What Crap

Puzzling through the work-in-progress last night and this morning, I thought, the characters are good, and the writing is good, but the novel is crap. How do I fix this?

When I thought that last night, I thought it with a groan. Such recognition of the first draft’s state is expected but still a letdown. When I read the draft and thought it this morning, it was with a laugh. Few first drafts are not crap, so join the crowd. Glimmers of how to fix it were peeking through the murk, as well. Patience, discipline, and perseverance, I told myself. Yeah, you know where to stick your patience, discipline, and perseverance, don’t you?

The muses said, “Okay, let’s get busy.” They seem to be in a good mood, but that might be because I promised them a sugar-free, gluten-free, organic, GMO-free cookie, if they behave. I call such a cookie a “What’s-the-use?” Again, though, it’s for the muses.

Got my coffee. Time to write like crazy and start fixing this pig, at least one more time.

Puzzling It Out

 

 

Back in January of this year, I had an idea that excited me. In this case, the idea arrived as a dream at night, while I slept. Into my dreams was inserted a title, April Showers 1921, along with a gold embossed cover. I knew April Showers. I wasn’t certain what 1921 was about. (I now know what 1921 means in this context, and it was a surprise.) That didn’t deter me. I began to write.

E.L. Doctorow

Scenes emerged like mushrooms after heavy summer rains. I had ideas about what this story was about. I brainstormed in search of explanations and coherency. I drove forward, headlights blazing, through a dark countryside of thought, although I turned down made several wrong roads, and occasionally went off a cliff.

Characters, scenes, and the concept grew in understanding, although not at the same rate. As they grew, details gained substance. Storylines arced. Characters gained dimensions and complexities. Their stories expanded.

As I thought, wrote like crazy, listened to the muses, and sometimes argued with them, a novel took shape. One day, I thought, I can see the end of this. I can smell the end of it, if you will. It was a strange sensation of anticipation and completion.

It was a false impression, like seeing the Rocky Mountains on the plains ahead as I drove west across Kansas and thought, oh, we’ll be there in a few hours. The immensity fooled me. Terry Pratchett and others stated, “The first draft is just you telling yourself the story.” I’ve written a few novels by now, but each novel is unique, so I need to learn the work-in-progress and what’s required. What I had really reached was a complete understanding of the novel.

“The first draft is just you telling yourself the story.”

I’m still in search of the first draft but now I see and know the entire story. Most of the pieces have been created, but now, understanding the story, I need to put them together in the proper order, adding more pieces to complete the picture, and other pieces to finish the tale.

When I began, I created a folder, “April Showers 1921”. Eleven documents reside in it. Two are brainstorming documents. One is the novel in progress, and the rest are trails that went nowhere, or side bar information. I didn’t expect April Showers 1921 to take the turns that it did; my headlights didn’t let me see that far ahead.

As always, it’s a fun ride, fun and challenging. I love the process of exploring and discovering, and then trying to write what I’m seeing and hearing, what I’m witnessing. 

Patricia Cornwell

It’s been a good day of writing like crazy, but the coffee is gone, my ass feel sore from sitting, and my brain feels wiped out from reading and writing. Time to stop, at least for now.

The Muses and Me

Yeah, another writing rant/post. Aren’t you lucky?

I wondered again about this writing process and how much control I have. Writing today, I reached a scene where I stopped writing to say, “I don’t want this to happen.”

The muses answered, “Okay, we appreciate your opinion. Now write the scene.”

“But — ”

“You’re wasting time,” a muse said. “Pitter patter, get ‘er at ‘er.”

Jaw clenching, I put my hands on my lap and glared at the computer screen. “I’m the writer here. You’re not the boss of me.”

“Yeah, we are,” the muses said with hooting laughter. As their laughing mounted, one shouted, “He thinks we’re not the bosses of him.” That fired their laughter into higher mocking tones.

Saving my work, I locked my computer and went for a walk to shut them up and think.

I couldn’t appreciate their case for what they wanted to happen. I didn’t have an impressive alternative, either. Hard to argue with them when they have a plan and I don’t.

Dismissing that for the moment, I reflected on the epiphany that I’d had, that, ah-hah, I need something else at the beginning, “something else” being mental shorthand for a more involved and complete opening scene (or chapter) that properly sets up the story and consequences, a piece that gives the reader more reason to be invested with the main character, along with the supporting protagonists.

As many writers before me have said, the first draft is the writer learning the story, and you can’t write the beginning until you’ve finished writing the end. All this seems especially true with this novel in progress.

Returning to my writing, I sat down and did as the muses decreed. It was the best thing to do because, at this point, I was wasting precious writing time, analyzing what they were telling me to write and my reasons for not wanting to write that. Besides, this is just a draft. I can always edit and revise this part later, right? I can even delete it.

That cracked the muses up. “Sure,” they said. “Of course you can. You’re the author.”

Sometimes, I’m not fond of the muses. They can be so mean.

The coffee cup is empty except for a cold, bitter dribble. Time to stop writing like crazy, at least one more time.

Closing on the Finish

It’s a weird thing, actually, but then, the writing process, organic and raw, often strikes me as a weird thing. In this case, as I wrote yesterday and today, I thought that I’m closing on the books’ finish. By that, I mean the beta draft, of course.

This isn’t a matter of page or word counts. The first is three hundred twenty-five Word pages, and the second is seventy-seven thousand words. I’ve cut away whole chapters as the story found shape.

No, this is just a feeling suddenly that it’s all coming together for a final rush toward the ending. I wrote a sense of the ending a few weeks into the novel-in-progress, sort of a light in the tunnel to aim toward. I’ve not revisited it in over a month, I think, so I know it’ll require major revisions to incorporate all the threads and ideas that’ve germinated into storylines since.

As always, I have a mixed response to this feeling that I’m coming to the end. It reminds me of being on vacation and realizing that I’m going home in a couple of days, that vacation will end. It’s been a good time, but I’ll go on to another phase of living.

I can be wrong. The muses might be pranking me. They may jerk the rug out from underfoot at the last minute, laughing as I fall on my ass.

Or I might finish and begin reading it and then discover that it’s a miserable load of dinosaur feces masquerading as a manuscript. It’s all happened before.

I address that with a shrug these days. Writing is always a process of discovery, re-thinking what’s been found and presented, twerking changes, refining what I think I know and what should be told. Editing and revising is a shift of how it’s done but it’s a continuation and refinement of the process. That’s my view, and I’m sticking to it.

Been another satisfying and productive day of writing like crazy. You know the scene: the coffee is gone, my ass is asleep, my stomach is rumbling, and the day awaits. Time to save and close the docs and walk away, at least one more time.

Don’t Anger the Muses

I love it when I get in here to write, and I seem to know exactly where to begin and what to type. Little thinking is demanded; it’s just go, go, go. 

I know it’s not from ‘nowhere’ or some mysterious regions of my brain, or a gift from the muses. Truthfully, I’m agnostic. I’m not going to be categorical and say that it isn’t the muses. Maybe it is. Don’t want to outrage them by denigrating their contribution, you know. If it is due to the muses and they cut me off, I’d be bereft.

In my defense, I know that I stopped in the middle of a scene yesterday. I was following a trend. Once I’d shut down and was walking, thoughts arrived about what to do. Walking frequently acts as a laxative on my thinking, out there, going somewhere that only requires me to think, left, right, left, right — which out for the bus — permits to me to think.

I’d not been planning my thoughts and wasn’t actively thinking about the novel in specific ways. It was more a part of multi-streaming that I often do, especially while walking, surfing a little of one before jumping to another. This idea popped up, found its roots, and grew. More grew, developing new angles, as I showered and shaved this morning.

I guess it’s probable that I was thinking, but the muses were directing the streams and deciding what came to what. How’s that for a compromise?

Got my hot coffee. I’m in my chair. Time to write again, at least one more time.

 

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