MG6

 

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My new version, Michael Gen 6, has been released to exciting reviews. Lighter, leaner, more mellow, here are some product highlights.

1. Computer issues plagued Michael G5, triggering blood pressure increases and often fracturing his calm. With the computers temporarily shelved, MG6 is a more mellow, tolerant and jovial person.

2. Carrying an iPad mini 4 and 100 sheet composition book and pen is much easier than trucking the computer in the bag with whatever support gear and accessories were packed. Losing them means MG6 weighs 15 pounds less than MG5. The lighter load has unexpected collaterals ramification. Packing less weight has resulted in MG6 having greater energy over MG5. The enhanced energy levels are being proven with increased optimism, exercise and activity levels.

3. With less frustration and irritation exhausting him, MG6 sleeps better and awakens with a greater life zest. MG6 has even planned a coast vacation.

4. Writing in a notebook with a pen has bounced MG6 to a higher creative cycle. More primitive and elemental, rawer, torrents of words pour out, although there is a shortcoming with this output, as it still requires typing.

5. As MG6 is less stressed than the previous version, less comfort food and drink are consumed. Money is saved and body weight has been reduced.

Some things didn’t change with MG6. He still answers the cats’ purrs, cries, meows, paw swipes, head butts and rub bys, doing whatever they order, from feeding to treats to catnip to extended petting sessions as they roll around, and offering a lap for napping when demanded.

MG6 still obtains most calories from organic food, having a wonderful grilled vegetable quesadilla with guac, salsa, and sour cream for dinner last night, with additional input coming via beer, in this case, a shandy of lemonade and Ashland Amber.

And though it’s a notebook, and the result isn’t tidy, MG6 still drinks quad shot mochas and writes like crazy.

Just More

I figure I should rename this blog to Just More BS, because it’s all just about me, baby.

Three days I’ve not written. I feel like those cat satires, whereby felines record how their captors taunt them while keeping them imprisoned. Oh, such a miserable life.

Life is not at all mis for me now. I’m rising, again, but will set again. I’m a creature of cycles and spectrums. But while I’m up —

I recognized stages today, of coping with not having my computer, and not being able to write like crazy each day, and of being limited to writing on the butcher roll paper of my mind. I complained (fuck!) and whined (why me, universe, didn’t you always tell me I’m the chosen), and then accepted (okay, I can do this, I will do this). (Clarification, I’m creating blog posts on the iPad mini 4. I’ve managed to miniaturize my hands so I don’t feel like the Jolly Green typing on a Selectric but I worry about enduring the rest of my Earthly existence with tiny hands. Yes, I’m a handist.)

Yesterday afternoon, tho’, whilst grilling veggies, I speculated, can I go back to writing in a paper notebook? Challenges and obstacles rose through the mists of hope. My writing is organic. I’m like a kid jumping through and around puddles of scenes, plot setting, and characters. I wouldn’t be able to do this, and I didn’t print out the works in progress. Still, I convinced myself I can write some scenes and insert, edit and polish them after the Computer Returns.

Pondering this, I grew hopeful. This morning, I considered, maybe I can just write a short story, hey, hey?

Sure. Whatever. Deciding I needed to write and was going to write, I found an almost blank notebook. The few written pages were perused. Ah, a draft of a performance report, I recognized. They were part of the structure of a past existence and have been banished to the admin vortex where they belong. Tear them out!

Now the notebook is blank and ready. Short story or novel, and which novel, Long Summer (sequel to Returnee) or Personal Lessons with Savanna (third book in the mystery series)?

I don’t know. It doesn’t matter. I’m in my coffee shop office. I have my quad shot mocha and a pen at hand. Because, when I summarize what I want, what I do, and who I am, I want to write, and I write. To not write is to give up. Why should I assume this will not work out? Perhaps this change will inspire a new spring of creativity. Maybe this is a reboot, Michael G6.

Yeah, that’s all words, justification, rationalization, clarification. I just want to write like crazy. Time to do it, at least one more time.

Just Write

Just write, I told myself. The aliens hadn’t yet arrived in my head, but I can’t wait for the aliens. I need to write. If you’re not writing, you’re standing still, (with the caveats, naturally, that if you’re editing, polishing, rewriting, etc., you are still engaged in the writing process, so you’re technically still writing).

These aren’t things I say out loud. Friends and relatives probably don’t know that my increased quiet is because I’m dreaming about aliens, trying to entice them out of the air and into my head (kind of like the old Billy Ocean song, “Get out of my dreams, and into my car.” I had asked my wife and others what aliens they like in books, films and games, or who were their favorite aliens. Great conversation fodder. The baristas, twenty year old women, were into it, and the barista today created an alien on my mocha. She then brought the alien topic up for her co-worker, who didn’t work yesterday when I asked, re-invigorating the conversation.

I derived beautiful thoughts from all these words. Yet the aliens remained nebulous, refusing to get into my car. Just write, I told myself, and they will come. Okay, so what will I write? I was picking up the scenes already created. They’re wonderful stepping stones, and although I wasn’t quite to the scene that arose to be written today, I shrugged. Okay, that’s what I’ll write, and then I’ll write the bridge to it from where I’m at later. No Big Deal. I write like this all the time, seeing what is to be and writing it because I want to, and then returning to bridge the pieces together.

So what happens in the novel today? This happens, and then that happens, and then, boom, there it is, writing stuff about aliens and plot exploding into me, firing off flares and tracers that illuminated what is to be.

Beautiful. Yeah, here I go, just write like crazy, one more time. Let the rest worry itself.

Dueling Novels

Hard writing day. When the Dallas sniper struck, it sapped my interest/desire for writing about murder.

But I had to write, so I began writing a sequel to “Returnee”, “The Long Summer”. Yet, the me that is a writer knew that other novel, “Personal Lessons with Savanna”, remained in progress, and he still had some writing to do.

So I end up doing a chapter of TLS, and then a chapter of PLwS. I’ll be writing one and realize a line or change for the other. Both story arcs are growing and stretching out before me, beckoning as a calm sea on a summer day, but exhausting as I jump from one to the other and strive to grab the evolving threads of each and order them. Neither can be shut down. Each generates their own aha excitement, stirring enthusiasm. Writing like crazy is driving me crazy.

I’m achieving progress, but man, oh, man, that excitement is a burning fire, consuming my patience and energy as its fuel, leaving me a short-tempered, barely functioning shell.

More coffee. Quick, damn it, quick. Ah, now the battery is low.

Time to stop. For now.

More OMG

As I walked today, I returned to a favorite concept and toyed with it. I love the concept but lacked a vehicle. Yesterday’s concept that pleased me so greatly yesterday rose up. Ah, what can I do with it?

Blink, blink. The favorite concept could be told through a sequel to Returnee. I’d been wanting to write a sequel to that – there’s more story to be told. (There always is, isn’t there?) Blink blink. And the conceptual basis of the novel could be the new, exciting concept.

Blink blink. Blink, blink, blink.

OMG, yes, the story and setting began cascading into me. Now, now, I chided myself, stay true to the current novel. It’s in progress, must be written, finished, revised, edited, polished, published, released. Yes, but, yes, but –

Yes, but crashed through. Excitement couldn’t be stopped. A first line emerged. Oh, yeah, what a wonderful first line. So I’ll write it, just it, along with, maybe just a little scene. As the setup evolved, I thought, perhaps I’ll just write a chapter.

Okay, one chapter. Just one, just, like 2,000 words.

That’s all. For now.

 

And

And

Alone

In a coffee job

Sipping coffee

And

Thinking

And picking up the virtual pen

And opening computer files

And finding the threads of thought

That came out during the walk

And remembering

Where I left off

And calling out characters

And listening to their words

And writing their dialogue

And spinning scenes

And imagining the story

And organizing the flow

And conjuring plot arcs

And editing the words

And polishing the scenes

 

 

And falling into the book

And forgetting all other moments

And not hearing

Anything else

And not seeing

Anyone else

And reading

What I’ve written

And looking for

what comes next

Is the best part

And

There’s always more

 

 

The Writing Like Crazy Process

The writing like crazy is structured and unstructured, crazy and sane. Really, it just is. Such tautalogy is extremely helpful, isn’t it?

But it is what it is (there’s that help again). Originally structured to shift me from the real world’s insanity to the pleasurable world of writing and editing fiction, the process was all about release. Let me go, job, wife, cats, house, bills, stress, frustration, whatever. Take me away, writing.

The early days began as an after work period. Go somewhere in the house and write. That didn’t work too well, and I blame me. I couldn’t stop myself from falling into normal home routines and thoughts. I initiated a program to go somewhere else and write. Armed with a Z4 pen (my preference) and black and white marble composition notebooks (I was always alert for notebook sales), I usually ended up in a coffee shop, where I would have coffee. Coffee shops were tested like bath water until the ones that worked just right emerged. I was traveling for business often in those years, so I would often write in airplanes and airports.

But my hours and routine were iffy. When home, I often ended up writing only on weekends (at Printers Inc), by getting up early. That wasn’t enough, so the program was expanded to an extended lunch hour at work. Testing the process, I discovered that walking improved my writing mood, so I parked about a mile from the coffee shop and walked. In 1999-2000,  I could be spotted in San Mateo, California, walking to a Starbucks. As my company moved its office to Shoreline in Mountain View, I drove to downtown Mountain View and used that Starbucks. Meanwhile, I lived in Half Moon Bay and walked each Saturday and Sunday morning to La Di Da. After moving to Ashland, Oregon, in 2005, I began walking the town to coffee shops. The marble composition books were replaced by laptops.

In those days, I set a word count target, and I tracked it meticulously. There was no pay it forward, no credits and debits. 1,000 words needed to be reached each day, every day. Even if I did 2,000 one day, 1,000 was required the next day. I never let myself off that hook.

With each refinement, I learned more about myself and my writing process. I discovered I was an organic writer, writing with scant mapping or outlining. I found that writing like crazy was critical. Writing like crazy meant that I shoved aside thoughts of grammar, facts, punctuation, and sometimes even point of view and character, and just rode a wave of words rushing into my mind. Then I’d go back and fix it all. When I stalled, I learned to create snapshots to find direction. Snapshots were just exploratory summaries to help me find understanding of the character(s), setting(s), plot, concept, story line, whatever. They were generally not meant for reader consumption, except for my reading.

Learning and evolving fortunately continued. I learned to ask, why, why, why did this character do this or that, or this or that happened, along with the corollary matters of when, what and how.  I saw how I told and then showed the same thing, how I tended toward passive writing, how I enjoyed run on sentences and became more mindful of them – when editing – but how, becoming aware of them, fixing them were folded into my writing like crazy process. I learned what I really enjoyed reading by critiquing others, good and bad, for my own enjoyment, and then shaping my voice to be what I most enjoyed in those books, and I threw the reading doors open to all genres and authors.

I’ve always ‘written in my head’, phantom writing, where I see or hear a scene or the developing story. I found how to harvest the essence of those moments and pick them up and put them into the story. I taught myself to be unafraid to revise and edit as I wrote, discovering that fiction writing was much more like creating a painting then it was like writing an essay. And I encouraged myself to have fun.

I no longer have a daily word count. They’re not needed and I often find myself writing several thousand words. The shift to writing mind is much easier now. I can pick up the story line and where I was quickly in my mind and typically pick up where I was with just a few moments of thought.

I’ve written a number of novels, but haven’t published but two. They’re both recent after wearying myself with the agent/publisher route. Each agent had different requirements, and that tedious process drained my joy and optimism, as well as savaging my writing time. So, fuck it, I’ve gone the ebook self-publishing route. I don’t have great expectations, but I won’t be a fraud and claim it doesn’t matter; it does. But, just as with the writing process, and most of everything else I’ve done in life, I’ll keep trying, keep working on it, and I’m confident, I’ll continue progressing.

Now…time to write like crazy, one more time.

 

 

 

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