Tag: novel writing

Cringe Writing

Philea continued to dominate my recent writing sessions. During yesterday’s effort, she took me down paths that had me cringing. It wasn’t the sort of stuff that I generally write. It was contrary enough to my normal voice and style that I considered whether it should be continued. I wondered if she’d breach the series’ borders and was taking off into the wrong direction.

This prompted a guidelines review in my post writing walk. They were good reminders.

  1. Write like crazy. I’m still finishing this book and series. (The series is Incomplete States, and this novel, the fourth, is Good-bye, Hello.) Basically, open the doors, portals, floodgates, valves, lit the fuse, whatever metaphor works, and let it go. Editing is for later, when it’s all done.
  2. The characters are allowed latitude to explore themselves and the story. This has the additional benefit of allowing me to explore the story and characters.
  3. I’m an organic writer. While I know where I expect to end up, the paths I follow are being created as I go. That’s the same with the characters. A compass is used to keep us going in the correct general direction, making corrections as necessary.
  4. Let the readers decide. Readers bring all kinds of conceptions and ideas to stories they’re reading. They find their own interpretation of truths and myths, and apply them. They won’t all enjoy the same books, or even the same parts of a book.

That last point, about readers deciding, emerged from early critique groups. I’d noticed several biases develop in a writing group. Not surprising, as they’re all readers before they’re writers.

  1. Some like to be told everything. They don’t want any gaps in what was said or happened. They don’t want it to be abstract. Others prefer that their imagination fill in the gaps, or that, this is like life, and we don’t always know all of the answers.
  2. Some writers/readers like a leisurely style. The want to slow down and breath in the atmosphere.
  3. Some prefer style over substance, or substance over style. 

I tend to write in a very active voice. It’s my preferred voice. But, I use multiple POV (sometimes first person, but third person dominates). In giving latitude to characters, I notice some of them don’t like a direct, active voice.

After thinking about that, I realize, well, of course. I don their skins and minds when writing from their POV. When I do that, I try staying true to them and their voice. Just like real individuals, they have styles of observing, thinking (and applying knowledge and lessons learned), interacting, and taking action. They carry emotional and physical baggage. These traits direct their voice when the story is being told via their POV.

This wasn’t something I developed on my own. I’m always developing on other writers’ shoulders. This specific point came through an epiphany I had while reading J. Franzen’s The Corrections about fifteen years ago. I later cemented my impressions while reading Wally Lamb, Michael Chabon, Louise Erdrich, Tana French, Kate Atkinson, and others.

Of course, in a qualifying pause, I change up styles to reflect pacing and tension. I use shorter sentences and words in confrontational scenes, epiphanies, fights, and arguments. That brevity contributes to a more direct and intense feel, speaking for myself — yeah, it’s my blog post, right, so who else could I be speaking (or writing) for? — as a reader and a writer. Your preferences might vary.

As a reader, I’m not married to any one style. I like enjoying books and taking what I can from every one of them. Many books end up surprising me, and I like that most of all, as a writer and a reader.

So I cringed and wrote Philea’s part about Holes and The Stipulations. I won’t predict whether it’ll make it into the published version.

Time to get back to writing like crazy, at least one more time. 

 

 

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Startled Again

Once again, the characters knew what was happening. Following the action, I typed.

While all were heading for the same ending, the characters took different paths. Where they frequently demand attention for themselves like hungry little kittens, today, the characters were coordinated about who should go when. “Start and type this chapter,” one said, and that was done. “Continue with this chapter,” another said when the first was finished, and that was done. Meanwhile, the revelations made and the other characters and points they introduced surprised me — again. They talked about things that I’d never considered, leading me into directions that caused me to say, “Wow.”

Two thousand words later, after intense typing, I told them, “I need to stop.” My ass was asleep, for one. My coffee remained, cold and oily, and my stomach announced it was empty and required something be put into it. But beyond those prosaic matters, I wanted to revel in the characters’ revelations. It’s embarrassing and humbling to make this admission, but it’s like I’ve been reading some terrific book, but strangely, it’s the one I’m writing.

I should put that in quotes, as it honestly felt like I was transcribing what I saw and heard. It’s surreal. I suppose I should be jaded by this process by now, but it still strikes me as a surreal experience. It still amazes me. It’s still fun.

I know that I’m not the only writer who experiences writing in this manner. I’m probably the only one who regularly gushes about it in blog posts. I have read other posts where the blogger is skeptical that my sort of process happens. They doubt that I can’t know what the characters know. That’s writing, though, a different process for all of us.

Enough. Done writing like crazy, for at least one more day.

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The Dance

Shuffle, shuffle, step, slide

Pivot, pivot, step, slide

They — the characters – know the dance steps and move smoothly around me on this dark floor. I’m a stranger, striving to follow their movements. Sometimes they slide in quickly, and step back out — one, two, gone — while I’m still trying to engage them. They dance in, say their pieces, and dance away again. Just when I think I’m discerning the rhythm the movements –

Pivot, pivot, step, slide

Another group of dancers have taken the floor, and the music has changed.

Time to dance — sorry, write — like crazy, at least one more time.

 

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Philea’s Voice

Philea didn’t let me down again today. Her voice remains as clear as glacier fresh filtered water. My only involvement was as typist to catch the words as they shot out. It was lovely and astonishing witnessing her character evolve through these chapters. She re-adjusted what she knew of herself and the situation, made new assessments and decisions, and re-discovered her courage, strength, and commitment.

Of course, the story turned corners that were blind to me until I turned them. So the novel and series moves forward, word by word, at what feels like a mincing pace because there’s so much to see, hear, find, and share. But when I step back and take in the entire picture, its breadth and depth surprises me. It’s like walking on a beach, and stopping to see where you are, and confronting the enormity of the ocean’s sound and power.

Great day of writing like crazy. On to other endeavors.

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Today’s Writing #106

The confluence of two events created an excellent writing day.

One, the coffee shop was busy.

Two, Philea seized control.

Maybe due to the Ashland International Film Festival (AIFF), or maybe because of the cold spring rains and chilly weather, the coffee shop was busy when I arrived. I found a table but no outlet for my laptop’s powerpack. Well, I decided, I’d take what I could and write. If a table with an outlet came open, I’d seize it.

Sharply aware of my HP Envy’s short time on battery, I ordered myself to be focused. There was no worry there, because Philea had taken over.

Philea is one of my series’ main characters. I mentioned the other day that I dreamed five muses rode in on horses. One dismounted and transformed into a character, becoming Philea, a character introduced to me when I began writing the second volume of this quadrilogy back in 2016.

Philea has been center-stage since the night of her appearance in my dream. Going back to a previous post about her from January, 2017, reminded me of how strong and independent she is as a character. As before, she didn’t have any stage fright today, but strode out into the action, introducing a quickly realized rich setting, a new character, and greater background information on this leg of her journey.

The bottom line of this confluence: I ended up writing three thousand words in less than fifty-five minutes. There was a lot more in the tank at that point. Philea knew exactly where she was taking me. “I need to stop,” I told her when the computer issued a warning. Half of my coffee remained in the cup.

“No problem,” Philea replied. “I’ll be waiting here tomorrow.”

I hope she doesn’t stand me up. Fantastic day of writing like crazy. I hope every writer has the chance to experience such days.

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Catch Up

Don’t you hate it when you keep writing in your head, and then sit down to write and discover that you have entire chapters completed in your head that need to be typed out?

Yikes. I like it that the muses are so active and engaged with me. That’s not the kind of thing I want to complain about (even though, yes, I acknowledge that I am whinging about it, right?) because I don’t want to insult them. You know how temperamental the little sweethearts can be. Speaking of which, does anyone have suggestions about what sort of thank you gifts muses like? Is there a protocol? Does Hallmark have a line of cards for muses?

Got my coffee and ass in chair. Time to type like crazy and try to catch up with the muses.

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Steinbeck Said

Bemoaning that the novel and series continues expanding (“This is taking forever!”), I was thinking of something like this quote for myself last night. “Just keep typing,” I told myself. “Don’t rush it. When it’s done, it’s done.”

Meanwhile, I thought Steinbeck was quoted as saying that finishing a novel is like having a death in the family. I decided to look for that quote this morning, but found the other one instead. It’s almost like it’s all part of a plan.

 

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One Of Those Nights

It was one of those nights. My muse didn’t recognize my need for sleep and refused to issue permission to shut down my brain and close my eyes.

Such times are productive, even though I feel like shit in the morning. I’m exaggerating for effect, of course; I really don’t know how shit feels. I feel guilty, implying that shit feels terrible. For all I know, shit feels great.

Sorry for the shitty detour. I know, terrible humor. Hey, I just confided that I had a rough night. Grant me some latitude.

Back to the muses’ nocturnal gallop through my mind. I’d just been complimenting my muse (or muses – I think there’s a congress of muses within me) about the pleasant week of systematic writing established and reflecting on the progress made. When last I left off writing yesterday, I had a damn good idea of where I was next going.

I’m still going there, but the dark silence of night brought out the muses like they were in heat. Instead of allowing me to sleep, wake up today, and go walk and write to work out details, the muses began shotgunning details into me. The people look like these. These are their names. They’re all women, and —

It’s not polite to ignore your muse, and it’s rude to tell them to shut up. I obliged them by listening. When I thought they’d finished, I attempted to use one of my honored processes to engage sleep. I thought it worked, too, but then, the muses thundered out anew.

When sleep and I finally met, quicksilver dreams rushed in, flashing kaleidoscopes of scenes and words. Awakening, I had a lot to think about between dreams and night writing, and a desire for about four more hours of sleep.

Got a big ol’ cup of dark, unadulterated caffeine loaded coffee steaming in a mug to my right. Time to write like crazy and get all this stuff down, at least one more time.

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Pulling Threads Together

When I finished writing yesterday, I’d completed another chapter. Now I had three chapters that needed to be pulled together. Each was a thread that seemed unrelated to the others, even though I knew they were related.

Walking along, I thought about that writing process. I’d envisioned something happening to these characters, gone down several side trails (creating the three threads) and now had to tie them together to return to the original story line. I thought about how much of my writing seems like problem solving, and things I’ve done all my life, from solving math problems in school to logic problems done for pleasure, personnel issues because I’d become a manger, on to difficult business cases that required me to find, compile, and analyze data using spreadsheets.

I’ve heard people say that they wrote something but didn’t finish it, because they didn’t know what to do next. Resolving those things shouldn’t stop us, if we’re writers. We dig more deeply, searching for ways to finish the story we’re telling. How we get to that point that we find a way varies. I walk and noodle, and sometimes read other books. Reading fiction often seems to open another door in my mind. It’s a fresh reminder of the importance of reading if you’re writing. Reading stimulates my imagination and creativity.

While I walked and thought, I recognized that I was also intimidated. I was afraid of making a mistake, tying the three together. It’s a major moment in this series.

That amused me, since I knew that what I wrote when I write like crazy is rarely the finished product. I make mistakes, and correct them, trying to improve the story and how I’m telling it. But I also realized that I was over-analyzing what was going on, a regular problem I have with myself for everything from deciding what to order on a menu to, well, writing a novel.

I also laughed at myself because I thought, a million words written, and it seems like a million more to go. It staggered me to think that these four novels plus the support documents for this series added up to over a million words. It didn’t seem like a million words, but I never thought about the sum total when I wrote them. I just wrote, word by word, and it all came together.

It reminded me, too, of walking to get somewhere, and stopping partway through the journey because I’m hot, sweaty, and tired, and realized, I’ve come so far, but there’s more to go. So I pause, look around, accept that I have to walk on to get anywhere, and continue on the path that I began to follow.

So, deep breaths, I told myself. Just sit down, have some coffee, and write. I’ve written a million words; what’s a million more?

Okay, I’ve had the coffee, and I’m sitting down. Time to write like crazy, at least one more time.

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