Tag: novel writing

Beautiful and Terrifying

In today’s writing metaphor, I’m weaving a trilogy.

I’ve been writing here in the coffee shop for two hours. I still have three-quarters of my drink remaining.

Sitting down to write, I opened a floodgate to the dam of words – sorry, another metaphor – and they gushed out. Again came an unanticipated scene, and a surprising pivot. With it came more tangible substance about the third novel, and what’s to happen in it. And with that, I began writing the third novel of the “Incomplete States” trilogy (previously known as “Long Summer”). Still have some to write with the first novel to complete the initial draft, though. I was reluctant to do it, and that’s when the weaving metaphor arrived.

Novel three didn’t have a working title. Creating the Word doc, I just called it Book Three. I didn’t want to slow down to think of a title. I just wanted to get those words into the computer. Between books one and three, I wrote one chapter in book one, and the kernal of a chapter in book three, about thirty-two hundred words total.

It’s been an excellent day of writing like crazy. It’s fucking exciting, even though it’s also sometimes beautiful but terrifying. I put it like that because I see and know the scenes and the arcs, but I don’t know the words and the details, and I worry that I’ll lose them before the trilogy is finished. It became such an intense experience that sometimes I needed to get up and walk around to vent enough energy to focus and type.

It’s fun and exciting, too, being in these stories with these characters, on vivid other worlds and starships. Sometimes, it feels like I’m there, experiencing it through them, and then returning to this life to record what happened. Crazy, right?

Yes. I guess that’s a side-effect of writing like crazy.

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Total Sense

After finishing one chapter, I bought a fresh cuppa coffee and began the next chapter. I’m excited. I know what to write, although, again, imagination and characters have taken me into unexpected directions.

Mixed in with my thoughts about writing this novel are a host of other matters to attend. I’ve been procrastinating about them, and worrying about them, even as I urge myself, “Just fucking do it.” And then, without warning, my dream about the cookies, and the job interview (to sell cookies) comes into focus. Understanding blooms. I know what it means, and it surprises me, but also makes me happy.

It’s just fascinating how our brains and minds work on so many levels. Been a great day of writing like crazy. Just a little more to do today, and then I’ll call it.

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Arrows of Time

I enjoyed this PBS article regarding the arrows of time. The article points (sorry, couldn’t resist) to conclusions I achieved on my thinking regarding the arrows of time formed when a wave-function collapses, back in March, 2017, when I filled twenty pages in my lab notebook with scribbling, after doing several days of research.

Of course, my writing is predicated on thinking and conclusions physicists developed through decades of thinking. I was just building on the backs of others. This article helps with confirmation that the thinking is sound.

My writing and thinking was part of the development of the Chi-particle. A Chi-particle has imaginary mass and energy, and travels faster-than-light, gaining real mass and energy as it slows. It’s also a necessary device for “Incomplete States,” my current trilogy in progress. Book One (“Kyrios) is nearing completion, while Book Two (“Moment”), featuring space-pirates, is almost finished. That just leaves Book Three!

Lots of fun to think and write about these things.

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Bookends

I was stymied in my writing yesterday. I’d written a bunch (technical writing slang for “many words and a long time”) yesterday, and made great progress. But —

As great comedians have noted, there’s always a “but.”

My but came because I didn’t write the scene I’d intended. I wrote the setup for the scene, and then went blank. I knew what happened after that scene, so I wrote the other end of it. Now I had bookends, with blank space to fill in the middle. I knew the subsequent scene to those scenes, and began writing them in my head after I’d stopped physically writing. But that scene I’d set out to write? Still blank.

I sporadically considered the scene’s elements, setup and outcome through the evening as I walked, ate, read books, and fed the cats. Nothing firmed. It was like Jello that wouldn’t set.

Come this morning, though, as I rose, fed cats, checked on the solar panels invertor, and made coffee, the scene swam into view. Confrontations and dialogue developed. Unexpected actions by the characters joined. As the scene expanded and crystallized, changes required to the setup, outcome, and the subsequent story being written in my head emerged. By the time I’d finished showering and shaving, and was dressing, words rushed into my head. That’s exciting and fun.

Got my coffee. Time to write like crazy, at least one more time.

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The Long Road

I just wrote a sentence in the novel-in-progress. Reflecting on its significance, I looked at the distant horizon of the novel’s conclusion and saw how this sentence impacted the outcome, tens of thousands of words away.

This reminds me of so many plans made. The long game needs to be played. I didn’t take up some vocations because of their long roads, like astrophysics and architecture. Oh, to study all those years, and learn all that math. Ugh. I lacked the patience, and the outcome seemed so tortuously distant and uncertain. Besides which, I probably wasn’t sufficiently smart or disciplined to pursue those courses. Thus comfortably rationalized out of trying those things, I set my sights on easier, and more comfortable targets.

Now I’m writing, what, the tenth novel? More? I’ve published four. More await editing and polishing. They need covers. More concepts queue to become novels. More stories stack up to be told.

I began writing because I thought I could do it. I’ve worked on it and continued working on it even as I sometimes slump over blank pages and screens, even as I read novels and admire others’ talents and skills, and wish I could attain half of their skill. I continue believing that I have so many shortages of skills, but I continuing writing and trying. I saw the long road demanded of writing a novel, but it didn’t matter. The other possible vocations interested and appealed to me, but writing is an addiction with the intangible draw of a true love.

Just some thoughts to conclude another day of writing like crazy.

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Snow Camping, Horses, Volcanoes and Crossbows

Once again, I find myself writing three chapters in parallel. I’m self-trained about fiction writing (shows, right?), so I’ve drawn my own insights. In this instance, my insistence on writing chapters in threes reflects my thinking. I begin with an introduction to the situation and expand on it. That’s chapter one. The next chapter is the buildup and climax, while the third chapter is the activity afterward and the denouement.

It’s not always this way, but this is what typically happens with the main chapters or sections. Other chapter types I call bridges and pivots. A bridge chapter links previously written chapters or sections, while the pivot lets me change direction. No, I don’t always write from the beginning to the end, but in scenes and sections. I read the other day that some writers begin with the ending, and work backward. They don’t begin writing until they’ve figured out that ending.

This week’s writing is slow but steady, hampered by research requirements. I am visual (hear me roar) in my nature, so I like visualizing things. If I know too little to visualize them, my writer calls, “Road trip!”, and off we go.

This road trip lasted a week. Can you I tell you how much I knew about horses when I started?

 

 

Exactly. Jumping on the information superhighway, we sought information about horses. Fortunately, another blogger posted a link to “How to Write Horses Wrong: 8 Red Flags” by Rachel Chaney, on Dan Koboldt’s site, which was a helpful starting point. Next, we hunted information on crossbows. Let me tell you, I know more about horses than crossbows, which should confirm how little I know.

Onward to more familiar and safer subjects, but which I required deeper and broader knowledge, snow camping and volcanoes. These were more of a refresher nature but also provided opportunity to remember important details.

I’m beginning the third chapter today. Besides being slowed by research, I wrote notes in parallel, and updated the bible. At one point, I also outlined these three chapters. I’m an organic writer by nature. I like the spontaneity organic writing provides. When things become complicated, I stop and write an outline. The outline is not deep, but a series of points to tie together. This outline was less than one page. It helped me firm what I’d visualized and permitted me to track and develop the action while adding the verisimilitude my research provided. Although I consider myself an organic writer, I’ve come to evolve into a hybrid writer, outlining pieces when needed, and following the lights through the dark the rest of the time.

Hybrid, organic, outliner, and pantser are convenient conversation and reference labels. They don’t tie me to anything. During the course of cultivating myself as a writer, I learned that I needed to develop a process that works for me. I’m not static. I hope that I continue to learn and improve. I expect it my process to change as I do. That is absolutely cool. What works for this novel may not work for the next one.

Doesn’t matter. I’ll do what it takes. The key to progress is putting words on paper, getting it to flow, keeping it coherent, logical, and true to itself, with a grammar and style that others will read, and finishing, with the caveat that finishing the novel’s writing process means just that; it still ain’t a book, and it’s probably not ready for publication. That was another lesson learned.

As an aside, because I became curious, the first two chapters in this section are fifteen pages and forty-eight hundred words. According to Word and the properties section, I started it on November tenth, spent five hundred forty-eight minutes on it, and last modified it yesterday at two oh three in the afternoon. Looking at the word count, over five days, I’ve written less than a thousand words per day. Like I said, slow writing, but necessary – and satisfying.

Time to write like crazy, at least one more time.

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And I’m Writing, And I’m Writing —

And I think of things that I’ve overlooked that need to be added, and events that would surprise the reader, and recognize that I want to add it to the story, but it doesn’t go in this book, but actually, OMG, the end of the second book, so it leads into the third book. I’m halfway – only halfway – through writing the first book. The second book is written but needs some wiring changes. The third book – I hadn’t thought about a third book before, but it started blooming like a volunteer posy. Am I supposed to uproot the thing?

No, because my writing excitement gets the better of me. But the series’ evolution forces more work upon me. The excitement becomes almost paralyzing, because I stop to let the evolution flow in. Sitting still in a sea of external noise and activity, I can look down the long tunnel through the rest of the first book, past the second book, and into the third book.

Now, here’s the tricky part. I can see and hear these events. They must be captured in words. More than that, I need to navigate unseen scenes that bridge now and then, and find the words, pacing, nuances, etc., to bring it all home. I love this part of thinking and writing. I feel all those wires connecting and gears turning. Illumination falls on new aspects and spreads. This is the essence of art, writing, music, and physics, for me, to think, to see, to think more to understand, and see more. It’s an unwinding coil without beginning or end, a Möbius strip of existence.

Time to write like crazy, at least one more time.

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Lightning Strikes

Don’t you love it when you’re writing, and lightning strikes?

Yeah, me, too.

Happened yesterday. A writing lightning strike is when I assume the position to write, and dictation begins. My job is only to keep up with the typing.

I track word counts as an incidental measure of progress. These are *almost* like the miles being traveled while on a trip. In a car, I generally know exactly where I’m going and how much I have left because I travel across a well-measured and documented region. Detailed maps are available. I know how far I’ve gone, and what distance remains.

I’d love to have such a map for my novel writing. I don’t. Word counts present an idea of how far I’ve gone, but little idea of how much further I must travel in the novel. In the end, all that matters I’ve typed and written until I finally type “The End”.

Word counts help me gauge what’s normal and inject some minor reward and satisfaction. Yesterday, I ended up with twenty-six hundred more words on my novel journey. Some writers may poo-poo that amount – and I’m not pursuing N2WM – but it’s higher than my average. Best, though, I completed three chapters being concurrently developed. In essence, they were part of a sequence of events. I wrote them in order, but as details developed, I backtracked to modify and align details and the timeline. Best, number two, is that completing them left me with a starting location for today. Best, number three, is that satisfaction of bringing more to the story and moving toward the novel’s completion.

Will lightning strike twice? I offer the late Roy Sullivan as evidence it could. Roy, a park ranger, was struck by lightning and lived seven times, and is the Guinness World Records official record-holder for those categories.

Time to write like crazy, at least one…more…time.

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My Character & Me

It’s apparently spring in my novel, because I’m experiencing a revolt. No blood has yet spread across anything. I don’t think it will. We’re pretty civilized here. Civilized people don’t kill one another to get their way, except in fiction…right…?

The main character and I are wresting with what’s going on in the novel. He’s moving into this new direction. Heavily dependent on technology, he insists on exploring how the loss of personal technology influences his behavior. He has become mentally, physically, and emotionally weaker. Although he’s staying fit and slender, he’s aging, and his energy level is drooping. He does not have the level of control with which he’s accustomed to living.

But he’s not seeing that in his people. Without technology, individuality is sprouting. His people see and hear better than him. Many have higher energy levels. Some are becoming bullies. While bullying had been psychologically and socially influenced over the course of time from now until the future, and diminished through socializing, technology in their recent history, those safeguards and safeties were removed when their nanotechnologies were removed.

Other emerging trends among his force are disturbing him. Binge drinking is becoming a problem. Without their sexes and free of their technology, people are becoming sexually active. Promiscuity is flowering. That’s causing jealousies and attachments that can affect discipline, good order, and the chain of command.

These changes, and how this unit copes with it, is the story, he insists. That’s what he believes should be written. I disagree; I sought more of an adventure story. I add elements of adventure, threats, and conflicts to increase that sense of adventure, but he keeps dragging me into psycho-analysis.

I dreamed about this problem last night. In the dream I was a military member on shift again. I’d been lazy and hadn’t completed the shift checklist. Hell, I didn’t know where to find it. I hadn’t inventoried the COMSEC materials, read the log, closed out the last log for the Zulu day, nor started another one, and shift change was coming on fast.

Anxiety suffused me; WTF was I going to do? 

Well, I started scrambling to make it right. But I was quickly sidetracked with my environment. It was disorganized, and poorly planned. I was appalled. Although I knew I was running out of time, organizing that place developed into my primary priority. Of course, once I did that, I developed a focus. Having a focus revitalized my energy level and determination, and wiped out my anxiety.

Pondering the dream this morning, I developed understanding that it wasn’t about my life, but the novel in progress. That bifurcation I experienced was causing anxiety because I didn’t know what the character was coming up with next. And, I’d developed him as a strong individual. I didn’t like seeing him losing his way.

Ah, hah, I understood, oh, there we go. This is about writing the novel in progress. My conflict with my character  —

Let’s put this more correctly. The change of direction in the novel from my original intention bothers me. With that, I’ve lost focus and energy. Thinking about this – because I write to help me think – I think my character is correct.

I know from reading others that many writers wrestle with characters taking over. Some dismiss it; they’re the writer, they’re in control, and they decree what gets onto the pages. I live and work through my characters on the pages. We’re partners more than master and puppet. Perhaps it’s due to my organic writing style, which, on reflection, can look as complicated as layers of spider and cobwebs. And it’s not like I haven’t been down this path before. I often begin with an idea that grows into something else.

Although it makes me uncomfortable, I’ll probably write what the character wants. Then I’ll edit it down to find a compromise we can live with.

Characters; they can be the worse.

Time to write like crazy, at least one more time.

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Conversing

While you’re writing your novel, do you ever have conversations with yourself – sometimes, aloud – about the novel and what’s going on, or needs changed?

Yeah, no, me, neither. That would be crazy.

Wouldn’t it?

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