
Lisa Howorth Said

Science fiction, fantasy, mystery and what-not
A day when the writing and editing ‘goes well’ leaves me energized and optimistic. Wish I could bottle it as an elixir and drink a bit every morning.
Dealing with a bad muse today. Experienced with my buttons, she’s pushing them to get her way.
See, I should be editing and revising. It’s round number five on this novel in progress. It’s coming along well but it has a big appetite for my time. I hope, with another round or two, that I’ll have a finished tale that satisifes me. But that comes with a big sigh cuz I’m a little weighed down with the novel. Sixty pages of editing remain of a section which was expanded and shifted in the last two go-arounds. Complicated, they were sloppy and overwritten so I’m addressing what I see. It’s satisfying but tedious.
Bad Muse knows this. She knows that I’m addicted to the creativity experienced while writing a new novel. So Bad Muse is pushing buttons to continue with a new novel in progress. “It’s going well,” she croons, “and it’s fun. Time away from that other one will give you distance and you’ll find the editing is more easily done.”
I don’t know if her logic is right but I don’t like her tone when she says ‘that other one’. So disdainful. Not calling it a novel. Not even referencing it as a book or manuscript. Like she’s talking about another woman, a past girlfriend or wife or such. Oddly, that tone cements a decision that I’m going to edit ‘that other one’.
Take that, Bad Muse.
I’ve broken one of my cardinal writing rules. Two, actually.
I don’t usually allow others to read my novels in progress until I think of them as finished. But with a new novel underway, I wrote the beginning. Then I broke my second rule. I don’t talk about my writing other than mentioning progress or lack. I don’t talk with my friends and families about novels until they’re finished. But one of my beer drinking friends asked how my writing was going. Giving a mental shrug and doing a quality test on my second pint of beer, I shared the beginning of the new novel. Then, a whim later, I emailed it to several trusted friends.
All responded enthusiastically about what they read, so as I kept writing, I kept sending new installments as they were finished. I warned them it was raw and a lot of it might change. They didn’t care, encouraging me to keep sending, telling me that they were on the edge of their seats.
I know that they’re friends. Although all read in the genre in which I’m writing, they’re not objective. They might just be anxious not to hurt my feelings. And, as a pantser, I’m still in the fog, trying to understand where the muses ar leading me in this complicated story. (Note: all my novels are complicated. I enjoy reading complicated, and I like writing complicated.)
Objective or not, it was validating, even rewarding, to hear someone say how much they enjoy it. Otherwise, it’s just writing in the dark.
It’s hard to stop writing when it’s blistering along but the allocated time has skidded to an end. Difficult to push the pause button while editing and revising the other project when the timing bell rings to announce, move on to the next matter.
Doesn’t help that the muses are especially active, like they’ve been gorging on chocolate cake and chugging coffee. They just don’t want to stop and it pains me to tell them that I am.
I need a longer day or the means to carve time out of everything else going on. How much sleep is really needed anyway?
Starting the daily revision work with page 425, I did the math. Just 101 pages remained. Easily done. Can be completed by week’s end.
Then reality spit in my face. Stepping into page 425, I choked on misery. Such clumsiness in the prose. And chaos. Continuity had broken like a quake shook it apart.
Going retrograde, I slipped back two chapters, to where this scene left off. Might be a setback to hopes for a finish this week, but time isn’t nearly as important to me as getting it right.