

Science fiction, fantasy, mystery and what-not
I write fiction. I love writing novels. I don’t work so much on publishing them afterwards. Writing them is the fun of it. Fiction writing always lets me be other characters.
Today was typical. As I worked on the novel in progress, I was several characters. A mashup of genres, I told the muses that all genres are welcome in this tome. So, today, one of the principle characters in the scene was the talking dog, Sly.
Sly is a small dog. His name is short for Sylvester. Besides talking, he’s a thought reader. His owner is Instant, a rock and pop star who uses magic to enhance her performances and control her fans. They live on a starship named the Stellar Queen.
When Sly was introduced chapters ago, he came in to give specific warnings and revelations. When I thought about his voice and tone, I began imagining my father’s words coming out of Sly’s mouth. Thereafter, Sly’s behavior model is my father. Later, I realized with a start, Dad’s nickname among some of his friends is Sly. Kind of trippy. I named the dog before ever thinking about his behavior.
I think my favorite character in the novel, though, and the one who I would prefer to be, is Ari Four. As part of his modelling,another fictional character inspires him. That’s Uhtred of Bebbanburg, son of Uhtred, played by Alexander Dreymon in a television series called The Last Kingdom. The television series is based on a series of novels by Bernard Cornwell. Uhtred is based on some history, and Cornwell’s distant forebear. Besides sometimes acting irrational, staunchly adhering to principles when others urge him to abandon them, Uhtred is bold, loyal, and decisive. He’s willing to fight.
Ari Four is always urging, “We must do this now.” He speaks forcefully, as Uhtred would. If someone else is about to pull a sword, Ari Four will pull his first. That’s the thing about fiction writing. Like fiction reading and watching movies, plays, and television shows, you can let yourself be someone else for a while.
Even if it’s just your father, the dog.
Eighteen pages. 5070 words. This is the gist of the chapter in my book which gave me so much trouble.
The chapter is called “Reconciliation”. Consisting of eight sub sections, this part of the story swung back and forth between two points of view.
Man, was editing and revising it a challenge.
I began with reading it after finishing the previous chapters. Right away, my brain was screeching to a halt. A grimace of displeasure spread. This wasn’t working.
Okay, recognizing there’s problem is a good first step. Identifying the problem is the second step. Fixing it is the third step. Then reviewing it to confirm it works is the fourth step.
“Reconciliation” begins on page 532 of 646 manuscript pages. So a lot of the story is well underway by then. Until encountering “Reconciliation”, the editing and revising was going well. I think I owe that to my process. I write and rewrite and polish as I progress. If I’m uncertain about what happens next, I’ll drop back and read and edit until I’m ready to write the next stage. Also, this is the novel’s third official draft. So there’s already been a lot of effort in it.
“Reconciliation” was a whole different animal. The story and the flow balked and balked again. It was like a squeak that must be fixed but first I needed to locate the squeak. I went through that chapter seven times before I was satisfied that I could go on.
The chapter after that, “Camden”, 23 pages, 6400 words, was done in a day.
Yet, with all that whining, editing and revising “Reconciliation” was very satisfying. There was a problem to be fixed. Fingers crossed, that’s what I did.