives into my fiction. For example, a comet that breaks up and destroys a planet is named Santella-Klements. The first is another part of the extended family and includes cousins close to me growing up while Klements is a friend’s last name.
Okay, time to write edit like crazy, at least one more time.
Writing Time, Again
Chug, chug. My muse is a dependable locomotive engine this week. I sit down, and the words and scenes chug out. It’s not wholly effortless. I hit some grades that slow the pace but the muse keeps chugging, and I keep going. Writing-like-crazy bursts are followed by introspective editing and revising to get to the point where scenes and chapters are completed, and then I go on to the next one.
Once upon a time, I would have thought, hey, it’s written, revised, edited, and finished. Submit and publish, thank you. Now I’ve learned, naw, that writing, editing, refining, and polishing is part of my writing process to achieve completing a first draft. When the draft is done, the work of editing, revising, and re-writing begins. I usually find kinks caused by story or character inconsistencies, flimsy story-telling, or awkward phrasing that requires thought and deeper processing. Sometimes I find a bridge missing that I’ve marked to write later.
But I’ve learned from editing and revising in the past, and I’m more mindful of my process. I can think through the process, story, and words on the fly more than I used to be able to do, a result that comes from application, application, application, via writing every day. It’s all part of a immersive, relaxing process. Writing is my therapy and sanctuary.
Time to write like crazy, at least one more time.
The Progress Reports
“How’s the writing going?” I’m asked after a session.
“Did you have a good writing session?” another asks later.
“How’s the book coming along?” a companion queries me when I meet.
And I want to respond with a lot of information. I’ve written sixty thousand plus words. The book excites me. The ideas, characters and settings are all lively, energizing me when I sit down with it. That’s how it is on most days.
But some days, my writing sessions aren’t about the laptop’s clicking keys. Some days, I sit and talk to myself, or I’m walk and talk to myself. (Walking is a great way to write.) “Why did this happen? Because that happened. What did he do? What did she do? So what happens next with her?”
On those days, I’m likely to do a lot of spot editing and polishing, re-reading what was written about one of the story lines to find the path and generate enough light to look ahead to ‘what’s next’. Paradoxically, these are often the most exciting and enjoyable sessions because I’m solving a problem, and I also see clear progress of the novel being written. It’s all coming together. I’m assembling the puzzle, I’m learning the fuller story, and gaining greater understanding of my characters and the setting. I’m fortunate to write another 800-1,000 words on those days.
These sort of days prove, it’s not about the word count.
On all writing days (which is about three hundred sixty-one days of the year), though, I answer the questions with the same non-committal, almost laconic manner, “It’s going good.” I know they’re being polite and supportive. It’s like asking, “How is your day?” A full report isn’t expected, just a general summary, brief, if you please. We’re all just being polite. I hold back for the blog posts to wax more enthusiastically, but even there, I restrain myself. I’m just one of seven hundred gazillion writers posting and writing, gluing my sanity back together and casting the tea leaves, trying to make something out of the voices in my head who urge, “Write this down.”
But sometimes, when I’m writing, I can’t help myself, and I laugh out loud at what I thought or wrote. Nobody looks up, because, you know, I may look harmless, but I might be crazy. You can never tell.
They don’t know that I’m just a writer. I leave my badge at home.
Michael Seidel, writer 