Wonky Surface Tension

While surface tension chatter is usually about fluids or materials, thinking about personal surface tension emerged from my meditations today. I blame James Blish.

Blish was a terrific science fiction and fantasy writer. I admired his imagination. Flying cities, anti-aging drugs, he offered up so many neat and original ideas, but always managed to do so with solidly convincing style. He was one of those I put up on a pedestal with the hard science fiction Big Three of Asimov, Clarke, and Heinlein.

I’m in one of those places where my writing ideas are generating natural highs. I’v been working on cosmological entanglements (which are a similar idea to quantum entanglements) and tachyon time travel telepathy, and their impacts on the story arcs – who goes where, how and why – constructing the final puzzle from the pieces, and making up the pieces on the fly. (For these ideas, please blame Timothy Ferris and his books, especially ‘The Whole Shebang’.) This, for me, naturally demands deep thinking, thinking that stills me with focus and concentration. Then, epiphanies burst free from of the morass of cogitation. Aha, and eureka!

Now I understand my pretend science and construct it with the flimsiest of physics. And now comes the story-telling. How do I weave all this into the novel without sounding like a science book? This is especially a challenge as several disparate threads are weaving around this central idea, creating a loose fabric that’s gradually becoming tauter.

To veer into other metaphors, scenes then explode in my head. I glimpse some shrapnel of what they’re about, but I become excited. The scenes spread faster and faster. Watching and focusing, I try hard to capture the gist of each, get it down, get it down, so I may build around these kernels (splintering into yet more metaphors), create the scenes and string them together.

Like surface tensions in fluids, I need the correct coherent forces to hold it all together. Frankly, this stage of writing always intimidates and frightens me. And I heed what those old masters like Blish did, creating a story that at least has sufficient scientific integrity that people will give me a grudging pass. Meanwhile, I admire certain writers outside of the science fiction realm and prefer their writing styles, people like Erdrich, Chabon, Frantzen, and Ferranti, and yes, Irving, Updike, and Roth, and even folks like Tana French and Kate Atkinson. My style continues to emerge into something like their styles, and that is very deliberate.

It all makes my surface tension wonky, caused by the differences in what I am, where I am, where I want to be, and who I dream of being. Perhaps contributing to the wonky surface tension, if I pause and squint into the far future’s dim tunnels, I can see this gem of a novel glittering and spinning, there for my taking. I fear my reach will fall short.

But rare exhilaration can be enjoyed even when reaching and failing. No need to remind myself of that (even though I did, didn’t I?), because that’s not the impelling force pushing my writing efforts. Writing, and attempting to visualize and capture these stories and their ideas, is just fun. The process also provides an escape. Writing is like an opiate that helps me cope with my life.

So here I am, once again, writing instrument at hand (a computer), along with a quad shot mocha, time, and solitude. Time to write like crazy, at least one more time.

The Hip Bone Is Connected to the Tachyon

I’m having fun with science fictional physics, conceiving way out ideas for ‘Long Summer’, the sequel to ‘Returnee’. Part of this is playing with the chip. What’s a chip, you say? This is actually a chi particle. 

The chi particle is the essence of life energy, the spark that brings inanimate matter to life. In my grand theories, there is a formula of balance that I’m still working out involving the need for the universe to maintain an equilibrium between the chi energy and all of the rest. Most importantly for the entire balance of understanding, the chi particle begins in the realms of dark matter.

Additional characteristics for my grand particle begins with the hypothetical and unproven particle, the tachyon. Like the tachyon, the chip travels faster than light, traveling even faster than the tachyon. Its imaginary mass attracts tachyons. Tachyons become knotted with the chips. As knotting happens, the tachyon draws energy from the chip, slowing both the tachyon and chip. But the chip’s mass is not a direct proportion of the tachyon’s mass, but compounds the tachyon’s mass, adding to the knotted chip’s mass. As the chip-tachyon knot slows toward the speed of light, the tachyon gains more energy, slows more and degrades, giving up its mass to the chip. The chip, acquiring actual mass, begins a transition from dark matter to matter and acquires gravitons. The chi knot seeks the proper stew of atoms and conditions to develop and begins evolving as a life form.

This all is pretty preliminary. It has no math underpinnings, and no doubt many people will tell me either, you’re drinking too much coffee, or you’re fucking nuts. They’ll also grimace, appalled by my display of ignorance, but it’s fun for me, and provides further structure for developing my plot and writing the novel. I mean, this is why we call it science fiction.

Sometime, when I’ve advanced my thinking about it more, I’ll post a snapshot of tachyon telepathy. Remember, as Brett learns (eventually), what happens in stasis, doesn’t always stay in stasis.

I’m twenty-six thousand words into ‘Long Summer’. The summer’s computer issues threw me out of my writing – conceiving – imaging rhythm, and it humbled me. I gleaned how much I take for granted the ability and opportunity to sit down and write.

Got my mocha. Time to write like crazy, one more time.

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