The Dancer Dream

I heard violin music. It was a classical song. I knew it but I couldn’t attach a title to it.

With a personal POV like a camera was perched just over my right shoulder, I turned in search of the sound. The view around me was like I looked at the world through a misty gray light gel.

A woman came toward me, brunette, with creamy white skin, and large, dark eyes. Her hair was pulled into a tight bun. I could only see her from her bare shoulders up.

As she approached me, she sang, “I am here for you, I am here for you,” in a tone and rhythm that matched the violin tune.

Her eyes on me, she passed while still singing, turning away but then turning back to look at me again, still singing, with a hint of smile. I saw more of her. She’s dancing, I realized. She’s a ballerina, I saw, and then awoke.

The House Band’s New Song

Quinn was all excited, accosting me as I stepped out of the shower. “I have a new song,” he said. “I’ve written the lyrics. Let me sing them to you.”

WAKE UP!

I wannawanna wannawanna

wannawanna

I wannawanna wannawanna

wannawanna

I wannawanna wannawanna

eat now eat now eat now!

“Then it repeats,” Quinn said. “I’ll get T.C. to do a screaming guitar bridge. I call it “Blue Cat @4AM”. It’s a new sound I’m exploring that I call speed floof.”

 

For Today’s Dreams

I need to think about and research these items from last night’s dreams:

  • Eating ham, and wrapping ham to take with me
  • Q-tips
  • Attending a rock concert in Japan
  • And the words, “Trey Chico,” which made a lot of sense to me in the dream

The name of the concert was “Trey Chico.” Three boys, I wondered several times during my dream.

It was an interesting concert venue. The stage was on one end in a field, about a mile from a field for parking cars. Between the parking and stage were long, open rows between rows of small apartments. Japanese people set up blankets in the open rows, and waited for the concert in the apartments.

We arrived early, in late afternoon for the concert. My wife was with me. We were in the cheap section. Meeting others, I ate some ham. I never saw any of the concert. I left right before they were supposed to play “The Star-Spangled Banner”. My wife stayed at the concert when I left. I wrapped ham in paper to take with me before I left, and made sure I took my laptop computer with me.

It was dark, but with lighting when I left. Fences blocked some sections. Others were attempting to leave, as well. I knew that the fences were there, but didn’t know how to get around them. A Japanese man came up and told us how to do it.

Walking through the open rows to get to parking, I was warned several times not to step on the Japanese, or their blankets. I cut back and forth, sometimes running, to go the mile to the field, and sometimes entered and left one of the small apartments. I thought they were clever, and that the concert arrangement was clever.

I ran into my wife in one of the apartments. She was with friends. They’d gone to a nearby shop, and then toured this apartment. Showing me Q-tips, she said, “They have the right Q-tip holders. We saw them. Where did we see them?” I knew, but I didn’t answer her.

Reaching the parking field, I oriented myself. After counting the rows, I turned and walked down one row to my car.

The dream ended.

Beginning Again

Cut those strings, he told himself. Release the ballast. Unfurl your sails. Anchors aweigh.

He wasn’t certain about that last expression. “Anchors aweigh.” Sounded like he should be readying a scale. He was pretty sure that’s how the song went, “Anchors aweigh, my boys, anchors aweigh.” He owned a computer, and could easily look it all up, but he thought it a dated reference, anyhow.

Searching for something more appropriate for the digital age, he came up with “Just Do It.” Unfortunately, he couldn’t use that; the slash folks have trademarked it, and zealously guard their carefully cultivated expression.

Sliding back into the rocket age, he counted down, “Three, two, one…we have liftoff.” But those words failed to lift him, and he became a little depressed, because Major Tom entered his head. The Air Force song came up, “Off we go, into the wild blue yonder,” but yonder construed a vague distance and direction.

“Where are we going?”

“Over yonder.”

“There?”

“Yes, yonder. There.”

Umm.

“Once more into the breach, lads,” he thought, but it would not do. Various people and rock performers sang about being back in the saddle again. Where was his creativity today?

What the hell. He needed an ending so he could start. “Lit ’em up,” he said, wincing. Time to reboot, he decided, pressing start, but it was such a dejecting way to begin. “On the road again,” he hummed.

Curse Willy Nelson.

Today’s Theme Music

You call,

they call,

memories,

family,

friends,

keeping you up,

holding you back,

they won’t let go. 

Thinking of a new year and all your plans, one cannot help but remember the past. That’s what’s today’s song is about. And it has a good beat, easy to dance to and sing as you surf the wave of the day.

Here is Elle King with ‘Ex’s & Oh’s, 2015.

Today’s Theme Music

Sometimes the theme music is about trying to influence my mood, reflect a more general mood, or capture a sentiment. Today, pining for the end of 2016 and commencing the countdown to 2017, I turned to Bruce Hornsby and the Range and ‘The Way it Is’, 1986.

I selected it because he sings, “Some things will never change.” He alludes to judgments based on appearance, beggars and the unemployed, and people’s callousness. “That’s just the way it is.”

I’m one that doesn’t believe that’s just the way it is, and things will never change. I’m not a student of history but I enjoy reading history. I know of other times when matters were worse for many in almost every term we can think of to phrase it.

But that’s not how it stayed. People hunted medical solutions to reduce and eradicate disease, or sough technological advances to benefit our planet and civilization, economic improvements for all classes in all societies, or pushed for freedom and equality for all without regard to how they, as individuals, differ or conform with anyone else.

I am one that believes that if we c0ntinue developing and articulating visions of a better world, we will achieve such visions of better lives for everyone. I turn to Bruce and the Range because that’s what one stanza states:

That’s just the way it isI
Some things will never change
That’s just the way it is
But don’t you believe them

Yeah, I don’t believe them. Things will change.

For the better.

“The arc of the moral universe is long, but it bends towards justice.”

― Martin Luther King Jr.

Today’s Theme Music

No particular reason for this song today. It’s a classic R&B tune, flows through the head like an unraveling thread, easy words to remember and sing, with an appropriate key and subject matter. It helps you have a legendary singer and group performing it.

Here is ‘Shop Around’ by Smokey Robinson and the Miracles, 1960.

 

Today’s Theme Music

It’s an ordinary winter Sunday in an extraordinary year.

The statement causes a reflexive gaze across history at all the extraordinary years in recorded history. The statement requires adjustment to put me more accurately upon the spectrum of what I know and have experienced. I ‘know’ a sliver of American history and a granule of western history. I need to context ‘know’ because I ‘know’ what was often taught in books as fact and knowledge. Much was later revealed to be false or misleading, part of a paean to the victors who wrote or interpreted the history.

We could take a swing at our Christmas practices, beginning with the time of year that we celebrate and the pagan rituals we practice, processes adopted to encourage people to be Christians. Or we can take a deep dive into how Jesus is often portrayed as a blue-eyed white man with brown hair compared to the image of a dark-haired brown man forensic scientists put forth early last year.

‘For those accustomed to traditional Sunday school portraits of Jesus, the sculpture of the dark and swarthy Middle Eastern man that emerges from Neave’s laboratory is a reminder of the roots of their faith. “The fact that he probably looked a great deal more like a darker-skinned Semite than westerners are used to seeing him pictured is a reminder of his universality,” says Charles D. Hackett, director of Episcopal studies at the Candler School of Theology in Atlanta. “And [it is] a reminder of our tendency to sinfully appropriate him in the service of our cultural values.”

‘Neave emphasizes that his re-creation is simply that of an adult man who lived in the same place and at the same time as Jesus. As might well be expected, not everyone agrees.’

~ Mike Fillon, ‘The Real Face of Jesus’, Popular Mechanics, January 23rd, 2015

It all leaves me a little ‘Unsteady’. The song is a repetition of many of the same words but I like it. Hold onto me and sing along with the X Ambassadors’ song from 2015.

At least it’s more recent than most of my theme music.

Today’s Theme Music

Everything’s so blurry
And everyone’s so fake
And everybody’s empty
And everything is so messed up
Pre-occupied without you
I cannot live at all
My whole world surrounds you
I stumble then I crawl

You could be my someone
You could be my scene
You know that I’ll protect you
From all of the obscene
I wonder what you’re doing
Imagine where you are
There’s oceans in between us
But that’s not very far

~ ‘Blurry’, by Puddle of Mudd, 2001

I have a good life when you consider everything but it sometimes still gets all blurry about how good things — and how bad it could be. ‘Blurry’, though, is about emotions. Emotions care little about a situation logic, something often forgotten during passionate discussions and angry debates.

‘Blurry’ also show us that emotions can help us overcome ‘logic’:

There’s oceans in between us
But that’s not very far

I might be adding layers and insights. They’re clearly writing about love and a tumultuous relationship. I see more. That’s the point of art, including literature and music, isn’t it? The composer, writer and artist are drawing their vision. Their vision, though, remains unique to them because it must be shared with others through the filters the viewer brings upon the scene. And these individual, personalized interpretations of words and intentions can make it all seem very ‘Blurry’.

 

Hope this all comes out properly. It’s relatively colder than usual outside (17 F). Google Chrome apparently has some problems when it’s cold.

 

 

 

 

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